Integrated hardware and software for multi-format film and video editing

Capture SD and HD digital material, experience highly responsive real-time editing, and enjoy SD and HD monitoring using Mojo DX and the new Media Composer 4 or NewsCutter 8 software, the world’s most advanced film and video editing systems. Whether you’re working with HDV, XDCAM HD, DVCPRO HD, AVC-Intra, Avid DNxHD, or a combination of multiple formats, frame rates, and resolutions, both of these systems offer more affordability without sacrificing quality or performance.

You're always balancing quality, cost, and the next deadline. With Media Composer Mojo DX, you get the power of Media Composer software combined with a high-performance video hardware interface to give you a head start on all three. Capture SD and HD digital material, experience highly responsive real-time video editing, and enjoy real-time SD and HD monitoring to ensure that everything looks exactly like you envisioned.

Media Composer tightly integrates the Mojo DX hardware with your host computer’s CPU and GPU, giving you a high-bandwidth effects engine that delivers without compromise, no matter what formats and codecs you use. Whether you’re working with HDV, XDCAM HD, DVCPRO HD, AVC-Intra, Avid DNxHD, or a combination of multiple formats, frame rates, and resolutions, you get the world’s most advanced film and editing system, plus capture and monitoring capabilities, with Media Composer Mojo DX.

• See what’s new in Media Composer 4 software
• Capture media from a variety of digital sources
• Accelerate your storytelling with celebrated tools and media management
• Work with any format and integrate into any workflow
• Get the look, quality, and effects you envision
• Share projects and media for deadline-driven, real-time collaboration
• Connect with the worldwide, world-class Avid community

What's New

• Mix and match frame rates (in addition to formats and resolutions) in the same timeline
• Share Mac-based Media Composer projects with Pro Tools editors through Video Satellite
• Encode and deliver final masters in Panasonic AVC-Intra format
• Instantly access and edit GFCAM 100 Mb-formatted media through AMA
• Be more creative and productive with new updates to the included Production Suite
• Create low-res proxies of archived HD 720p media for faster reviewing and retrieval
• Capture and preserve ancillary and closed captioning data on Nitris DX and Mojo DX systems
• Monitor 1080p24 projects on NTSC monitors with Symphony Nitris DX systems
• View stereoscopic material side-by-side for a more natural line of sight
• Get more monitor choices for viewing stereoscopic media
• Experience improved playback with DV100 media
• Get improved playback of QuickTime DNxHD media in Pro Tools
• View 16 tracks at a time in the audio mixer, in addition to 4- and 8-track display
• Work with AAF files larger than 2 GB
• Get more levels of undo
• Work with complex scenes even easier with multicamera editing improvements
• Gain precision and save time with auto-zoom for motion tracking and stabilization
• Move clips without having to rebuild transitions with transition preservation
• Get better archive and restore control with new recapturing and decomposing features
• Manage clips in the timeline easier with improvements to clip color coding
• Gain better edgecode handling when using the Timecode burn-in effect
• Enter timecode more easily when using a keyboard without a numeric keypad
• Directly register Media Composer through the activation dialog (may require an Internet connection)
• Get support for the latest qualified NVIDIA hardware with the updated driver

Mix and Match Frame Rates
Work with mismatched media without rendering or restriction. With the new Frame Rate Mix & Match feature, you can mix and match SD and HD formats at 24, 29.97, 30, 50, and 59.94 fps in the same timeline. Eliminate the time and money spent on external transcoding and frame rate conversions, and enjoy real-time, broadcast-quality playback

Sync with Pro Tools Editors
With the Video Satellite option, Pro Tools editors can now use a Mac OS X-based Media Composer system (in addition to Windows Vista and XP) as a Pro Tools Video Satellite, meaning you won’t have to transcode video, render effects, or copy files for them. Learn more about Pro Tools interoperability with Avid systems in this white paper.

Deliver Masters in AVC-Intra Format
Easily integrate into the popular Panasonic AVC-Intra pipeline and deliver final masters in AVC-Intra (P2) format for further handling and playout. With new AVC-Intra encoding, you can work with any P2 project in its original native format, from acquisition to delivery, for the quickest project turnarounds.

