 Cinema Without Borders, an independent publication dedicated to international cinema, has announced the HP Z Workstation Series, in combination with NVIDIA Quadro professional graphics and Adobe Premiere Pro CS5, as the most ideal and cost-effective Film Editing system for independent and international filmmakers.
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 The interest in HDSLR production and post shows no sign of waning. Although some of this information will seem redundant with earlier articles, I decided it was a good time to set down a working recipe of how I like to deal with these files. To some extend this is a “refresh” of the Round II article, given the things I’ve learned since then. The Canon cameras are the dominant choice, but that’s for today. Nikon is coming on strong with its D7000 and Panasonic has made a serious entry into the la
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 If you're looking for a quick, cheap, and easy way to dive into recording audio with Pro Tools, Avid has three new entry-level home studio bundles made just for you.
Each product includes a copy of Pro Tools SE software, which boils down the industry-standard recording software to 16 channels of audio, 10 virtual instrument tracks, one video track, and 3GB of royalty free audio samples and loops.
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 "Without reliable I/O and a speedy way to deliver files for the web, we would constantly have to move deadlines and delay projects. The Matrox product saves us money by providing all the features we need in one small package and eliminates the need for another system dedicated solely to encoding. Matrox MXO2 LE lets us keep our projects on time, on track, on budget; all the while boosting our creativity."
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 Well here’s something I wasn’t aware of: Adobe’s online review and approval portal CS Review supports your editing sequences for review and approval right out of Premiere Pro CS5, via the CS Live button. This video popped up the other day and is a quick rundown on exactly how the process works. Basically it’s a way to encode, upload, have people view and comment and then get those review comments downloaded right into Premiere Pro CS5.
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 As Adobe updates the capabilities of its new Mercury Playback Engine, Premiere Pro editors are rethinking theirs.
At IBC, Adobe announced that the BBC was adding 2,000 seats of Premiere Pro software for its news-editing operations. According to Karl Soule, technical evangelist of dynamic media for Adobe, the demands of high-end broadcast outfits such as the Beeb partially steered the development of the CS5 suite itself, which was released in April.
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 Nearly any modern laptop or desktop computer has enough horsepower to run the leading graphics, editing or encoding applications. The right choice depends on your need for expandability, interconnectivity and/or performance with specific formats.
I do a lot of Apple Final Cut Pro editing, so I stick with Macs. This also equips me for the other possibilities, including Adobe CS5, Avid Media Composer 5, Media 100 or Autodesk Smoke for the Mac. If I opted to set up a Windows partition under B
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 With Adobe Premiere Pro CS5 software, you can craft stories more efficiently, save time by integrating with Adobe After Effects® and Adobe Photoshop,® edit virtually anything thanks to broad native tapeless and DSLR camera support, and enjoy industry-leading 64-bit performance. Stepping up to the enhanced videoediting power of Adobe CS5 is now easier than ever.
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 Adobe CS 5 brings to the table a standard that requires others to play catch up. By now it is no secret that the key to this very significant jump is Adobe's new 64 bit Mercury engine. While not all of the Adobe applications have been re-written as 64 bit the ones most used, Premiere Pro, After Effects, Photoshop Extended and Media Encoder are those that really harness the power and benefits of this suite. What Adobe's CS5 does provide overall is greater confidence and speed for creating and del
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 What's new at Videoguys: Shure mics , Class on Demand CS5 & MC5 training, Avid MC5 w. Matrox MXO2 Mini bundle, FREE Bonus Pack w/ Adobe CS5, Vegas Pro 10, G-Tech G-Speed Q
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 Watch as I use real-world examples of how I work using SmartSound Sonicfire Pro 5 with Adobe Premiere Pro CS5 in a broadcast bumper. The first video is an “over-the-shoulder” view of the production process with little explanation of why I’m choosing specific tools, but rather a fast-paced overview of just how simple it is to select and edit the music soundtrack to work with the various parts of the video; including voice over and interview clips.
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 As an editor, I’ve probably used a dozen different editing systems for billable gigs. If you add the other systems I’ve reviewed, but didn’t use on client projects, coupled with those I’ve had working exposure to, that’s easily twice as many. This experience gives one a keen awareness of the pros and cons of different product designs. When you spend eight, ten, twelve hours or more staring at a screen, the user interface becomes a key factor in whether the system helps or hinders your work.
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 Ten years ago there were few options for professional non-linear editing. Avid had the lion’s share with their Media Composer and Film Composer products, and for the slightly lower budget there was Avid MCXpress (distinct from Xpress DV), then the rest of the market was split across products from Media 100, Sony and a few others. All were expensive, complicated and difficult to get.
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