 Today, 512 days after the last update, Apple introduced the new lineup of speed-bumped Mac Pros and further established their abandonment of the professional community.
Now, I don’t say this to be inflammatory – far from it. As a professional user in the truest sense, I eat, sleep and breathe things like this. I work in an industry that simply requires the use of a Mac… no ifs, ands or buts. No Windows, no Linux, no hackintoshes, no excuses. To the millions that love their Macs, it’s an e
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 Craft stories more efficiently. Benefit from unparalleled integration with Adobe® After Effects® and Photoshop® software, edit virtually anything thanks to broad native tapeless and DSLR camera support, and enjoy industry-leading 64-bit performance. Stepping up to the enhanced video editing power of Adobe Premiere® Pro CS5 software is now easier than ever.
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 Post Magazine has posted three articles by Jon Moser about Avid Media Composer 5 and it's impact on the industry. I was very happy to be a part of his research. Jon and I exchanged emails and phone calls while he was working on the article. We talked about the waves MC5 was making in the Final Cut Pro community as well as the importance of new features like AMA ProRes, Quicktime and DSLR support. We aslo discussed the impact of opening up Media Composer to 3rd party hardware for monitoring HD. T
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 Get the most from your video editing system when you upgrade now to the latest software from Adobe, Avid, Apple, Sony and Grass Valley.
Why should YOU upgrade your video editing system and what is the best upgrade for you?
There are several reasons to upgrade your video editing system. Like most technological advances, the video editing systems available today are faster, more stable, easier to use, and capable of higher-quality then some of those made as recently as six
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 The Pioneer Internal Blu-ray Disc/DVD/CD Writer will write up to 12x on BD-R (25Gbytes) and BD-R DL (50Gbytes) media. It allows users to author high-definition Blu-ray Disc content while also delivering the ability for high-capacity data storage. One BD-R DL disc will hold the same amount of data as 10 DVDs (single layer).
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 Okay, let’s get one thing out of the way first: the new Drap and Drop timeline in Avid Media Composer 5.0 isn’t a direct rip-off of Final Cut Pro’s timeline. Nor will an FCP editor sit down in front of MC5 and instantly be able to rip into the timeline via mousing in the same way they do with FCP. Nor will an Avid editor sit down in front of MC5 for the first time, turn on the new Smart Tool, and instantly have their editing world changed. Avid’s implementation of the open, Drag and Drop timelin
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 Matrox® Video Products Group today announced the immediate availability of Matrox MAX Technology 2.0 for Matrox MXO™2 I/O devices and the Matrox CompressHD card for Mac. Matrox MAX 2.0 for Mac is a unique technology that implements faster than realtime H.264 encoding for resolutions ranging from iPod to HD. It uses a dedicated hardware processor to accelerate the creation of H.264 files for the web, mobile devices, and Blu-ray.
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 If you're a post-production professional editing with Apple Final Cut Studio FCS3/FCP, Avid Media Composer MC4/MC5 or Adobe CS4/CS5 Production Premium, Videoguys.com is your source for the professional tools you need to make the most of your production environment. At Videoguys.com, we understand that professional video editors have different needs than the average consumer. Not only do you need the best tools available in the industry, you also need the fastest and most reliable solutions becau
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 Steve Jobs e-mail reassurances notwithstanding, this is a question that’s getting asked a lot in editing suites these days, especially those with large Final Cut Pro/Final Cut Studio installations. While users of other software; Adobe CS Suites including Premiere and After Effects, Avid’s Media Composer, Sony Vegas and Square Box Systems CatDV just to name a few, get new features and powerful upgrades, Final Cut Pro editors are stuck waiting on the sidelines.
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 Now, once you hit play, there is no lag, no stuttering just crystal clear HD video playing in sync with your timeline. I really don't know what else I can say. The MXO2 mini was awesome, and the unit worked like a charm, and now with support for Adobe's CS5
, as well as Final Cut Studio (Final Cut Pro and Color), this unit is one that any editor working in HD that doesn't have a way to monitor their footage on an external source NEEDS to check out. I couldn't find one performance problem wit
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 Matrox® Video Products Group today announced the immediate availability of support for Adobe Creative Suite 5 Production Premium software with Matrox MXO™2 I/O devices for Windows1. The key features of this new release include: full-resolution, full-frame-rate, multi-layer, realtime video editing via Matrox RT™ technology; lightning fast H.264 hardware encoding for Blu-ray, the Web, and mobile devices via Matrox MAX™ technology2; and professional audio and video input and output with 10-bit hard
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 It was only a few years ago that Avid, trying to win back the hearts and minds of customers who were abandoning them and going to Final Cut and other systems, adopted the motto: “We’re Listening.” With the release of Media Composer 5, it’s obvious they did.
One of the most anticipated releases in years, Avid’s re-realized Media Composer 5 is among the most robust, feature-laden and dynamic packages from the company in over a decade. It’s taken that long (some say even longer) for Avid to ste
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 Avid is on a roll in 2010, highlighted by the purchase of Euphonix and the release of Media Composer version 5, its signature creative editing application. The company has been on an accelerated development pace for the Media Composer/NewsCutter/Symphony editing family, with recent releases adding such innovative features as AMA (Avid Media Access), Stereo 3D editing tools and Frame Rate Mix and Match. New features in version 5 (approximately the seventeenth generation of Media Composer) encompa
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 Complex and confounding to some, using Apple Color cries out for expert training, and Class on Demand tackles the task.
Class on Demand’s latest releases are easily among their most challenging: Nine hours of training spanning two discs, aimed at unraveling the mysteries of Apple Color — by far the most complicated (and often overlooked) component of Final Cut Studio. DV got a chance to sit down with Class on Demand founder Paul Holtz as well as training instructors Steve Hullfish and Bob Sl
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