Expanded GFCAM Support
With this latest release, you can instantly access and edit Ikegami GFCAM 100 Mb-formatted material (in addition to GFCAM 50 Mb material) directly on GFPAK media or an AMA Virtual Volume through AMA (Avid Media Access). Get the fastest GFCAM workflow from shoot to edit, with full native support for the format and all metadata.

Be More Creative and Productive
With new features, tools, filters, and support in the included Production Suite (formerly Software Suite), you can be even more creative and productive than ever before. Create stunning visual effects with new filters and effects in Avid FX 5.8 and Boris Continuum 6. Get higher quality encoding, Mac burning, and expanded codec support in Sorenson Squeeze 5. Create music tracks with more ease with SmartSound Sonicfire Pro 5. And author and burn DVDs and Blu-ray Discs with Avid DVD by Sonic 6 (Windows only).

Editing Done Right

• Storytelling on the Cutting Edge
  With the industry’s most powerful, accurate, and flexible editing tools around, you can cut smarter and faster than ever. Trim on the fly with your mouse or keyboard, use dual-rolling trim, or nudge frame-by-frame. Slip and slide clips quickly with comprehensive 2-, 4-, or 6-frame display modes. And customize the interface, shortcuts, and keyboard layout to maximize your speed and comfort.
• Scripted Editing Made Easy
  Take the work out of editing movies, television shows, and other script- and transcript-based projects, such as documentaries and reality TV. The unique ScriptSync feature automatically syncs all relevant clips to your script phonetically, so you can find the best takes fast. Line up dailies to the script in minutes — not hours — giving you more time to refine the story instead of digging through bins.
• Mix and Match Media
  Add and edit practically any combination of PAL, NTSC, SD, and HD formats in real time — regardless of the resolution or frame rate — in the same timeline, without rendering or transcoding. Whether you’re editing online or offline, you can mix and match media of different formats, codecs, resolutions, and frame rates, and enjoy real-time broadcast-quality playback.
• Management You Can Count On
  Whether you work alone or as a team, never worry about losing source material and rendered files with the most reliable and robust media management available keeping track of all project assets and metadata for you. Create custom metadata fields to track media the way you want. And easily search, sift, and sort to find information beyond the scope of OS-level searches.
• Real-Time HD Editing
  Edit HD material in real time, and in optimal mastering picture quality, using Avid DNxHD encoding. Whether your HD workflow is online or offline, you can maximize your productivity, reduce storage requirements, and maintain the highest image quality — even over multiple generations — without additional hardware.

Seamless Integration into Any Workflow

• Tapeless Becomes Waitless
  Experience the fastest tapeless workflows in the industry with AMA (Avid Media Access). Directly access XDCAM HD/EX, P2/AVC-Intra, and GFCAM media and metadata on a connected disc/card or device without having to transcode, import, or rewrap files. And download support for additional formats as they become available.
• Work Natively with SD and HD Codecs
  Start editing footage right away, with native support for a wide range of SD and HD codecs, including DV, HDV, XDCAM HD/EX, DVCPRO HD, AVC-Intra, and GFCAM. No need to transcode, even when mixing codecs in the same timeline.
• Total Conform
  Streamline your offline/online workflow, and get a seamless path to finish and master projects, with complete integration between Media Composer and Avid Symphony and DS systems. Directly share offline projects and media for finishing, with all media clips, edits, and effects directly available, so you can start the online without delay.
• Work with RED, Stereoscopic, and Other Single-Frame Files
  With MetaFuze*, you can quickly merge RED (R3D), DPX, TIFF, QuickTime, or even stereoscopic 3D files from film scanning or CGI systems into a single native Avid DNxHD or uncompressed media clip for editing. You can even display and edit 3D material offline — without conforming — using industry-first stereoscopic editing tools and workflows.
• Sync with Pro Tools Editors
  Make the audio post workflow easier by making projects directly accessible to Pro Tools audio editors through Video Satellite. No need to render effects, transcode video, or copy files for the audio team, as they can simply tap into any Media Composer system to open and play Avid HD and SD sequences (including DNxHD) in high quality, in full resolution, and in sync with their sessions.
• Film Focused
  For film, you have the industry's most powerful and accurate film workflow in your hands with the award-winning Avid Film Composer toolset. Save time with automatic audio and video syncing and seamless tracking of timecode, Keykode, and other metadata.
• Timecode and Subtitling Ease
  With the Timecode Generator, you can create onscreen timecode displays in real time to speed up any online or audio post workflow. And with the SubCap Generator, you can easily create open captions and subtitles, and import and export in Avid DS and standard EBU N19 subtitle formats.
• Ready For Delivery
  Whether you need to output your project for the web, electronic delivery, or back into the tapeless pipeline, you have the tools you need to quickly deliver your work in the absolute highest quality. Optimize your video for the web, and burn projects to DVD and CD. If you’re using a Windows-based system, you can also author DVDs, Blu-ray Discs, and fast-turnaround approval DVDs (use native authoring tools on a Mac).
• Smoother BWF Workflows
  Ease the post audio workflow when exporting timeline audio tracks as BWF (Broadcast WAV) files. Just insert the sequence timecode based on your project type as you’re exporting the tracks to create a fast and easy sync reference for downstream processes that don’t support OMF or AAF, such as slave playback devices.
  
