Posted by:
gary
September 13, 2011 9:39 AM
One of the most confusing things about digital video editing is the storage requirement. In this article the Videoguys Techs will help you better understand just what kind of storage you'll need for your video productions. Mac or PC based video editors face the same storage challenges and questions, and we've got the straight forward answers you need! ( Read More)
Posted by:
gary
July 28, 2011 12:44 PM
We get asked all the time, "What computer system should I use for Video Editing?"
So, we created this page to give you some basic guidelines. Every month computers get more powerful and less expensive, so the recommendations on this page could become outdated very quickly. We will try our best to keep it up to date but if you see something that doesn’t look right or if you’re configuring a system that may be somewhat different please e-mail (videoguy@videoguys.com) or call the Videoguys at 800- ( Read More)
Posted by:
gary
April 7, 2011 11:57 AM
Broadcasters have a range of choices when it comes to signal compression solutions. For advanced, professional-grade compression, MPEG-2, H.264 and JPEG 2000 are all viable options. Ultimately, network infrastructure, bandwidth requirements and budget all help to define the “right” choice for a broadcaster. MPEG-2 and H.264 are strong options for compression for next-generation multimedia applications. ( Read More)
Posted by:
gary
November 22, 2010 12:09 PM
Here are some Holiday shooting tips to make your family videos more enjoyable to watch.
(Holidays 2010 update - with Video Montage and new HD DSLR shooting Tips)
Each year around Thanksgiving we update and publish this guide. We've been doing it for over a decade. Today you can shoot video on not just a camcorder, but your iPhone or cell phone, still camera, webcam, or pocket size solid-state digital video cameras. No matter what you shoot with, you'll find the tips in this guide helpf (Read More)
Posted by:
gary
April 2, 2010 10:53 AM
We've been busy publishing and updating the Guides on our website!
Videoguys' Guide to DSLR Workflows
Videoguys Guide to Migrating From Avid Liquid to Avid Media Composer
Videoguys Guide to Understanding HD Formats
Videoguys' FAQ: Matrox MXO2 Family of Products
Wedding & Event Videography Guide from the Videoguys
Videoguys' Professional Video Editing and Production Guide
NAB 2010 IS COMING!!Keep up with the latest news and information by following the Videoguys (Read More)
Posted by:
gary
April 2, 2010 9:15 AM
In 2006, Avid liberated its flagship Media Composer from its hardware host and offered the widely popular editing platform in a software-only version. The company has faced fierce competition from other popular editing platforms, and has responded by steadily ramping up the capabilities and features of Media Composer. With its second major upgrade, Avid has repositioned itself as a cutting-edge innovator of digital editing technology with more competitive prices.
Avid Media Composer 4.0 so (Read More)
Posted by:
gary
March 30, 2010 11:05 AM
Canon USA choose the FCP SuperMeet in San Francisco as the first public venue in which to display the same mock-up for a U.S. audience. Similar to the first unveiling at InterBEE, the unlabeled model was shown only under glass, however I managed to sneak a few photos when it was briefly out of its display case at the conclusion of the event. ( Read More)
Posted by:
gary
March 12, 2010 4:27 PM
For editors, there’s good news and bad news concerning camera manufacturers. The good news is that a stream of innovative, impressive and technologically amazing new cameras are being rolled out that shoot fantastic new formats for independent filmmakers, DPs and directors of all kinds. The bad news is that we have to edit the footage.
I was just becoming awesome at transcoding when Avid released its “mix-and-match” feature for Media Composer 4.0. With mix-and-match, any kind of footage c (Read More)
Posted by:
gary
February 16, 2010 9:00 AM
The Olympics are in many cases, multiple Superbowls or World Cup events being staged at the same time. What does it take to produce all this?
Well, some stats being passed around on the production reveal it’s a huge undertaking, and I’m sure these stats don’t account for everything because those crews that come in always have to retrofit the stuff built out to “make it work right.” (Read More)
Posted by:
gary
January 19, 2010 5:09 PM
In this evolving article we’ll cover the pros and cons of both the 5D Mark 2 and the 7D, and examine what other changes may be on the horizon. We’ll include information about the updated 5D Mark II firmware as well as the Magic Lantern aftermarket firmware, and try and come to some conclusions about where the market is headed. ( Read More)
Posted by:
gary
January 6, 2010 4:59 PM
I made this post on one of the many listservs I participate in. I thought it would be good to share on our blog as well.
One of the things I found so amazing about Avatar was the facial imagery of the cat people and the live actors. With 3D it was like you were right next to them. Sure the action scenes were intense, but it was the immersive effect of the lush planet and the creatures that made it such a powerful experience.
(Read More)
Posted by:
gary
December 30, 2009 8:18 AM
Combined with its ease of use, powerful features, and a number of advanced enhancements Pinnacle's Studio 14 Ultimate Collection is an ideal choice for the budget minded beginner as well as the serious enthusiast. ( Read More)
Posted by:
gary
December 28, 2009 8:38 AM
The sheer mix and volume of formats to deal with today can be mind-boggling. Videotape player/recorders – formerly a common denominator – are a vanishing breed. Post facilities still own and use VTRs, but operations at the local market level, especially in broadcast, are becoming increasingly tapeless. Clearly, once the current crop of installed VTRs become a maintenance headache or are no longer an important cog in the operation, they won’t be replaced with another shiny new mechanical videotap ( Read More)
Posted by:
gary
December 22, 2009 9:23 AM
Telling a riveting, end-of-the-world story can be challenging when there are over 1,400 visual effects wreaking apocalyptic chaos on screen. But for the editing team behind 2012, Media Composer® software helped them pre-visualize sequences and collaborate across two countries, from the production’s beginning to end, to craft the intricate storyline.
( Read More)
Posted by:
gary
December 16, 2009 10:50 AM
Upgrade Avid Mojo to Media Composer Mojo DX and Save 33% - Now only $4,995!! (expires 12/08/09)
Got an Avid® Mojo® or Mojo SDI interface? Gain higher performance and real-time editing with the newer Avid Mojo DX interface. For a limited time, trade in your old interface towards a Media Composer® Mojo DX system and save 33% off regular upgrade pricing.
Capture SD and HD digital material
( Read More)
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