 Adobe Systems Incorporated announced Adobe® Creative Suite® 5 Production Premium, the complete solution for creating professional video, audio and interactive content that can be delivered online, on-air and on device. Packed with performance breakthroughs and offerings to streamline script-to-screen workflows, Adobe Creative Suite 5 Production Premium contains new releases of flagship CS components, including Adobe After Effects® CS5, Adobe Premiere® Pro CS5, Adobe Photoshop® CS5 Extended (see
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 Buy Media Composer 4 today, get free upgrade to MC5 when it ships in June!
Avid tapeless workflows with MC5 are a game changer. This is amazing. Just left the reseller meeting at NAB! GREAT JOB AVID!
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 It's time to rock the broadcasters' favorite city once again. The 2010 NAB Show is upon us! If you thought a weak economy would mean nothing new to show, you are quite mistaken. Many manufacturers have introduced some of their products prior to April, but NAB will be the official unveiling for many innovations. Apple is sticking to its "no trade shows" policy and RED will host an off-site event, so, like last year, the show floor should actually be quite productive for those who attend.
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 We've been busy publishing and updating the Guides on our website!
Videoguys' Guide to DSLR Workflows
Videoguys Guide to Migrating From Avid Liquid to Avid Media Composer
Videoguys Guide to Understanding HD Formats
Videoguys' FAQ: Matrox MXO2 Family of Products
Wedding & Event Videography Guide from the Videoguys
Videoguys' Professional Video Editing and Production Guide
NAB 2010 IS COMING!!Keep up with the latest news and information by following the Videoguys
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 In 2006, Avid liberated its flagship Media Composer from its hardware host and offered the widely popular editing platform in a software-only version. The company has faced fierce competition from other popular editing platforms, and has responded by steadily ramping up the capabilities and features of Media Composer. With its second major upgrade, Avid has repositioned itself as a cutting-edge innovator of digital editing technology with more competitive prices.
Avid Media Composer 4.0 so
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 Over the past year Canon has produced and shipped tens of thousands of DSLR camcorders worldwide. With so many of these getting into the hands of such a wide range of videographers, from home users, to event videographers, independent filmmakers and now even Network TV shows and Hollywood movies, the impact has been dramatic. At Videoguys.com, we are getting calls and emails and reading new forum threads each day asking us what is the best way to edit and work with the footage created from these
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 I’m very excited for my trip to the National Association of Broadcasters convention this year as I’ll be leading a couple of the In Depth sessions of the Post|Production world conference. The first, on Tuesday morning from 10:00 am to 1:00 pm and part of the Avid Editing Workshop is, Avid Media Composer for Final Cut Pro Editors. The second, Wednesday at 10:00 am, is Music Video Workflow. You must register to attend the educational part of the NAB show (unfortunately it’s not free) at the Post|P
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 I’ll take a moment of of my day editing on an Avid to deal with something in the Final Cut Studio world. Specifically, Apple just released an update to the entire package today.
Pro Applications Update 2010-01 improves overall stability and addresses a number of other minor issues. This update is recommended for all users of Final Cut Studio, Final Cut Server, and Logic Studio.
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 I've recently had the opportunity to review two of the latest training DVDs from VASST.com, a company known for creating DVDs, books, and software utilities that cover a wide variety of video-related topics. In this review I'll look at AVCHD Training, a DVD that carries the following tagline: "Learn the ins and outs of AVCHD and how it affects you."
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 If you are a long time Liquid user, you need to know that after several years of speculation and frustration, Avid has finally come out with the official news:
Liquid is dead. There will be no new updates or versions, nor will their be a next generation product that will give the Liquid user base a natural migration path. While Pinnacle Studio will continue to grow and get better, it will not become the mythical Liquid on steroids many were led to believe. The simple reality is that the produ
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 While we wait for AMA support of AVCHD there is an improvement that I found that some may know but I thought I would share it here for those that missed it.
Step one - Convert AVCHD (.mts etc.) file to avi using Cineform Neo Scene. This $100 product is gaining alot of attention because other NLEs are beginning to support the Cineform Codec natively. This works with cameras like the Canon 5D/7D too. It converts the color space to 4:2:2, handles 24p correctly and is considered visually lo
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 We just found this gem on the Avid user forums!
I've created a three-part tutorial on Blu-ray burning with Avid Media Composer, Sorenson Squeeze, and Avid DVD by Sonic.
It covers the following parts:
How to export from an Avid HD project (in Avid Media Composer)
How to use Sorenson Squeeze for creating Blu-ray files
How to burn to Blu-ray using Avid DVD
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 Recently fellow editor Shane Ross and I were discussing the relative merits of grading in Avid Media Composer versus Apple’s FCP or Color, as well as using the Colorista plug-in. Our conversation got down to how each treated the image when you used the color wheels. After I did a quick test, it was obvious that FCP and Avid don’t process the image in quite the same way, even when you push what appears to be the equivalent control in the same direction. So I decided to dig a bit deeper.
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 Videoguys' March Mania! Take 5% OFF Every Order Now Through 3/22 with Coupon FINAL5
Videoguys.com is your source for all of the video editing
software and hardware you need!
Whethere you're editing your video with Adobe CS4 Production Premium, Apple Final Cut Studio 3, or Sony Vegas Pro 9 we have the bundles and add-ons you need to make the most of your system. For the past few weeks we have been sending you our special solutions-based e-mails featuring each of these application and
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 For editors, there’s good news and bad news concerning camera manufacturers. The good news is that a stream of innovative, impressive and technologically amazing new cameras are being rolled out that shoot fantastic new formats for independent filmmakers, DPs and directors of all kinds. The bad news is that we have to edit the footage.
I was just becoming awesome at transcoding when Avid released its “mix-and-match” feature for Media Composer 4.0. With mix-and-match, any kind of footage c
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