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Aug
3
Videoguys Recommended Laptops for Video Editing
by: 
 8/03/2011 4:44 PM
We get asked all the time about what laptops we recommend for video editing. This is a more difficult question to answer, because unlike a desktop, you are very limited in what upgrades and changes you can make after you buy it. So we are not going to recommend any specific models, but rather what brands of laptops we recommend and the model family they fit into. Before we get into the Laptops, lets talk about the specs we look for: Read More
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Aug
3
NVIDIA Quadro Mobile Workstation GPUs
by: 
 8/03/2011 12:17 PM
Videoguys recommend Quadro Mobile GPUs

The Adobe Mercury Playback Engine in Premiere Pro CS5.x is amazing. When you combine it with a mobile Quadro card you will be able to edit multiple layers of assorted HD footage foramts in real-time. Avid wants a Quadro card for Media Composer as well. We really like the new Quadro 3000M with 2GB of GDDR5 memory and 193 CUDA cores!

The NVIDIA® Quadro® Mobile Workstation product family is a complete top-to-bottom range of solutions with unmatched Read More

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Aug
1
Editing 2.0
by: 
 8/01/2011 11:00 AM
When Apple called a hurried press conference at this year’s NAB Broadcasting Conference in Las Vegas there was the usual feeling of excitement over an Apple announcement but also a question over the impromptu style of a major editing product launch – the announcement had to be to do with the next version of Final Cut Pro. When FCP X was finally shipped a couple of months later and received so badly by so many professional editors Apple’s editing competitors must have felt that their moment had a Read More
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Aug
1
Detailed Adobe Premiere & Dynamic Linking Workflow
by: 
 8/01/2011 10:56 AM
Here's a detailed Adobe CS5.5 Premiere workflow example and intro that we've been using over the past few months with solid success with both Canon HDSLR footage and RED Epic footage. It shows Dynamic linking with After Effects as well as REDCine X. Read More
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Aug
1
AE CS5.5: Warp Stabilizer Instatn Gratification
by: 
 8/01/2011 10:50 AM
See how to quickly apply the new Warp Stabilizer to footage for instant gratification, including setting the Smoothness amount as well as choosing between Smooth Motion and No Motion. Read More
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Aug
1
FCP X alternatives
by: 
 8/01/2011 10:47 AM
Final Cut Pro X has been out in the wild for over a month. Some of the hysteria has died down, but professional editors – those working in film, broadcast and at post facilities – have started to make some decisions regarding their next move. As a 1.0 application, FCP X doesn’t fulfill the needs required in many established workflows.

FCP X is a love-hate relationship. The people who are drawn to it feel that it’s the next revolution in editing technology. The folks ready to switch to some Read More

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Jul
29
The EventDV Guide to Adobe CS5.5 Production Premium
by: 
 7/29/2011 9:30 AM
EventDV and Adobe Systems present the definitive guide to Adobe CS5.5 Production Premium!

Your one-stop source for discovering the industry's most complete postproduction suite! Read More

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Jul
28
COW: Adobe Systems offers path for FCPX editors to switch
by: 
 7/28/2011 5:10 PM
As disgruntled Apple Final Cut Pro users search out options for professional video editing, Adobe Systems has been a major beneficiary of the big switch since FCPX hit the market. In her interview with Jim Guerard of Adobe Systems, Debra Kaufman finds the result of Adobe's offering for former FCP users to be a big uptick in pro video users. Read More
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Jul
28
Videoguys DIY8 Hex Core
by: 
 7/28/2011 8:51 AM
we are constantly updating and tweaking our recommendations, based on the very latest technology and industry news. We realize that our current DIY8 build is getting a little long in the tooth, and that many of you are chomping at the bit to go with the very latest Sandy Bridge chips from Intel. We have been following Sandy Bridge very closely, and while there is some great price/performance in it, we still have concerns.

I'm still not ready to recommend Sandy Bridge or the Asus P8Z68-V Pr Read More

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Jul
27
FCPX vs. Premiere Pro CS5.5 for Final Cut Pro 7 Editors
by: 
 7/27/2011 12:33 PM
If you're an event videographer who uses Final Cut Pro 7, you've probably been pretty comfortable that you chose the right tool for the job. Final Cut Pro 7 is highly functional, flexible, and it has great third-party hardware and software support. Beyond notable feature gaps such as full-featured Blu-ray authoring, it pretty much does what that you need it to do. That said, it's been four years since the last significant upgrade, and Final Cut Pro 7 is a 32-bit tool in a 64-bit world. Log and Read More
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Jul
27
Notes from using Premiere Pro in a real-world, client-in-the-room edit
by: 
 7/27/2011 9:29 AM
Adobe Premiere Pro has been back in the post-production public consciousness for quite a while. Now at version 5.5 it feels like Adobe began really pushing it when the Mercury Playback Engine was added in 5. I’ve been toying with it off and on for quite a while now but with the recent release of Final Cut Pro X I wanted to give it a real-world, client in the room test. In the end it was both very good, kinda bad … and a little bit ugly. Read More
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Jul
26
After Effects Tutorial: Stabilise your footage using After Effects CS5.5
by: 
 7/26/2011 11:34 AM
Adobe has introduced a new Warp Stabilizer with the CS5.5 upgrade to After Effects that automatically stabilises jittery hand-held footage. Although the ability to stabilise such footage has been with After Effects for a while, the Warp Stabilizer handles it automatically. Also, it’s far simpler than using Mocha to stabilise a shot. Now the only tweaking you have to do is adjusting the quality of the stabilisation. With DSLRs increasingly being used for video capture, the ability to stabilise qu Read More
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Jul
25
ATTN FINAL CUT USERS: CROSSGRADE WITH MATROX AND SAVE AN ADDITIONAL $175 OR MORE When you bundle a Matrox MXO2 with MAX
by: 
 7/25/2011 11:26 AM
Whether you're making the switch or just adding Adobe CS5.5 or Avid Media Composer 5.5 to your editing system you'll be happy to know that the Matrox MXO2 Hardware is "Triple-A rated" and Now Supports Apple, Adobe & Avid!

The Matrox MXO2 Mini with MAX was the FIRST I/O device recommended by the big 3 NLE vendors Apple, Avid and Adobe and the only one that gives you faster then real-time H.264 encoding! That is why we say Matrox MXO2 family of products are AAA rated. No other hardware compa Read More

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Jul
22
Getting Started with Adobe Premiere Pro (CS4,5 & 5.5)
by: 
 7/22/2011 11:41 AM
Welcome to Getting Started with Adobe Premiere Pro. Whether you’re brand new to editing, have some experience with Premiere Pro, or are coming from another editing application, you’ll need good information in order to be successful. I’ve selected specific high-quality articles and video tutorials so that you’ll have the material to be successful in your efforts. Read More
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Jul
21
A Do-It-Yourself 3D Roadmap
by: 
 7/21/2011 11:03 AM
Ghosts of the Abyss. Hannah Montana/Miley Cyrus: Best of Both Worlds Concert Tour. The Polar Express. Up. U2 3D. Coraline. Success stories, one and all, but aren’t these films mostly mass-market, high-budgeted studio projects? Why should 3D films like these matter to someone creating a low-budget feature today? Is it even possible to produce a genre film with a low budget—say, between $500,000 and $1 million—in 3D? Some forward-looking 3D experts say that it’s not only possible, but even inevita Read More
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