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Kicking the tires on Avid Media Access Part 2
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03/22/2009 03:58 AM
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ProVideo Coalition by Scott Simmons

AMA has great potential
As the second part to my “kicking the tires” test of the new
Avid Media Access architecture I wanted to try and understand how AMA
works as part of Avid media management. In case this is your first time
hearing about AMA, it’s a new way for Avid Media Composer (as well as
Symphony and NewsCutter) to access tapeless media. Currently supporting
XDCAM and P2 media, the software natively supports editing these
formats with no rewrapping or transcoding. It also allows direct
editing of XDCAM and P2 media from their solid state acquisition
devices as well as that media off of other hard drives. Avid doesn’t
have to copy that media over to the usual Avid Media Files folder on
local media drives. It is a near instant process when you use the Link
to AMA volume command. The first part of this story is available here.
But since Media Composer no longer has to copy imported media to the
Avid Media Files folder when using AMA the first thing I wondered was
how well would Avid be able to track and manage that media. We have
seen something similar with the Import P2 command in Media Composer for
a while. That function would allow you to import media from a P2 card
for instant editing. Unfortunately it seemed that when you restarted
the software after quitting the media would appear offline and needed
re-importing again.
I’m happy to say that is seems as if Avid has provided the best of both worlds with this first implementation for AMA.
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