 John DeMaio is a Producer, Director, DP and Editor working out of Orlando, Florida. He has been a production professional since 1996 and has a vast knowledge of all things production and post. When John first heard the news about Media Composer 6, he was genuinely excited. It has been a long time since an NLE has given him a reason to look forward to its release. After the release of FCP X, he realized (along with everyone else in the professional film and video world) that he would have to st
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 Thunderbolt is a new, high-speed, dual-protocol I/O technology designed by Intel and introduced by Apple that delivers amazing performance, with ease & simplicity. It makes attaching Thunderbolt enabled storage and I/O cards a breeze. All of the current Apple iMacs, MacBook Pros, MacBook Airs and Mac Minis have Thunderbolt. Today’s iMacs with Thunderbolt no longer have the drawback of limited upgradeability. They are easily expandable and support video capture and output as well as professional
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 HD Video Pro recently named Adobe Creative Suite 5.5 Production Premium as my top product of 2011. With the release of their Mercury Playback Engine, as well as Apple’s release of Final Cut Pro X, Adobe has slowly but surely taken back some of the NLE marketshare that Apple has dominated over the years. With the ability to throw almost any codec at Premiere Pro and edit natively, Adobe has recently partnered with Automatic Duck to help improve the workflow integration into the system.
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 Avid ® (NASDAQ: AVID) today announced that renowned television production company, Bunim/Murray Productions, has selected Avid Media Composer® 6 and Avid Symphony® 6 editing software for all of its programs beginning in early 2012. Bunim/Murray joins a growing number of professional users who have returned to using Avid solutions from Final Cut Pro to meet their production workflow requirements. Additionally, as part of this implementation, Bunim/Murray also plans to deploy an Avid ISIS® 5000 s
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 Lowest Prices Ever! Featuring the New Pioneer BDR-206 Blu-ray burner!Blu-ray Disc Bundles Available Now at Videoguys.com
The external MEGA bundle ($149.95) is perfect for MAC & laptop users - and anyone who wants to author Blu-ray Discs without the hassle of installing an internal drive! The Videoguys complete MEGA bundle includes the Pioneer BDR-206BK 12x Blu-ray
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 2011 was a banner year for filmmaking tools
In a landmark year for production and post-production gear, 2011 will most likely be remembered for the tragic events in Northern Japan. Although minor compared to the devastation and loss of life, all the major camera manufacturers (Sony, Canon, Panasonic, etc.) were greatly affected by the disaster leaving factories badly damaged, which disrupted production and distribution for the entire year.
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 2011 is drawing to a close and before I start making predictions for 2012, I thought I’d have a look back at 2011 to revisit some of the video industry developments that I thought were the most significant for the segments of the event and corporate video production industry that I work in and cover as a video industry journalist. Now let me be upfront with my biases because they certainly shape my preferences and the perspective in which I see video industry developments.
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 Digieffects has updated and optimized their plugin effects to be Adobe CS5/64-bit compatible and have added some great new tools to their suite of tools! Both Damage v2.5 and Delirium v2.5 are fully compatible with the latest versions of After Effects, Premiere Pro, FCP and Edius. Even better news, this is a free upgrade for registered v2.0 owners!
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That Post Show is a roundtable discussion with industry experts about the art and science of video, film and post production.
On this Episode of That Post Show, we are proud to have Scott Simmons, Paul del Vecchio and Steve Cohen join us for a discussion about Final Cut Pro X and Avid Media Composer 6.
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 Use Coupon Code INSIDER5 and Save 5% on your next order! (Coupon expires at 11:59PM Dec 31st, 2011)
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 Richard Harrington describes how he reached the decision to switch from Final Cut Pro to Adobe Premiere Pro and why part of his post-production department is running on Windows.
The past few years has forced me to rethink a lot of my business decisions. What I'm going to lay out for you is how I reached the decision to switch from Final Cut Pro to Adobe Premiere Pro, as well as why part of my postproduction department is running on Windows.
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 2011 has been quite a year for Videoguys and our industry. Things changed dramatically back in April when Apple gave a first look of their new FCPX editing software during the NAB show in Vegas. I was at the event, and the room was filled with excitement, energy and anticipation. That is until after the Apple presentation. For the professional editors and broadcasters in the room, it left them feeling nervous and uneasy about Apple's commitment to them, their workflows and professional editin
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 Flooding in Thailand Creates Hard Drive Shortages - Videoguys has stock!
Flooding in Thailand created massive disruptions in hard drive production. As soon as we heard the news we put in a very large order with G-Tech for GRAID4- 4TBs. The G-Tech G-RAIDs have been our go to external drive solution for years. With the move to 64-bit computing, everyone you can now take full advantage of the 4TB model.
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 Let’s start this review off by dispelling a long-held rumor. I’m a PC guy, just always have been, and after reviewing just about every PC NLE at least once, I have settled on Adobe Premiere Pro (and the CS 5.5 suite) as my editor of choice. Not too long ago, I had a freelance client that absolutely insisted on Apple ProRes files for the output of a project. Unfortunately, Apple does not allow PCs to write ProRes files, and at the time PC’s couldn’t read them either.
Fast-forward a few mon
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 This past summer Adobe was running a Promotion to get both Mac and PC users to Make the Switch from Apple Final Cut Pro or Avid Media Composer to Adobe CS5.5 Production Premium. The promotion was a tremendous success and it was our most successful Adobe sale in years. However, like all good things, the Switcher promotion came to an end in October.
While doing our year-end inventory in the warehouse we discovered that we had some of the promotional inventory left over. We cost-averaged it wit
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