 It looks like 2012 will be the year that consumer electronics make the first serious jump beyond HD resolution. Consumers are about to get a higher-resolution screen than has yet been seen in technology for the home, and it's not going to be because manufacturers of PC displays or HDTVs pushed the bar upward. No, the new benchmark for screen resolution on a portable device has been set by the new Apple iPad. Due March 16, it delivers a full 2048x1536 pixels in about 10 inches of screen space — a
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 Kirk Arnold, Avid Executive Vice President/COO, talks about Avid's openness, the professional market, and the hunger for high quality content.
When it comes to business strategy, you have to have a lot of insight and a little bit of luck. When Gary [Greenfield, CEO/president] and I arrived at Avid four years ago, we immersed ourselves in where our customers' businesses were going and how we could support them. It became pretty clear early on in our evaluations that the need to support an ope
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 HP just unveiled the follow-up to its popular line of Z workstations: the Z820, Z620 and Z420, which come equipped with the eight-core Intel Xeon processor E5-2600 product family, offer up to 512 gigabytes of DDR3 memory and support multithreaded workstation applications.
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 After many years of producing and engineering for various types of media projects, utilizing single drives for the various assets, then backing up to optical disks, I decided it was time to move into the world of Raid drive redundancy. I have, at various times, used Raid 0 setups, but that speed has a trade off…protection. After much research between various vendors, manufacturers, and creative pros alike, I decided I would enter the world of small drive arrays by purchasing a 4 disk 4 Terabyte
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 Many ProVideo Coalition readers may recall my article called Untapped features in Sony NXCAM’s new HDMI output from June 2011. At that point, I surveyed several external HD video recorder manufacturers as to their plans to support the multiple new NXCAM features. (This of course includes the FS100 which Adam Wilt just reviewed, along with other NXCAMs from Sony.)
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 What a long, strange trip it’s been for Magic Bullet Denoiser. The quite amazing, though crash-prone, denoising tool from Red Giant Software was removed from Red Giant’s product lineup late last year when some third-party technology used in Denoiser 1 was purchased by Google. In Google’s quest to make crappy YouTube video look better, we lost one of the better denoise tools that I had ever used. Red Giant promised at the time, however, that its “team is hard at work developing a new version of D
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 March 2012 update with 3 recommended builds! You can mix & match components between the two DIY9 P9X79 builds (Hot Rod vs Videoguys' Choice). For those on a tight budget our DIY8 Sandy Bridge system based on the P8Z68 and i7 2600K processor is a fine choice. For our Videoguys' Choice DIY9 system we tried to get as close to $2K as possible for our system, but we went over.
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 “Adobe Premiere Pro is our Swiss Army knife. We can put virtually any file onto the timeline—or mix and match a variety. The Adobe Mercury Playback Engine decodes just about anything and plays it back so quickly that as soon as we think of an idea, we can all view it and start fine-tuning.”
Rob Legato
Visual effects supervisor, second-unit director, and second-unit director of photography,HUGO
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 Due to its advanced codec, multiformat file support and unparalleled speed, the Grass Valley™ EDIUS® high-definition (HD), nonlinear video editing software is quickly becoming one of the dominant solutions among editors working in the digital news and professional video production industries. At NAB 2012 Grass Valley will demonstrate the latest version (EDIUS v.6.5), with a comprehensive 3D editing workflow and native support for raw footage captured with digital cinematography cameras from RED
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 For both commercial and editorial video, Telegraph Media Group shoots on location, on set, and in studio environments. The team uses Adobe Creative Suite 5.5 Production Premium— including Adobe Premiere Pro CS5.5—for video editing, Adobe Audition CS5.5 for audio
editing, and Adobe After Effects CS5.5 for visual effects.
Adobe Premiere Pro CS5.5 helps the Telegraph Media Group team mix footage from sources
as varied as high-end DSLR and ARRI ALEXA cameras, Sony XDCAM, .FLV files, and Flip V
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 WOW! When I first got a look at the new HP Z1 I fell in love. Over the past year I've become a big fan of iMacs with Thunderbolt. The iMac is sweet, but for NLE we have a problem, it only comes with ATI graphics. For best results with Adobe and Avid, you must have an NVIDIA GPU with tons of CUDA cores. The new HP Z1 delivers on this and more. You get you choice of FOUR levels of Quadro cards that can be added, including our go to GPU for professional post, the Quadro4000!
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 AJA Video Systems delivered v3.0 firmware for its Ki Pro and Ki Pro Mini 10-bit 4:2:2 flash disk recorders today. Packed with features that give users greater flexibility and capability for filmmaking, broadcasting and everything in between, v3.0 firmware is available as a no-cost download for current Ki Pro and Ki Pro Mini customers.
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 HP unveils the HP Z1, an all-in-one workstation features include a 27-inch screen, a 30-bit panel with an over-1 billion color palette, a built-in HD video camera, SRS premium sound speakers, an array of microphones for stereo inputs and optional NVIDIA cards, for a combination of power and expandability never before seen in an all-in-one system: a true, professional-strength workstation.
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 Videoguys' Sweetheart Deals!
$25 AmEx Gift Card FREE with Every $500 You Purchase!
Take your sweetheart out to dinner or treat yourself when you earn a $25 American Express Gift card with every $500 you purchase from Videoguys.com between now and Friday, 2/17 at 3PM ET.
The more you buy... the more you get... we'll send you an additional $25 AmEx card with every $500 spent!
CHECK OUT THESE SWEET DEALS on your favorite Video editing and production software and hardware and add-ons!
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 It's Easy to Love this Adobe Special & Save 50% OFF!
MAKE THE SWITCH! SWITCH FROM APPLE OR AVID TO ADOBE CREATIVE SUITE 5.5 PRODUCTION PREMIUM OR ADOBE PREMIERE PRO CS5.5!(expires 3/2/2012)
Step up to the toolset the pros use, Adobe® Premiere® Pro, part of Adobe Creative Suite® 5.5 Production Premium software. Get seamless integration with Adobe Photoshop® and After Effects®, and edit almost anything thanks to broad native tapeless and DSLR camera support.
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