Bluefish444 Epoch | 4K Neutron & Assimilate SCRATCH Bundle

 The Epoch | 4K Neutron & Assimilate SCRATCH Bundle from Bluefish444 is an I/O PCIe card and DI software package for handling real-time 4K/UHD footage up to 30 fps. The bundle pairs Bluefish444's Epoch | 4K Neutron bi-directional with and a permanent license for Assimilate SCRATCH that includes the first year of updates and support. The software is a digital download and is available in Windows or Mac versions. The Epoch | 4K Neutron is a half-length PCIe card that allows for easy integration with rack mounts, smaller form computers, and portable PCIe or Thunderbolt enclosures. It has a full-height shield and connectivity for AES/EBU digital audio, analog audio, and RS-422 control, which are all available via an included breakout cable.

Featuring three BNC connectors, the Epoch | 4K Neutron supports single-link or dual-link 3G-SDI signals to support DCI 4K (4096 x 2160) and Ultra HD (3840 x 2160) input or output at up to 30 fps. For cost-effective monitoring, the card also features an HDMI output that supports up to DCI 4K at 24 fps and UHD up to 30 fps. Like other Bluefish444 cards, Neutron cards use a 12-bit processing pipeline to maintain the full quality of your source material. Additional features such as 4 x 1D x 12-bit LUTs on all of the SDI outputs, a low-latency hardware video keyer, and compatibility with industry standard Bluefish444 and 3rd party software – such as the included Assimilate SCRATCH – make the Epoch | 4K Neutron ideal for a variety of applications and workflows, including editing, color correction, video streaming, production, mobile production, digital intermediate, and image quality control.

SCRATCH is a comprehensive DI software that helps you take control of your digital workflow, bringing together real-time data management, dailies playback and review, conform, editing, color grading, titling, 3D compositing, and finishing into a single, consistent user interface. SCRATCH also integrates via XML with other tools in your workflow. SCRATCH offers real-time full-resolution support and native playback of all popular camera formats, including stereoscopic 3D workflows, and is fully ACES compliant. An advanced and scriptable XML back-end allows you to access your job anywhere via HTML, and integrate with other tools in your workflow, such as Nuke, Shotgun, Avid, and Final Cut Pro. You can also enhance SCRATCH with OFX plug-ins such as Sapphire, Beauty Box, Twixtor, and Neat Video.

Please see the links below for more information on the components of this bundle.

• Epoch | 4K Neutron

   

  The Epoch | 4K Neutron from Bluefish444 is a bi-directional I/O PCIe card for capturing or playback applications that require 4K/UHD SDI signals, multi-channel 3G/HD/SD SDI signals, and 4K/UHD HDMI monitoring. At half the length of a full-size PCIe card, the Epoch | 4K Neutron takes the functionality of a larger card and packs it into a form factor that allows for easy integration with rack mounts, smaller form computers, and portable PCIe or Thunderbolt enclosures.

  This model comes with a full-height shield with connectivity for AES/EBU digital audio, analog audio, RS-422 control, and an auxiliary genlock BNC, which are all available via an included breakout cable. An alternative model is separately available that replaces the extra audio support for an extra, built-in genlock BNC connector. Additionally, an "LP" model is available separately that forgoes audio connectivity or the extra genlock connector for a low-profile shield that increases compatibility with compact expansion chassis.

  Featuring three BNC connectors, the Epoch | 4K Neutron supports single-link or dual-link 3G-SDI signals to support DCI 4K (4096 x 2160) and Ultra HD (3840 x 2160) input or output at up to 30 fps. For cost-effective monitoring, the card also features an HDMI output that supports up to DCI 4K at 24 fps and UHD up to 30 fps. Like other Bluefish444 cards, Neutron cards use a 12-bit processing pipeline to maintain the full quality of your source material. Additional features such as 4 x 1D x 12-bit LUTs on all of the SDI outputs, a low-latency hardware video keyer, and compatibility with industry-standard Bluefish444 and 3rd party software make the Epoch | 4K Neutron ideal for a variety of applications and workflows, including editing, color correction, video streaming, production, mobile production, digital intermediate, and image quality control.

