 Breaking news from the show floor this morning at IBC 2011: Due to the tremendous response for our current Final Cut Pro Crossgrade promotion, today we’re pleased to introduce that beginning October 1, 2011, we’ll be offering a Final Cut Pro crossgrade price for qualified customers on an ongoing basis. The new crossgrade will allow Final Cut Pro users to purchase Media Composer, for $1499 USD—making the benefits of fast, open, collaborative workflows more accessible than ever before to Mac OS na
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 Now is the time to upgrade your NLE to the very latest version. Often times our customers do not realize that they may qualify for an even better deal. That is why we've put together this NLE upgrade Matrix, so that you can find the right upgrade for you based on the software you already own. because we run different promotions and upgrade prices can change, we have used the MRSP price for this chart. Click through the part number for our pricing and to order.
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 “My use of Grass Valley products is a strategic choice. They are
practical, outstandingly user friendly, and stable as a rock.”
Avi Sher
Freelance Video Editor
Avi Sher is a busy video editor, serving a
broad range of clients in Israel, including
the advertising industry. When it comes
to online videos, he finds he is regularly
being challenged with one big demand:
“the advertising and creative companies
want the video ASAP!”
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 If you are a student or a teacher, you qualify for special educational versions of some of our most popular video editing titles! This includes: University and college students, Primary and secondary school students, as well as Teachers, faculty and staff. You will have to provide proof that you are eligible which means sending us a copy of your student or staff ID, report card/ class schedule,
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 Sony Upgrade and Crossgrade from Most Editing Software for Under $300 plus... TWO Special Videoguys Bundles to choose from!
ATTENTION DSLR VIDEOGRAPHERS: Upgrade Your Audio
with Samson ZOOM Digital Recorders & Sync Seemlessly On Your Timeline with Singular Software
Professional Video Storage RAID Arrays from Glyph Production Technologies Are Recommended by Videoguys.com
Introducing the NEW Avid Studio Movie Production Software
VIDEOGUYS FEATURED PRODUCTS FOR TAPELESS AC
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 Got Final Cut? Get Media Composer for Just $995
If you’re not getting what you need to succeed—or you’re a former Avid user who switched (we’d love to have you back)—we want to help make your choice easier. That’s why we’re offering Final Cut Pro (excluding FCP X) users another opportunity to purchase Media Composer 5.5 (with the Production Suite) for just $995 USD—that’s over 60% off the regular price! What’s more, you’ll get free Avid Media Composer for Final Cut Pro Users online training
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 Alan asks: I’ve learned to use and love FCP7 and thinking of upgrading over to FCPX… or is it an upgrade? Does it have all of the same features? is it faster? effects are all there? I would like to see a side by side comparison. Thanks!
Answer: Two guys from Clearhead Media took the time to do a non-scientific comparison of the two and came up with some very interesting results:
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 Tony asks: With previous versions of Final Cut Pro there were tons of plugins and tools to enhance the software. Where did they all go? With Final Cut Pro X it seems like you just purchase and download with no plugin support. What gives? Any resources or a tool that can make the transition to what I payed thousands of dollars for?
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 Lacking some of the bells and whistles of its pricier competitors, but Datavideo's DN-60 compact flash card recorder gets the job done at a fraction of the cost.
If you've got an aging DV or HDV camcorder whose heads are beginning to fail, or perhaps you simply want to step into the digital age, but your older camera still delivers great footage, then strapping a direct-capture-device onto that prized piece of video history may be exactly what the geriatrician ordered.
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 As a video professional you need an editing platform you can rely on to connect to anything, anywhere; work with your favorite apps; and deliver high-quality video to all the devices your viewers and clients use - the web, mobile devices, Apple TV, Blu-ray discs, even tape. The award-winning Matrox MXO2 devices have you covered. You get highly-reliable, broadcast-quality video and audio input/output and HDMI video monitoring with the unique Matrox HDMI Calibration Utility as well as 10-bit realt
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 Over the past few months we've taken some heat on some NLE user forums for our recommendation to NOT use Sandy Bridge CPUs for building your NLE workstation. We didn't take this lightly and we understood the frustration it would create for people wanting to build a new NLE workstation. You want to use the latest technology and take advantage of the speed and performance per dollar of the Sandy bridge CPUs.
Our Sandy Bridge concerns where not about the CPU, but rather the available chipsets
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 Thanks for the positive comments on his previous post. As a review of Final Cut Pro X, Oliver Peter's wanted it to be even-handed. It was intended to let you know about the program without injecting too many of my own opinions. After all, FCP X does work for many potential users and my goal as a reviewer is to try to determine whether or not a product achieves the objectives its designers set for it. I wanted you to be able to have the basic facts and decide for yourself. This post is different,
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 Mac users prepare to usher in a new generation of connectivity via Thunderbolt or dabble in USB 3.0 via third-party cards. PC vendors add USB 3.0 ports. Still, the majority of users are currently relying on storage connectivity via FireWire, USB 2.0 or eSATA. Furthermore, the ever-decreasing cost of storage, the ever-increasing need for capacity brought about by solid-state workflows and the demand for ever-increasing throughput due to higher-data-rate video formats make RAID a necessity.
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 The new Fast Forward Video (FFV) sideKick HD is a versatile recording solution designed to ease production workflow and satisfy the demands of both producers and postproduction editors. The camera-mountable sideKick HD captures video directly from HD/SDI or HDMI outputs at bit rates up to 220 Mbit/s, with 4:2:2 sampling and 10-bit resolution in multiple codecs starting with ProRes on removable 2.5" SSD drives. Recording directly to high-quality NLE formats eliminates time-consuming transcoding,
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 Final Cut Pro X is very different and it takes a while to get used to it. I’ve been beating on the evaluation software provided by Apple for about two weeks as I write this review, along with a few hours worth of press briefings from Apple staff. I’ve also conferred with probably a dozen colleagues who are also trying to shake it out, including a number of experienced feature film editors. Without a doubt, it’s definitely worth tapping into some of the various training materials if you want to u
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