  * MetaFuze works with Windows-based computers, including Windows XP and Vista, Macs running Windows through Boot Camp or other emulation.

Get the Look, Effects, and Quality You Envision

• Complete Color Correction
  Save time and maintain the highest quality production with the fully integrated and flexible 10-bit color correction toolset. Quickly and accurately match colors from shot to shot using NaturalMatch. Get fine control over shots with animatable color correction, or dive into the large palette of easy-to-use tools to manually refine settings or get creative with the color.
• FluidMotion?and FluidFilm Effects
  Create incredibly smooth slow-motion effects and “fit-to-fill” video using Avid's patented FluidMotion pixel morphing technology. And get the look of progressive film with interlaced video material using the exclusive FluidFilm feature.
• SpectraMatte Chroma Key Effect
  Create a high-quality key, even with compressed HD codec material. With SpectraMatte, you can eliminate all guesswork, correct common keying issues, and get perfect keys using the interactive interface. Preview your keys in real time and in online quality with 16-bit SpectraGraph technology.
• FluidStabilizer Tracking Engine
  Easily stabilize shots that contain even the most jittery camera movements. FluidStabilizer works in conjunction with SteadyGlide and Stabilize to deliver extremely precise image stabilization, enabling you to filter out unwanted motion while retaining any underlying motion you do want, such as a camera pan.
• Get More Effects with Plug-ins
  Get the look and effects you want through AVX and AVX2 plug-ins, which you can install and use right from your editing interface. Build up your effects library by choosing from tons of third-party AVX plug-ins available.
• Powerful Effects Performance
  With Avid’s advanced effect acceleration — architecture that closely ties multi-core CPU processing, GPU (Graphics Processor Unit), and PCI Express I/O hardware into a single high-performance pipeline — you get the best real-time effects performance around.
• Dazzle and Deliver with the Included Production Suite
  Create stunning visual effects and transitions. Design titles and graphics that animate across 2D or 3D spaces. Set the mood with music you generate and control. And deliver projects in the highest quality for the web or on DVD. With the included Production Suite, a powerful collection of popular third-party creative tools, you have plenty of options to get the look, sound, and quality you want.

Designed for Collaboration

• Share Media, Projects, and Ideas
  Experience the most collaborative workflow and get things done on time and on budget. Seamlessly integrate with Avid Unity media networks, and you and your team can access and play the same files and capture media to the same volume simultaneously, in real time. And because media bins aren’t linked to specific projects or users, you can open bins and access files from other projects — even when in use by others — without having to copy media.
• Share Projects for Audio Post
  Collaborating with Pro Tools audio editors, remixers, and sound designers is easy. Export audio from your video projects to Pro Tools for audio production, with all media and metadata intact. Or for the fastest workflow, add Video Satellite to have Pro Tools editors sync directly with Media Composer projects, eliminating having to render, transcode, or copy files.
• Take Your Settings with You
  Forget about tweaking settings or re-orienting your workspace each time you move from one Avid system to another. Take all of your settings with you to any project through your own user profile - even when moving from an offline workstation to an online Avid Symphony finishing system. All shortcuts, keyboard, and screen customization are accessible, so you’ll be up and running in no time.
• Raise the Bar with Interplay
  When the stakes are high, bring collaboration to the highest level with Avid Interplay asset management systems. Instantly access media and secure files from unauthorized use. Always have the current production elements in play and synced through automated tracking. And with sophisticated multi-contributor asset management, multi-resolution workflows, and rules-based transcoding, you can put the flow in workflow for total facility-wide collaboration.