   

  Bi-Directional SDI Inputs/Outputs
  • Can playout 4K/UHD over 3G-SDI or HDMI, or capture 4K/UHD over 3G-SDI
  • 3x BNC connectors that each support 3G/HD/SD-SDI input and output signals
  • Dual-link 3G-SDI support
  • One multi-format BNC connector supports genlock input in additional to video signals
  Additional ConnectivityBreakout cable provides:
  
  • RS-422 interface for control of VTRs and other serial controlled devices
  • 8 channels of AES/EBU audio input and output for capture and playout of digital audio, including 7.1 surround sound monitoring
  • 2 channels of analog audio output (RCA connectors) for stereo monitoring
  • Auxiliary genlock connector
  4K / UHD HDMI Monitoring
  • HDMI 1.4 output for cost-effective monitoring
  • Supports deep color and 4K/UHD resolutions
  • 3D frame packing
  Thunderbolt Expansion Chassis Compatibility
  • Works with portable PCIe and Thunderbolt expansion chassis, from small single-slot devices to larger multi-slot options
  • Compatible with select Sonnet, Magma, and Netstor chassis
  • Visit Bluefish444's website for a full list of qualified 3rd party chassis options
  12-Bit Processing Pipeline
  • Allows 8-, 10-, and 12-bit SDI video signals to be produced from 8-, 10-, 12-, and 16-bit pixel formats for the highest quality from your source material
  • 4096 discrete values of red, green, and blue are maintained per pixel
  • 64 times the color precision of a traditional 10-bit processing pipeline
  4 x 4 x 32-Bit Color Matrix
  • Color space conversion image processing includes a fully programmable 4 x 4 x 32-bit color matrix
  • Reduces colorspace conversion errors and ensures color accuracy during capture, monitoring, and mastering
  Primary Hardware Color Corrector
  • 4 x 1D x 12-bit LUTs on all SDI outputs gives control over lift, gamma, and gain prior to monitoring or mastering your content
  • When the programmable 4 x 4 x 32-bit color matrix is combined with the onboard 1D LUTs, it provides a powerful hardware color corrector
  Low-Latency Video Hardware Keyer
  • Allows video layers to be combined in hardware with only microseconds of delay
  • Enables animated logos, captions, ticker tapes, etc. to be keyed over live video feeds at full 12-bit precision and with minimum input to output delay
  • Hardware keyer can also function as an image pre-multiplier to assist in previewing images with alpha data
  Bluefish444 Symmetry Included
  • Integrated DI acquisition, review, and play out software
  • Windows compatible
  • Work in 10-bit RGB or 10-bit YUV color space
  • Flexible and intuitive interface
  3rd Party Software Compatibility
  • Adobe Premiere Pro CC
  • Adobe After Effects CC
  • Adobe SpeedGrade CC
  • Adobe Audition CC
  • AVID Media Composer
  • AVID Pro Tools
  • Assimilate SCRATCH
  • Bluefish444 Fluid ingeSTore
  • Symmetry
  • DrasticPreview Pro
  • Drastic Media NXS
  • Telestream Wirecast
  • vMix
  Additional Hardware Features
  • 4-lane PCI-Express (8 and 16 lane compatible)
  • High-performance bypass relays
  • Automatic cross-locking and intelligent output phasing across formats
  • Audio sample rate converters
  • Master Routing Resource (MR2)
  • Input Stream Integrity Management 9ISIM)
  • Full duplex DMA data transfer bandwidth 1.1 GB/s
  • 256MB onboard memory
• SCRATCH (Perpetual License, Mac/Windows, Download)

   

  Assimilate SCRATCH is a comprehensive DI software that lets you take control of your digital workflow. This is a perpetual license of the software that includes the one year of support, maintenance, and updates. The license is for Mac or Windows version of the software. SCRATCH brings together real-time data management, dailies playback and review, conform, editing, color grading, titling, 3D compositing, and finishing into a single, consistent software ace. The software also integrates via XML with other tools in your workflow. SCRATCH offers real-time full-resolution support and virtually all popular camera formats, including stereoscopic 3D workflows, and is fully ACES compliant. An advanced and scriptable XML back-end allows you to access your job anywhere via HTML, and integrate with other tools in your workflow, such as Nuke, Shotgun, Avid, and Final Cut Pro. You can also enhance SCRATCH with OFX plug-ins such as Sapphire, Beauty Box, Twixtor, and Neat Video.

