RECORD 4K, HD AND RAW* DIRECT TO HOLLYWOOD EDITING STANDARDS
Record direct from the camera sensor to your choice of Apple ProRes, DNxHD/DNxHR or RAW* in 10-bit 422 quality onto affordable media options. Based on the camera’s output the Shogun can accept and record up to 4K 30p and HD 120p over HDMI or 12/6/3/1.5G SDI. The creative recording options are impressive as well with multistep scheduled time lapse recording and pre-roll recording to ensure you never miss a shot. Use anamorphic de-squeeze monitoring to allow for those using 2x, 1.5x, 1.33x and even Panasonic 8:3 Anamorphic solutions. * Raw to ProRes/DNxHR recording available for Sony F700 & Sony FS7.
REVIEW INSTANTLY ON SET
Full playback controls allow collaboration on set to review content the moment it’s captured, using the full suite of monitor tools on screen or out to a larger HDMI or SDI monitor. Our playlist feature makes reviewing rushes and favorite scenes even easier and with 4K to HD down scaling you can connect with HD monitors, wireless transmitters and Atomos HD recorders.
THE WORLD’S MOST ADVANCED AUDIO AND VIDEO MONITOR
A stunning 7.1” 1920 x 1200 320ppi IPS screen makes Shogun perfect as a director’s monitor. Shoot more accurate colors with class leading 3D LUTs that can be viewed on screen, out to a monitor or burned into the recording. There’s 2:1/1:1 zoom for critical focus, waveform, focal assist and an optional Spyder calibration unit. It’s the perfect tool for perfect creative shot setup.
METADATA TAGGING AT POINT OF ACQUISITION
Save time in post by tagging your captured content the moment you review on set. Mark Favorite/Reject, create a custom playlist, add meta data tags and even cut in/out points. Save them out as an XML on the Shogun and drop straight onto the timeline of your favorite NLE.
- FS700 & FS7 4K-DCI RAW to ProRes/DNxHR record
- Anamorphic de-squeeze for 2x, 1.5x, 1.33x and the specific Panasonic 8:3 mode support
- Pre-roll recording of 8s HD, 2s 4K
- Custom time lapse recording
- LUTs able to be applied on output, in recording, on screen and split screen
- Expanded meta data tagging
- Genlock activated
- Playlist generation
- Shogun 4K Rec/Play/Mon/Edit Unit
- 7" SuperAtom 325 PPI 1920x1200 IPS Touch Screen
- Atomos HPRC Custom Carry Case (hard shell)
- SSD/HDD Master Caddy II x 5
- 5200mAh Battery x 1 (NP770 N,L)
- AC Single Battery Charger 12V/1A (US,UK,EU,AU Plugs)
- HDD/SSD Docking Station (USB 3.0 Only)
- D-Tap adaptor
- LockingCircular to Balanced XLR 2in/2out configurable
- 9v 3A, Shogun DC Power Supply
1. FS700 & FS7 4K-DCI RAW to ProRes/DNxHR record
Users can take the RAW 4K-DCI feed from the SDI output on the Sony FS7 and FS700 and record direct to 4K-DCI ProRes or DNxHR. The linear RAW feed can be recorded as Slog2, Slog3 or Rec709 and can support 24/25/30p resolution. For the army of FS700 users in the field this is the feature they have been waiting for, converting their HD camera into a 4K powerhouse.
2. Anamorphic de-squeeze for 2x, 1.5x, 1.33x and the specific Panasonic 8:3 mode support
Anamorphic was one of the key trends from this year’s NAB, led by a mass of new anamorphic lenses and the announcement from Panasonic to add anamorphic squeeze to their popular GH4 camera. With this update the Shogun can de-squeeze an anamorphic image from 2x, 1.5x, 1.33x and Panasonic 8:3 modes. Another reason to add GH4 with Shogun.
3. Pre-roll recording of 8s HD, 2s 4K
With pre-roll activated the Shogun is continually cache recording – up to 8s for HD and 2s for 4K. Perfect for capturing action sports or long wildlife shoots, ensuring you always get the shot even if you hadn't hit record yet. Works in all modes including RAW.
4. Custom time lapse recording
One of the most creative features added is video time lapse. With this feature users have complete control over their unique time lapse style with the ability to adjust the number of frames, time between capturing the next frame, total record time and clip playback length. The user interface has been well thought through to make the process easy and with the ability to set multiple steps, add a smooth transition and even schedule the recording time, capturing the perfect time lapse sunset is now a much easier task.
5. LUTs able to be applied on output, in recording, on screen and split screen
Since February, Shogun users have been able to upload their own LUTs in a “.cube” file format to review and measure the effect on the monitor before recording. Now in OS6.4, additional LUT capability has been added with the ability to view the LUT on the output, on the screen, bake it in the recording and even view in half screen mode to see the direct result of the LUT on the final image.
6. Expanded meta data tagging
We have expanded the meta data capability of the Shogun to allow for on the fly tagging wither during recording or during review in playback. The 10 meta data tags available (Favorite, Reject, Talent 1, Talent 2, Over Exposed, Color Correct, Bad Audio, Cut Away, Close up, Wide shot) allow for key word search in FCPX and can be transferred across to Adobe and AVID using readily available online tools.
7. Genlock activated
The Genlock terminal on the back of the Shogun has been activated to allow for synchronised playout and playback.
8. Playlist generation
The ability to record, playback and review quickly on set has been an integral feature of Shogun and now with playlist functionality the process for reviewing rushes and favourite scenes on set is easier than ever. Play all movies in recorded order, or hand select a playlist for playback in any order – either your choice of multiple clips, just the Favorite sections of a clip or a combination of both. This functionality makes the Shogun one of the most affordable 4K play out server solutions available on set.
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