A Worldwide, World-Class Community

• The Industry Leader
  Avid understands professional content creation. We’ve been in this industry for over 20 years, designing the tools used by more film and television professionals than any other product. In fact, Media Composer is certified by ACE (American Cinema Editors), and received both an Oscar and Emmy Award. And though we are the industry leader, we continuously strive to innovate and make our products the best they can be, so you can keep doing what you do more easily and more efficiently. Learn more about Avid.
• Avid Editors Wanted
  For projects large and small, studios and production companies around the world constantly seek the skills and advice of Avid editors, as they’re widely considered to be the best in the industry. Whether you want to do freelance or join a team, or are looking for talented Avid editors to help you with a project, you’ll find opportunities and Avid editors everywhere.
• Get Expert Support
  When you need help, expert assistance is just a web click or phone call away. Choose from a wide range of Avid Support programs that fit your needs and budget, including free web-based support, pay-per-case phone support, an Avid Support contract, and complete installation services.
• Get Training
  Get the most out of your investment through Avid training. Whether you simply want to learn how to use your Avid software and/or system to the fullest or want to up your game through certification training, you can choose from several self-paced books, online courses and classroom training, and customized training programs.
• Connect with Others
  Whether you need help, want to offer help, have clips to share, or want to connect with thousands of fellow Avid editors, you’ll find a wealth of information and resources on the Avid Community site. Seek advice from the Avid staff and other users. Stay up to date on the latest tools and techniques. Get helpful tips, tricks, and tutorials from others in the community. Meet others by joining an Avid User Group. And much more!

What's In The Box

Hardware

• Avid Mojo DX — High-performance digital I/O interface
• PCIe Host Interface Board — Connects Mojo DX to your computer

Avid Software

• Media Composer - Edit SD and HD video
• EDL Manager - Export timecode metadata
• FilmScribe - Export film metadata
• Interplay Transfer (standalone version) - Transfer media and metadata to Interplay
• Log Exchange - Convert shot logs into ALE files
• MediaLog - Manage logging and metadata
• MetaFuze - Convert RED, DPX, and other formats (Windows only)
• MetaSync Manager - Create objects for interactive programming

Production Suite*

• Avid DVD by Sonic
  Author professional DVDs and Blu-ray Discs quickly and easily, with complete control over the entire process with Avid DVD by Sonic 6, which works with Windows-based systems (including 64-bit Windows Vista). Easily export chapter points and thumbnails from the timeline using exclusive MetaSync technology, author and burn discs with advanced controls, produce multi-language titles, generate and import subtitle tracks, create interactive slideshows, and much more. Learn more about Sonic professional DVD products on the Sonic website.
• Avid FX
  Easily create dazzling 2D and 3D composites, titles, animation, and effects with Avid FX 5.8, a powerful collection of creative tools designed by Boris FX. This latest version sports a new interface and offers new 16-bit color, clone paint tool, image brushes, motion path and key tools, vector trace, optical stabilization, subtitle generator, and more. Get started fast with 1,500 customizable templates, or design your own titles and graphics using text, drawing, styles, and animation tools. And create stunning effects with over 115 filters, including Wire Removal, Grain Match, Light Zoom, and more. For more details, visit the Boris FX website.
• Boris Continuum Complete
  Create the look you want with nearly 200 filters at your fingertips - including 15 new filters - using the new Boris Continuum Complete 6. This latest version offers significant performance gains and enhancements, so you can create dramatic effects quickly and easily. Use the Extruded Text, Extruded Spline, Layer Deformer, Cartoon Look, Lightning, and other new filters to create compelling visuals. Get new custom animated presets in XML format and a single-click custom preset navigation tool. And discover new enhancements in the built-in Motion Tracker. For complete details, visit the Boris Continuum Complete website.
• SmartSound Sonicfire Pro
  Create music soundtracks for your films, TV shows, commercials, and other video effortlessly with SmartSound Sonicfire Pro 5. Choose from a variety of loops and pre-recorded soundtracks and then customize the music to fit your scene. With the latest version, you can match beats to video, insert a stinger, alter the tempo and pitch, fine-tune searches with Sensory Searching, search for music by simply tapping a tempo, and get new spotting tools. For complete details, visit the SmartSound Sonicfire Pro website.
• Sorenson Squeeze
  Optimize and deliver content in a create-once-publish-anywhere world. With Sorenson Squeeze 5, you can optimize content in a variety of formats (including HD, DVD, MPEG-2, MPEG-4/H.264, Flash, and 3GPP) for web or DVD delivery, author DVDs and Blu-ray Discs on Windows, and burn discs on a PC and now Macs too. This latest version lets you work faster with simultaneous multi-file encoding, new and improved codecs, audience presets, a new plug-in architecture, and new filters (including Watermark, Hue and Saturation, Sharpen, Audio Duration, and Audio Volume). Achieve the highest quality audio with AC-3 compatibility and 5.1 and 7.1 surround support. Perform simple encoding tasks in three easy steps or batch process files for more complex jobs. For complete details, visit the Sorenson Squeeze website.