   

  Color Correction & 3D CompositingSCRATCH seamlessly blends color correction with deep 3D compositing in one unified, real-time system. You won't have to interrupt your DI session because you have to send beauty shots out to VFX. Does your shot need a quick object replaced? Need to add a Sapphire Lens Flare? SCRATCH handles all these routine VFX fixes right in the DI session without stopping.Optimized for Real-Time, Client-Attended InteractivitySCRATCH delivers the raw performance that inspires collaboration with your clients. Play and review multi-resolution shots side-by-side and in real-time. Experience incredibly fluid, responsive grading and finishing sessions.Digital Tools for the Entire Post-Production WorkflowSCRATCH delivers real-time data management, to dailies playback and review, extremely flexible conform, advanced color grading, unlimited versioning, titling, compositing, finishing, and mastering to a variety of formats.Unmatched FlexibilitySCRATCH seamlessly integrates via XML with other tools in your workflow such as Nuke, Shotgun, Avid, and Final Cut Pro. Extend dailies sessions for remote review and comment or create the kind of automated workflows and client tools that, until now, only the biggest facilities could afford.Real-Time Full Resolution, Native Playback of Popular Camera Formats
  • Oculus Rift VR360 file format including Cylindrical, Equi-rectangular, and Cube formats, for output to a secondary monitor, or an Oculus Rift DKI or DKII
  • REDCODE RAW.r3d including monochrome footage. Support for multiple RED Rocket cards with DRX control
  • RED Dragon
  • ARRIRAW including new ASSIMILATE customARRI fast Debayer - built for significant speed while still preserving color accuracy
  • Sony F5/F55/F65 including 6K and 8K
  • SONY Mpeg-2 .mp4, .mov and XAVC HD/4K .mxf
  • Phantom
  • SI2K
  • Panasonic RAW, P2/MXF and AVCHD
  • Canon C500, C300, Magic Lantern (.raw and .mlv), 5D, 7D
  • Blackmagic Design Cinema DNG, BMDPocket camera
  • Vanguard Video H.264 encoding (Mac and Windows)
  • Aaton Penelope
  • Ikonoscop
  • GoPro
  • QuickTime
  • DPX
  • Over 50 additional formats
  Color Grading
  • Real-time, non-destructive primary and secondary color grading
  • Heads-up color grading interface and support for Avid Artist Color panel series or all
  • Tangent panels support - including Element
  • Source-side adjustments for mixed color space workflows
  • Match and auto grading
  • 2D and shape tracking
  • Keying based on Vector, Chroma, or Luminance
  • Controls for finessing keys
  • Integrated Histogram, Waveform, Vectorscope, and Color Curve views
  • Group shots, copy/paste color grades and reference libraries
  • Key frames and animation curves
  • Import and save 1D and 3D LUTs based on primary color grades
  • Support for a shaper LUT inside a cube LUT
  Finishing Tools
  • Shot Versioning: SCRATCH CONstruct manage multiple versions of the same 2D or 3D shots within the same timeline for easy comparison
  • Vector paint
  • Subtitling support
  • Apply OFX plug-ins to create a wide range of visual effects
  • Direct Output: Real-time tools for frame-rate conversion, image-resolution scaling, and frame-accuracy to monitors, projectors, and tape decks using both DVI and SDI interfaces
  • Multiple Deliverables: Create alternate versions in different resolutions, image formats and framing, all from a single source
  Viewing Options
  • Create dual views of any image in a project by quickly and easily selecting a version, a reference, a clip from any video track, or a color buffer
  • Compare them using one of two methods: a difference method, or an overlay method with opacity controls, and a 360 degree wipe
  • One of the dual views can be designated as an output view (showing the final result of a shot), while the other is a fully functional working canvas with access to even the deepest elements of a shot, including a complex composite or color grade
  • Intuitively manipulate any element of the working view and instantly see its resulting affect updated to the output view at full resolution and in real time
  Conform and Confidence Checking
  • Mix-and-match RED .r3d files with ARRIRAW or Phantom (or any other media format recognized by SCRATCH), even Canon DSLR, within the same resolution-independent timeline
  • Dual-View, Half-Mix and Side-by-Side comparison options
  • Quick Keys for moving through a timeline and edit tools for shot manipulation
  • AAF import and MXF integration
  • Import and export ALE
  • Final Cut Pro XML import
  • Final Cut X 1.4 support for conform
  • Shot log metadata import
  • Metadata search
  • Stereoscopic 3D versioning
  • CDL support
  • Output to multiple file formats such as DNxHD, DPX, ProRes (Mac OS version only) Tiff, JPG, Quicktime, MXF, and more
  • Export with timecode and metadata
  • Multi-layer timeline
  MyAssimilate Cloud-Based PortalThe MyAssimilate feature gives you a portal to manage your SCRATCH tools and preferences, and share content.
  • SCRATCH Web - cloud-based channel to publish and share raw media for collaboration and review
