 As a video professional you need an editing platform you can rely on to connect to anything, anywhere; work with your favorite apps; and deliver high-quality video to all the devices your viewers and clients use - the web, mobile devices, Apple TV, Blu-ray discs, even tape. The award-winning Matrox MXO2 devices have you covered. You get highly-reliable, broadcast-quality video and audio input/output and HDMI video monitoring with the unique Matrox HDMI Calibration Utility as well as 10-bit realt
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 It has been a very exciting summer, as the industry and editors react to the release of FCPX. You can keep up with all the latest news, reviews and posts from all over the internet on the Videoguys blog
We've also updated our "Videoguys' Options for Final Cut Editors" blog article to include the latest and greatest info from Apple, Avid & Adobe.
Matrox has jumped on the crossgrade wagon as well. Now you can save $175 or more when you purchase an MXO2 w/Max with either the Avid crossg
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 It's been five months since Thunderbolt technology arrived on the scene with the latest MacBook Pro refresh. At the time, not many devices were available to make use of the speedy new I/O connection. Since then, the new port has now appeared on new MacBook Airs, iMacs and Mac minis, and with that, the quantity of Thunderbolt-capable devices has improved as well! While some devices and accessories may not be available just yet, many should be arriving shortly. We highlight a handful that could he
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 Over the past few months we've taken some heat on some NLE user forums for our recommendation to NOT use Sandy Bridge CPUs for building your NLE workstation. We didn't take this lightly and we understood the frustration it would create for people wanting to build a new NLE workstation. You want to use the latest technology and take advantage of the speed and performance per dollar of the Sandy bridge CPUs.
Our Sandy Bridge concerns where not about the CPU, but rather the available chipsets
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 Whether you're making the switch or just adding Adobe CS5.5 or Avid Media Composer 5.5 to your editing system you'll be happy to know that the Matrox MXO2 Hardware is "Triple-A rated" and Now Supports Apple, Adobe & Avid!
The Matrox MXO2 Mini with MAX was the FIRST I/O device recommended by the big 3 NLE vendors Apple, Avid and Adobe and the only one that gives you faster then real-time H.264 encoding! That is why we say Matrox MXO2 family of products are AAA rated. No other hardware compa
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 Avid put on an event in a theater on the Warner Bros. lot for the Hollywood P\post community. The purpose was to re-affirm their commitment to professional post & workflows and to give a sneak peak at some of the new features and technology on the Media Composer roadmap. Highlights include 64-bit code, a new streamlined user interface, and a commitment to opening up to the full gamut of 3rd party hardware! Check out this video!
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 Just before an Avid-hosted event last night on the Warner Bros. lot, editors who gathered there were discussing the shortfalls of FCP X as well as the direction of Adobe and Avid. The buzz was palpable.
Inside the Steven J. Ross theater, Avid brought the troops together to emphasize its commitment to the professional market, hammering home that their focus is us: the editors. It was good to hear at a time when some industry people and businesses are feeling abandoned after the release of FCP
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 On Wednesday evening Avid held its Committed to the Professional event on the Warner Brothers Studio lot in Burbank California. The event was announced just over a week ago in a blog post by Avid’s CEO. I would have loved to attend the gathering but since it was in California and I’m in Tennessee it just wasn’t meant to be. But there were some tweets that came out of the event by the #livetoedit hashtag.
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 In the first release of Final Cut Pro X, the interaction with I/O devices such as the Matrox MXO2 products is different than with previous versions of Final Cut Pro when it comes to capturing, monitoring, and outputting video. Exporting to H.264 files from the new Compressor 4 using Matrox MAX-enabled MXO2 devices remains up to 5 times faster than software alone.
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 Avid today announced it is offering a limited-time Final Cut Pro Crossgrade promotion for qualified Final Cut Pro customers. Available now, this crossgrade offer is designed to provide a fast, cost-effective path for Final Cut Pro users to implement Avid’s award-winning professional editing solution—Media Composer®. With Media Composer, designed and built for Mac OS and Windows operating systems, customers can boost productivity and advance the storytelling process with capabilit
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 MORE THAN JUST INEXPENSIVE HD MONITORING FOR AVID MEDIA COMPOSER - LIGHTNING FAST H.264 ENCODING TOO!
Avid's support of Matrox MXO2 Mini was the talk of NAB and IBC 2010, giving Media Composer users a very inexpensive HD monitoring solution. But that's not the only benefit Matrox products offer Avid users. Matrox MXO2 Mini with the built-in MAX H.264 encoding accelerator option lets you deliver H.264 files for the web, mobile devices, and Blu-ray at speeds up to five times faster than softwa
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 The newest tool we have in our bag of tricks is the Matrox Convert DVI Plus. What I thought would be just another scan converter has become a swish army knife to our video needs. The ability to take a raw DVI source signal input and send it out – SDI, Component, and Composite is worth the money. No longer do we have to route the video through multiple pieces of equipment to get it our screens.
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 For Avid, making great video and audio products to serve the needs of professionals - top editors, whether for film, theatrical, television, broadcasters, major film and music studios, or independent film producers is our lifeblood. You can depend on us to be thinking about your needs first.
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 With the introduction of Matrox's first product Video RAM (a specialized video display device for first-generation microcomputers) in 1976, co-founders Branko Matic and Lorne Trottier launched a company that has continued to develop innovative, industry-leading products over the last 35 years. The company's three divisions—Matrox Graphics, Matrox Imaging, and Matrox Video—now provide specialized hardware and software solutions for use in an array of professional markets, including media and ente
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 I didn’t always use Final Cut Pro, and I didn’t start using it from version 1. I was a late convert. I started out using Avid Media Composer. But I did start using it after version 3 came out. Before that I, and many other editors, begged and pleaded with the companies we worked with to use their Avids, after hours, to do our side projects. But then FCP came out, and was cheap, so we could then use it to do all of our side work. And I did use it for a lot of projects, but nothing for broad
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