Additional Items and Documentation

• Basics Guide
• Advanced Effects Guide
• Avid Resource Guide
• Quick Start Guide

Windows

• Computer: Avid-qualified Windows-based computer or laptop
• OS: Windows XP Professional SP2/SP3* (32-bit), Windows Vista Business SP2 (32-bit* and 64-bit), Windows Vista Ultimate SP2 (64-bit)
• Processor: Intel Core 2 Duo 2.33 GHz processor or faster
• Memory: 2 GB of RAM (4 GB of RAM recommended; Windows Vista requires 4 GB of RAM)
• Graphics Card: NVIDIA Quadro FX family** (FX 560 or higher)
• Internal Hard Drive: Minimum 80 GB 7200 rpm hard disk
• Optical Drive: DVD drive for disc-based software installation

* HP Z Series Workstations are not supported with these OSs.
** Only NVIDIA cards are supported; full-screen playback requires a minimum of 128 MB of graphics memory.

Mac

• Computer: Avid-qualified Mac-based computer or laptop
• OS: Mac OS X 10.5.7 or 10.5.8 (Leopard)
• Processor: Intel Dual or Intel Dual Core 2.66 GHz Xeon processor or faster, or Intel Core 2 Duo 2.33 GHz processor or faster (laptops)
• Memory: 2 GB of RAM (4 GB of RAM recommended)
• Graphics Card: NVIDIA GeForce family??
• Internal Hard Drive: Minimum 80 GB 7200 rpm hard disk
• Optical Drive: DVD drive for disc-based software installation

? NewsCutter is available for Windows only.
?? Full-screen playback requires a minimum of 128 MB of graphics memory.

Nitris DX and Mojo DX Interfaces
The following are additional requirements for using Nitris DX or Mojo DX editing systems:

• Nitris DX: Avid-qualified Windows- or Mac-based computer with a PCIe x4 card slot
• Mojo DX: Avid-qualified Windows- or Mac-based computer with a PCIe x4 card slot, or ExpressCard slot (laptops)

Additional Information

• Laptop users: Please note that support of uncompressed video on laptops is limited to one stream of uncompressed SD video
• QuickTime: Avid has tested and qualified Apple QuickTime 7.5.6
• Windows Media Player: Microsoft Windows Media Player 11 is required to export certain formats and to work with VC-1 material

Project formats

NTSC

• 23.976p
• 24p
• 30i

PAL

• 24p
• 25i
• 25p

HD - 720

• 720p/23.976
• 720p/25
• 720p/50
• 720p/59.94

HD - 1080

• 1080p/23.976
• 1080p/24
• 1080p/25
• 1080i/59.94
• 1080i/50

Native codec support

DV

• DV25 / DVCAM (25 Mb/s): 4:1:1 NTSC, 4:1:1 PAL, 4:2:0 PAL, 24p
• DV50 (50 Mb/s)

HDV

• HDV (25Mb/s)
• Native project formats: 1080i/59.94, 1080i/50, 720p/23.976 (with support for 24p material), 720p/25, 720p/29.97, 720p/50, 720p59.94
• Capture over IEEE-1394, edit, playback, export to file without timecode (export not for 24p material)

Sony XDCAM (SD)

• DV - 25 Mb/s
• IMX30 - 30 Mb/s
• IMX40 - 40 Mb/s
• IMX50 - 50 Mb/s

Sony XDCAM HD

• MPEG - 18 Mb/s VBR
• MPEG - 25 Mb/s VBR
• MPEG - 25 Mb/s CBR
• MPEG - 35 Mb/s VBR
• MPEG – 50 Mb/s CBR
• MPEG-4 Proxies