  • Galleries - share looks, grades, and composites with other SCRATCH users
  • Project Repository - share and collaborate while maintaining a full project-change log
  • Download the latest version of SCRATCH
  • Licenses - manage your licenses and create an emergency license if needed
  • Create a user profile
  Metadata and Timecode Support
  • Sync timecode from multiple cameras (including stereo) with a unique "Match Timecode" function. Stack cameras into a single slot, then automatically sync the timecode all of cameras to one of them
  • Generate dailies by automatically naming clips based on any metadata field, including camroll, scene, and take
  • Create flash burns either at the top and tail of a clip, or throughout its duration
  • Capture scene and take metadata automatically from broadcast wave audio files
  • Automatically generate new timecode for DSLR cameras such as the Phantom, Canon 5D/7D and GoPro that don't support it; easily increment the timecode with each slot and even skip by user-defined intervals
  • Populate Avid AAF files with extended metadata, avoiding the double pass to access that ALE files required
  • Select, update, add, or remove metadata in a spreadsheet editor-style. Update metadata for a single shot or multiple shots at once, as well as update data by entering plain text or using formulas that contain other metadata items. New metadata can then be exported via ALE or XML to be imported into other systems or integrated with other proprietary tools
  • Match/find, load and apply looks to multiple shots in the form of 3dl, CDL, LUT or XML, and audio. This feature will search and match by name, time-code, or any common metadata items. In addition, artists can now auto-link audio files to shots purely based on metadata and file name
  Audio Sync
  • Broadcast wave support
  • Automatically sync to timecode or slate
  • Interactive waveform for sync
  • Interactive audio scrub
  Stereoscopic 3D Workflow SupportEnjoy the creativity of a full stereoscopic workflow that provides consistent, intuitive feedback during the conform, color grading, and finishing process. Stereoscopic image pairs are automatically linked for versioning and real-time playback to a wide variety of stereoscopic delivery systems.
  • Check and adjust stereo with dedicated link and convergence controls
  • Bicubic controls for fixing 3D stereo images
  • Position elements relative to the screen plane
  • Immediately review decisions in stereo
  • Panasonic 3D stereo camera support with automatic stream de-muxing
  Live ViewThe Live View function takes in the SDI signal from a camera and allows you to work and grade directly on the camera feed. It also takes in the camera metadata if available which is then displayed in the metadata stack in the Player module. In addition, the name of a SCRATCH Gallery item can be based on the metadata of the current shot (e.g. Live View). The grade set can then be easily linked to the recorded shot further downstream in the pipeline.XML Back-End for FlexibilityFuture-proof your workflow with an advanced and scriptable XML back-end that allows you to:
  • Automate SCRATCH to maximize productivity
  • Access your job anywhere via HTML
  • Integrate SCRATCH via XML with other tools in your workflow such as Nuke, Shotgun, Avid, or Final Cut Pro
  • Enhance SCRATCH with OFX plug-ins such as Sapphire, Beauty Box, Twixtor, and Neat Video
  • Built-in SQL database supports a full range of metadata
  Oculus Rift SupportSCRATCH now supports the VR360 file format including Cylindrical, Equirectangular, and Cube formats for output to a secondary monitor, or an Oculus Rift DKI or DKII. With a Rift connected, these formats are mapped in real-time to Rift output, with full head-tracking support. SCRATCH will output in 360-mode with just a normal secondary display/monitor acting as a window into the virtual world, with real-time ability to pan, track, and tilt around the sphere. This means that developers creating cinematic content for the Rift now have a powerful tool that allows them to grade VR shots in real-time - whether or not they have a Rift headset.Vanguard H.264 EncodingSCRATCH includes ab H.264 encoder from Vanguard Video, LLC, so artists now have the optimal combination of bitrate, filesize ,and quality for their dailies and preview content.Copy & Consolidate MediaConform data from multiple sources, then make local copies or consolidate all media into a new single location. The consolidate can be monitored via a process queue and is a background process, allowing artists to continue working on the same or another project -- even exit SCRATCH -- and the process will continue until is completed.Additional Features
  • Fully ACES compliant
  • Support for the AJA Kona 4 video card
  • Updated supported camera and media formats, including Panasonic Raw, Magic Lantern (.raw and .mlv), BMDPocket camera (on OSX)
  • Updates on XAVC and XAVC-S to increase performance for 4k resolution
  • Support for a shaper LUT inside a cube LUT
  • Final Cut X 1.4 support for conform