 Over the past few months we've taken some heat on some NLE user forums for our recommendation to NOT use Sandy Bridge CPUs for building your NLE workstation. We didn't take this lightly and we understood the frustration it would create for people wanting to build a new NLE workstation. You want to use the latest technology and take advantage of the speed and performance per dollar of the Sandy bridge CPUs.
Our Sandy Bridge concerns where not about the CPU, but rather the available chipsets
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 Whether you're making the switch or just adding Adobe CS5.5 or Avid Media Composer 5.5 to your editing system you'll be happy to know that the Matrox MXO2 Hardware is "Triple-A rated" and Now Supports Apple, Adobe & Avid!
The Matrox MXO2 Mini with MAX was the FIRST I/O device recommended by the big 3 NLE vendors Apple, Avid and Adobe and the only one that gives you faster then real-time H.264 encoding! That is why we say Matrox MXO2 family of products are AAA rated. No other hardware compa
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 Philip Hinkle has been creating a few tutorials over the past few months, including a six-part video tutorial series on EventDV.tv, explaining some functionality of these new features. The series kicks off with this video/print tutorial on the new Mask filter. You can see the video component just below; read on for the text tutorial. (The video tutorial covers aspects of the filter not included in the print component, so be sure to study both if you really want to learn about this filter and how
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 What a crazy second half we’re off to. Within our industry, we rarely if ever have seen the kind of furor that has been happening over the last several weeks. The blogosphere and twittersphere have been going crazy within our creative community. Recently, that’s been accentuated by Adobe’s unusual offer to encourage users of other editing platforms to adopt Adobe as part of their toolkit.
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 The newest tool we have in our bag of tricks is the Matrox Convert DVI Plus. What I thought would be just another scan converter has become a swish army knife to our video needs. The ability to take a raw DVI source signal input and send it out – SDI, Component, and Composite is worth the money. No longer do we have to route the video through multiple pieces of equipment to get it our screens.
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 Step up to the toolset the pros use, Adobe® Premiere® Pro, part of Adobe Creative Suite® 5.5 Production Premium software. Get seamless integration with Adobe Photoshop® and After Effects®, and edit almost anything thanks to broad native tapeless and DSLR camera support.
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 Adobe Systems Incorporated (Nasdaq:ADBE) today announced an upgrade program for video professionals who have purchased any version of Apple® Final Cut Pro or Avid Media Composer and want to switch to industry-leading professional video tools by Adobe®—Creative Suite® CS5.5 Production Premium or Premiere® Pro CS5.5. These customers will be eligible for a 50 percent savings on Adobe Creative Suite CS5.5 Production Premium or Adobe Premiere Pro CS5.5, both launched in April 2011 at the National Ass
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 AJA Video Systems, a leading manufacturer of professional video interface and conversion solutions, today released two new software updates that add support for Adobe CS5.5 to AJA’s Io Express and KONA family of products for both Mac and Windows customers. The software updates, AJA Windows Software 5.5 and AJA Mac Plugins for Adobe 9.0.1 bring added support for Adobe CS5.5 and dramatically improve AJA software performance with the Mercury Playback Engine in Adobe Premiere Pro CS5.5.
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 was busy as hell for the early part of last week, crashing together a 30 minute doc. The footage for the programme was shot and delivered on a mixture of cameras and formats including HDCAM (tape), XDCAM HD (disc), an HDSLR (clips on hard disc). The tape and disc footage was captured into the edit system's direct attached local storage from one of a rack full of bloody expensive HDCAM and XDCAM decks (ingested via HD-SDI for audio/video, RS422 for timecode and deck control) and encoded using a
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 Matrox Video Products Group today announced the availability of new software releases for the Matrox MXO2 product line for Mac and PC. Highlights of the new releases include support for Adobe® Creative Suite® 5.5 Production Premium, capture support for Adobe Flash Media Live Encoder, and presets for new H.264 encoding parameters in Adobe Media Encoder.
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 ATTENTION APPLE FINAL CUT PRO USERS: SAVE $300 OFF MSRP ON THE BEST EDITING WORKFLOW WHEN YOU UPGRADE TO ADOBE CREATIVE SUITE 5.5 PRODUCTION PREMIUM NOW THROUGH 6/30/11
With Adobe® Premiere® Pro CS5.5, included in Production Premium, you'll enjoy blazing fast performance, native file-based and DSLR editing - no transcoding, no rewrapping - and time saving integration with Adobe software and Final Cut Pro.
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 Cost-effective HD-SDI scan converter with genlock and region-of-interest support is ideal for driving projectors and large displays at live events and in houses of worship.
Matrox Convert DVI Plus lets broadcasters easily and economically take the computer-based content that is quickly becoming a key part of the nightly news to air. It’s ideal for creating broadcast video from computer applications such as Skype, YouTube, Google Earth, video games, and web browser sessions, as well as citize
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 ATTENTION Matrox RT.X2, RT.X100 and AXIO Owners: Matrox is Giving You Another Chance to Upgrade to MAX! The Matrox Loyalty Discount
is BACK and it's Available Now at Videoguys.com
Save $100 on a Matrox MXO2 Mini with MAX
Save $200 on a Matrox MXO2LE with MAX
Save $500 on Matrox MXO2 Rack with MAX
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 Edius 6 is an extremely competitive non-linear editor for intermediate and professional users.
As the demand for video increases, the video editing software market only gets more competitive. Scores of programs compete against each other with new options, refined workspaces and streamlined workflows. Edius 6, from Grass Valley, is a pro competitor with a solid interface, impressive features and some pleasant surprises.
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 Why should YOU upgrade your video editing system
and what is the best upgrade for you?
There are several reasons to upgrade your video editing system. Like most technological advances, the video editing systems available today are faster, more stable, easier to use, and capable of higher-quality then some of those made as recently as six-months ago!
Do you want to take advantage of the increased speed and productivity of today's 64-bit systems with more realtime transitions and spec
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