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May
5
by: 
5/05/2011 12:58 PM
Save $50 Off Any Matrox MXO2 with MAX
Now through 5/16 with Coupon Code MAX50

Save an Additional $100 When You add the Matrox MXO2 Thunderbolt Adapter to Any MXO2 Order before 7/31

Learn more about Thunderbolt and MXO2 family support for Avid Media Composer 5.5 and Adobe Premiere Pro CS5.5 Read More

Mar
31
by: 
3/31/2011 10:31 AM
Today's the fun lesson, where we look at basics effects, color correction, and titles for your video editing projects. We're tackling all these topics in both Adobe Premiere Pro CS5 and Final Cut Pro, so come on in and we'll get started! Read More
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Mar
15
by: 
3/15/2011 12:28 PM
Here we are a couple of weeks past what is just slightly more than a rumor about the next version of Apple’s Final Cut Pro. Let’s call it FCPx as someone on Twitter stated and not FCP Awesome as was tweeted by another. I like FCPx for the mindless speculation. There has been more digital ink spilled over so little information concerning FCPx than pretty much anything besides the next great Canon DSLR or Obamacare. I’m about to add a bit more. Read More
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Mar
11
by: 
3/11/2011 3:55 PM
Videoguys is a proud sponsor of the Supemeet and we are donateing TWO $250 gift certificates to the raflle! Join the FCPUG Network, including BOSFCPUG, LAFCPUG, SF Cutters and other FCPUG and digital video user groups around the Globe in Las Vegas during NAB Show 2011 for the largest gathering of Final Cut Studio, Avid and Adobe editors, HDSLR filmmakers and digital content creators and Gurus on the Planet. Network, Party and Celebrate the Tenth Anniversary of FCPUG SuperMeets in 2011! Read More
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Feb
21
by: 
2/21/2011 10:47 AM
The power of modern desktop editing solutions is often in the aggregate of the parts and not just the core editing application. Apple Final Cut Studio and Adobe CS5 Production Premium (or Master Collection) are certainly recognized as software suites, but this is also true of Avid Media Composer, especially when you add the Production Studio bundle of third party software. Dedicated, all-in-one editing/compositing tools are primarily the domain of more expensive tools, like Avid DS, Autodesk Smo Read More
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Feb
18
by: 
2/18/2011 10:17 AM
President's Day Specials on NLE Upgrades and Bundles. Avid Media Composer, Apple Final Cut Pro, Adobe Production Premium CS5, Grass Valley Edius and Sony Vegas Pro. Save $20 Off Orders Over $400 with our President's Day Coupon Code PRES20 - Coupon Expires 2/23/11 Read More
Feb
9
by: 
2/09/2011 12:52 PM
The MXO2Mini one of the most versatile pieces of hardware available with support for PC or Mac, desktop or laptop, and with or without Matrox MAX technology. The MXO2 Mini is also the only "Triple-A" rated I/O hardware on the market - which is our way of saying it is approved and recommended by Avid, Adobe and Apple for use with their professional editing applications. Read More
Dec
1
by: 
12/01/2010 1:05 PM
For all the scientific discoveries we’ve made in the past few decades, it’s surprising how many mysteries there are still left to solve. What’s the smallest sub-atomic particle? What are the limits of the human brain? Are there parallel universes similar to ours and if so, how do we prove it? That’s why it’s no surprise that for video editors there is still so much debate over the seemingly age-old question of which editing software is best. Read More
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Nov
19
by: 
11/19/2010 4:49 PM
BLACK FRIDAY SPECIAL PRICES START NOW!

Our Lowest Blu-ray Disc Prices Ever featuring the New Pioneer BDR-206 Blu-ray burner & Videoguys' Bundles

Pioneer BDR-206 MEGA-X Bundle at Lowest Price Ever! The external MEGA bundle is perfect for MAC & laptop users - and anyone who wants to author Blu-ray Discs without the hassle of installing an internal drive! The Videoguys complete MEGA bundle includes the Pioneer BDR-206BK 12x Blu-ray Disc/DVD/CD Writer: • Vantec NexStar DX External 5.25" Read More

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Sept
15
by: 
9/15/2010 9:39 AM
Ten years ago there were few options for professional non-linear editing. Avid had the lion’s share with their Media Composer and Film Composer products, and for the slightly lower budget there was Avid MCXpress (distinct from Xpress DV), then the rest of the market was split across products from Media 100, Sony and a few others. All were expensive, complicated and difficult to get. Read More
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Sept
14
by: 
9/14/2010 11:49 AM
Recently I was reading a blog post from director Robin Schmidt over at ww.elskid.com which got me curious. He was doing a comparison between MPEG Streamclip and rarevisions 5DtoRGB. I was using MPEG Streamclip for myself to convert my 5D footage. From the beginning I was always aware of the obvious gamma shift you get using MPEG Streamclip. I just started to convert to Proxy files for editing and reconnect to my original files. Read More
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Sept
2
by: 
9/02/2010 4:00 PM
The range of the video editing software market has been remarkably stable over the past decade or so, with a clear divide between "consumer" tools in the $50 to $100 to $150 range, and "professional" tools from the likes of Adobe, Apple, Avid and Sony, starting at around $700 to $800. Read More
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Aug
27
by: 
8/27/2010 12:15 PM
Turning Dongles into Gold with the Avid Media Composer 5 Upgrade with Avid Production Suite for only $695 from Videoguys.com! Avid Media Composer 5 has been shipping for several months now, and the feedback we are getting from editors all over the world is that AVID is BACK! We know that many Avid editors have switched over to Apple Final Cut Pro or other NLEs over the past few years as Avid struggled to find it's way. Avid is back, and even more important Avid WANTS YOU BACK! If you still Read More
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Aug
19
by: 
8/19/2010 4:23 PM
We recommend using G-Speed Qs with Avid Media Composer, Adobe CS5, Apple Final Cut Studio, Sony Vegas Pro 9 and all our video editing solutions. For best results choose RAID-5 to combine outstanding throughput capable of mutiple streams of compressed HD footage with data protection. This means that should a drive fail, you won't lose any data or any work, and best of all you can continue editing!" Read More
Aug
19
by: 
8/19/2010 9:36 AM
If you’ve read some of my past articles about RED, you know I’m not a huge fan of “native” editing using the camera raw files as source clips. I find that an offline/online workflow is still best for smoothly editing RED projects, yet it still retains access to the raw color data during the finishing process. Previously I discussed an easy workflow for Apple Final Cut Pro and Color users, but this isn’t the only solution. As you know, Avid Media Composer 5 and Adobe Premiere Pro CS5 have both in Read More
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