Sony XDCAM EX

• MPEG - 25 Mb/s
• MPEG - 35 Mb/s 

Panasonic DVCPRO (SD)

• DVCPRO - 25 Mb/s
• DVCPRO50 - 50 Mb/s

Panasonic DVCPRO HD

• DVCPRO HD - 100 Mb/s
• AVC-I (no render)
• Native project formats: 1080i/59.94, 1080i/50, 720p/60, 720p/25, 720p/23.976

Microsoft VC-1

• VC-1 (Mac-Intel: edit/playback only)

File-based support

Avid Media Access (AMA)
Avid Media Access provides full native end to end workflow for XDCAM HD and full native support including metadata integration and card/disc support for P2 and XDCAM-HD/EX formats.

Sony XDCAM / XDCAM HD

• Full native direct access to XDCAM Media and metadata
• Native editing of all listed SD and HD data rates (see above)
• Import via File Access Mode (FAM) over IEEE-1394
• Ingest via FTP client over Ethernet
• Ingest, Playout and Write-back of finished program to XDCAM media

Panasonic P2

• Full native direct access to P2 Media and metadata
• Native DVCPRO HD editing of all listed HD formats (see above)
• Direct edit of P2 media from cards or disk drive
• Support for P2 Store
• Write-back of finished program to P2 media (Windows only)

Avid DNxHD

• All DNxHD formats
• Refer to the DNxHD White Paper for details
• Capture only supported via software on dual quad-core workstations

Compressed SD resolutions

• AVR (playback only)
• 15:1s, 4:1s, 2:1s
• 20:1, 10:1, 3:1, 2:1
• 35:1p, 28:1p, 14:1p, 3:1p, 2:1p
• 4:1m, 10:1m, 3:1m(p), 8:1m(p)

Uncompressed SD and HD

SD

• 1:1 interlaced 8-bit
• 1:1 interlaced 10-bit
• 1:1 progressive 8-bit

HD

• 1:1 8-bit
• 1:1 10-bit

For a limited time only, the Videoguys' will include a FREE Class On Demand's Training DVD for Avid Media Composer FREE with the new Avid Media Composer 4. Use these links to purchase now and get your FREE Videoguys' Bonus!

Avid Mojo DX with Media Composer 4 Upgrade and Avid Production Suite plus Videoguys Bonus

Videoguys Top 10 Products of 2008

Avid also introduced new MojoDX and Nitris DX hardware for Media Composer. The MojoDX was initially priced a bit too expensively to make our Videoguys' Top 10 list, but we now have a limited time promotion in the US that brought the cost of the hardware down below $5,000 for Media Composer owners. As a result we are giving MojoDX an honorable mention on this years list.
(Call 800-3223-2325 to see if you are eligible for this special offer)

Avid Mojo DX gives you HD & SD in and output via SDI connection. You also get HDMI output for HD monitoring with 5.1 surround sound. While MojoDX does not offer any kind of real-time acceleration, adding it to Media Composer does make your editing more powerful. Avid redesigned the way Avid Media Composer 3 utilizes the power in your computer. By tapping into both CPU and GPU processing MC3 is more stable and more powerful than any other NLE on the market. By offloading some of the computer cycles needed for video display to the MojoDX, it frees up both CPU and GPU power for MC3 to tap into. So the end result is a pick up in performance by adding MojoDX.

Mojo DX makes Media Composer  more powerful!
With Media Composer 3 Avid redesigned the way the software utilizes the power in your computer. By tapping into both CPU and GPU processing Media Composer is more stable and more powerful then any other NLE on the market. By offloading some of the computer cycles needed for video display to the Mojo DX, it frees up both CPU and GPU power for MC3 to tap into. So the end result is a pick up in performance by adding Mojo DX.

You've been using the same editing software that producers and editors have relied on for more than 20 years but now, with the emergence of new technologies like HD and Tapeless Workflows, it's time to upgrade to Avid's complete hardware & software system designed for today! Avid Media Composer Mojo DX bundle includes the software upgrade from Avid Xpress Pro or Media Composer to the latest Media Composer 3 with third-party software plus the Avid Mojo DX hardware.