 There has been an amazing amount of chatter around the HD video capabilities of recent still cameras - if they can still be called that! Rather than play into the hupe of what MIGHT be possible with these cameras, Creative Cow Magazine Contributing Editor Marco Solorio takes you inside the real world of production with paying clients using these cameras, including workarounds for their current limitations, and some of the things that video shooters will need to know as they get started using the
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 AJA Video Systems, a leading manufacturer of professional video interface and conversion solutions, announced today that it is now offering its KONA line of capture cards with software for both Mac and Windows-based systems. The company is folding its XENA line of capture cards, designed for the Windows platform, into the KONA product line, giving customers twice the software and flexibility to use KONA cards on all platforms, at no additional cost.
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 It took a lot of commenting and complaining from the many folks who bought a Canon 5D Mark II but unless you live under a rock (or just don’t really care) then you’ve heard that Canon is releasing an updated firmware for the 5D Mark II that will allow for 24p recording
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 The NEXTO DI NVS 2500 is a stand alone backup / archiving system for digital media cards. At it’s heart lies a 500GB 2.5 inch drive which has been wrapped in card readers, a rechargeable battery, a colour display and a whole host of communication ports. It’s all packaged up in a compact rugged case that’s built to withstand the day – day rigours of a video professional.
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 If Gebbs Wedding Films' Michael Gebben didn't have a strict personal policy against selling clients on technology, you can bet he'd be bragging about the two most significant additions to his arsenal he's made recently: Canon's 5D Mark II and EOS 7D DSLRs. For Gebben, a rising industry star whose demo was recently selected for use in the nationally syndicated TV show Wedlock or Deadlock, these so-called fusion cameras have made his already great-looking same day edits (SDEs)-his studio's special
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 The workflow of today centers on tapeless acquisition. Yet we must remember that it was Focus Enhancements—through its FireStore Direct To Edit products—that led the way to tapeless acquisition even when everyone was exclusively shooting tape.
In short, the FSH units are wonderful devices for a format that is being superseded. The FS-H200 and FS-H200 Pro should be part of any HDV shooter's toolkit. For the $300 difference, the Pro adds some nice features, but even the $895 original unit pro
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 If you're a post-production professional editing with Apple Final Cut Studio, Avid Media Composer or Adobe CS4 Production Premium, Videoguys.com is your source for the professional tools you need to make the most of your production environment. At Videoguys.com, we understand that professional video editors have different needs than the average consumer. Not only do you need the best tools available in the industry, you also need the fastest and most reliable solutions because down-time may not
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 Macworld buying advice (4 mice)
The Thunder RAID eSATA/USB 2.0 Portable System is great for multi-stream video playback. The multiple RAID configurations give it an available degree of fault tolerance and reliability. At around 26 cents per gigabyte, we find the Thunder RAID well worth the few kinks we experienced during our RAID reconfigurations.
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 If you are familiar with the more expensive Canon EOS 7D, you'll notice that quite a few of the features listed above were handed down from this camera. There is a lot of chatter online about the viability of the EOS 7D now that the Rebel T2i offers many of its features but with a price savings of $900 (based on street pricing). The thinking is that maybe they should get the Rebel T2i instead and put the extra $$$ toward better & faster lenses. Since this overview was written with the idea of he
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 RED’s Scarlet appears to be just around the corner and both Sony and Panasonic seem to be responding to the challenge of the upstart photo manufacturers. No matter what acronym you use – DSMC, HD-DSLR, HDSLR – these hybrid HD video / still photo cameras have grabbed everyone’s attention. 2010 may indeed be the year that hybrid digital SLR cameras hit their stride.
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 The Vegas Pro Webinar, 10 Vegas Pro Techniques for Power Editing, now up and available for on-demand replay. This is a fantastic resourse for Vegas pro users of every level.
Sony has posted some fantastic Vegas Pro tips and tricks on their website. Here they are some for you to enjoy:
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 People have been talking about the amazing video footage coming from new DSLR cameras, at resolutions that can easily exceed 4K digital cinema files, for a couple of years now, in all kinds of forums, including Cinematography, After Effects, and many NLE forums. In the past year, that traffic has continued to accelerate, and so we invite you to join us in a newly-created forum to concentrate all of that energy in one place: Creative Cow's new "DSLR Video" forum.
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 "The Matrox MAX technology has revolutionized our workflow. Our camera crews typically would record to tape or FireStore drives using our Canon HV20/HV40, Sony PMW-EX1, and Panasonic HPX500 camcorders. They would then ship the tapes or drives back to our facility where staff would transfer the footage to Final Cut Server. It would take us a day just to see it, then another three or four hours to add all the metadata so the editors could get to work. Once the editing was done we would output from
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 Buying a Canon 7D is a smart move well done, don't second guess yourself with, should I have got the new 550/T2i for half the price? The Canon 7D can do so much more on the photo side and it is tried and tested on the video side, there has to be some downside to a new camera for half the price.
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 Matrox® Video Products Group today announced Matrox Vetura Playback, a new application on the Mac for convenient playback of H.264 and .mov files using any of the Matrox MXO2 I/O devices.
Field journalists equipped with a Matrox MXO2 device that includes the Matrox MAX H.264 encoding accelerator can shoot and edit their stories, then quickly encode to a very high quality H.264 file faster then realtime.
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