Overview
Primary Color Correction
- Day for night look
- Adding a highlight glow in secondaries
- Keyframing color corrections
- Using the RED tab
Advanced Grade Management
- Archiving Grades for future use
- Dragging grades between shots
- Applying the same grade to multiple "grouped" clips
- Sharing grades between users
Secondaries
- HSL Qualification – Improving Skin Tones
- Saving a secondary matte or key from an HSL qualification
- Using Key Blur to soften skin tones
- Combining Multiple HSL Qualifications
- Keyframing - moving, copying and pasting them, including auto /manual tracking plus custom shapes
- Using Secondaries without qualifying anything
Advanced Color FX Room
- Creating a Color FX preset
- Understanding the nodes – when to use them
- Dealing with Interlaced footage
- Keyframing in ColorFX Room
Nattress Plug-ins
Primary Out Room
- Using this in combination with othercorrections
Geometry Room
- Adding keyframes in the Geometry room
Archiving
- How to archive and restore archives of ColorProjects
- Workaround to "Save As" with a Color Project
Interfacing with Final Cut Pro
- How to import color corrections from anotherColor Project or version
- How to reconform an FCP sequence after color correction has beendone
Tangent Devices WAVE panel
- Customizing your panel
- Using your WAVE panel as a mouse
- Where the customized panel settings are saved for sharing/ movingsettings
Spyder calibration
- Show setup and configuration
- Using the Spyder Cube to white balance in Color – three differentmethods
Tek scopes
- How to capture a reference still and use it inmatching footage in Color
- Line select mode to isolate an element vertically in the picture
- Review of how to use presets
- Explanation of gamut displays
- Demonstration of proprietary LQV vectorscope display
- Explanation of customizing presets
APPROX. TOTAL RUN TIME: 4 HRS.