Posted by:
gary
February 9, 2012 1:31 PM
We all know the important place that DSLRs now have in the world of video production. The versatility of these cameras, the ability to alternate between still photography and video at a shoot, the interchangeable lenses, large processors, and more, have all meant that DSLRs are an attractive option for shooting video. ( Read More)
Posted by:
gary
February 7, 2012 11:57 AM
Vincent Laforet had the pleasure to be part of a panel at the Sundance Film Festival last week. Adobe invited filmmakers Sharlto Copley, Rob Legato, Jacob Rosenberg and myself to share some of our thoughts on where all of this new technology is taking us as filmmakers.
( Read More)
Posted by:
gary
December 6, 2011 2:18 PM
Sony Creative Software brought a significant improvement in processing power to its latest upgrade of Vegas editing technology. Vegas Pro 11 takes full advantage of OpenCL - the first Windows-based nonlinear editing system to do so - supporting the open standard for core video editing operations, video effects and rendering. ( Read More)
Posted by:
gary
December 2, 2011 5:04 PM
A few years ago, no digital SLR cameras shot video. Today, they nearly all do -- and full HD video, at that, as you'll see in our latest report on DSLR cameras. But don't sell your camcorder just yet. Yes, it's a tempting idea: After all, if you want the very best-quality still photos possible, experts say you've got to invest in a DSLR -- but a good one can cost $700 or more (much more). So why not make it do double-duty? Unfortunately, tests show that every DSLR suffers from at least one major ( Read More)
Posted by:
gary
November 16, 2011 9:37 AM
Recent innovation in cameras has changed the fundamental ways in which movies are being produced. Now it is possible to capture gorgeous, high-resolution digital cinema footage at a much lower price point than in the past. Recently, a couple of new and exciting digital cinema cameras were unveiled – Canon debuted their Cinema EOS C300, and RED Digital Camera Company introduced their 4K-capable Scarlet-X camera – both of which shoot to formats which are already natively supported in Adobe Premier ( Read More)
Posted by:
gary
October 10, 2011 8:03 PM
Award-winning director and storyteller Vincent Laforet switches to Adobe Premiere Pro CS5.5 to free time for creativity “Adobe Premiere Pro CS5.5 is helping me become a more effective director, because I can see what I have shot-wise on the spot and make better creative decisions from there.”
Vincent Laforet
Photographer, storyteller, director (Read More)
Posted by:
gary
October 4, 2011 2:34 PM
Premiere Pro in Adobe CS 5 was a watershed release. The program was written from the ground up in 64-bit environment that is fully exploited on the Mac OS X and the very stable Windows 7 system. The kind of hiccups running Premiere in a 32-bit funky Windows XP operating system are mostly banished. Refinements to this aspect of the engine in CS5.5 is that the 64-bit addressing of using the CPU cores has been further optimized improving overall stability when editing projects with large files, i.e ( Read More)
Posted by:
gary
September 21, 2011 11:16 AM
Being a Nikon shooter in a multimedia world has some disadvantages. In 2008, Nikon launched the D90, which was the first DSLR with the ability to shoot video as well as stills. The camera was rife with limitations. Without an audio mic jack, you could not use an external microphone to gather quality sound. The Motion JPEG codec the D90 recorded in was a nightmare for Final Cut Pro to deal with. My newspaper bought two of these cameras on release. I played around with one, shrugged my shoulders, ( Read More)
Posted by:
dan
September 19, 2011 4:05 PM
As the move by many towards use of the DSLR for video, practical monitoring of the imaging becomes necessary as reliance upon a DSLR's own LCD screen is not always workable.
With that in mind, Marshall Monitors has introduced their V-LCD50 HDMI 5" monitor for the DSLR user which features an 800 x 480 pixel display
( Read More)
Posted by:
gary
September 19, 2011 11:21 AM
If Workflow is the Answer, then it’s one hell of a Question…!
For a very long time post production workflow has been built upon consistencies - consistent delivery, consistent format, consistent platforms, consistent tools, consistent viewing environments. But then along came a veritable tsunami of digital detritus that washed ashore - in a very short span of time - a greater diversity of tools, formats, platforms and systems that all previous years put together. ( Read More)
Posted by:
gary
September 2, 2011 12:21 PM
Ryan at Film Riot does a great job explaining how easy it is to migrate from FCP to Premeire CS5.5. He goes into some of the details on what makes Premiere such a great choice for frustrated FCP editors who are fed up with FCPX. Native HD format support, Mercury Playback Engine, integration with After Effects and more. ( Read More)
Posted by:
gary
August 31, 2011 12:11 PM
As we enter an age where our raw footage is either so compressed that recompression for an online edit seems like a very silly option, or so beautifully flexible that we shouldn’t be binding it with the permanence many budgets and minds associate with a transcode to ProRes, the stage is being set for raw workflows based in metadata. This is where Adobe Premiere Pro CS5 shines. ( Read More)
Posted by:
gary
August 31, 2011 11:30 AM
For 10 years strong, Commack, NY-based Pennylane Productions’ award-winning owner/director Adam Forgione has been producing wedding/event films/videos that solidify cherished moments and memories. For soundtracking a myriad of projects on location and in the studio, Forgione relies on the unsurpassed quality that Roland products deliver.
( Read More)
Posted by:
gary
August 5, 2011 2:02 PM
I’ve had a few people ask me about my thoughts on the new Final Cut Pro, so I though I’d have a crack at it to join in with all the others. My perspective might be a bit different: I don’t work in a post-house and my workflow isn’t really industry standard but is specifically tailored to what I do. Also, despite this site mainly focusing on color grading, I’ve been an editor much longer than a colorist. I’ve been editing for around 10 years now (admittedly not all of it at a “pro” level, but sti ( Read More)
Posted by:
gary
August 1, 2011 10:56 AM
Here's a detailed Adobe CS5.5 Premiere workflow example and intro that we've been using over the past few months with solid success with both Canon HDSLR footage and RED Epic footage. It shows Dynamic linking with After Effects as well as REDCine X. ( Read More)
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