 Massive performance improvements are worth the upgrade alone; an outstanding update to a classy, powerful editor
It’s a little disconcerting when a software publisher releases an update but doesn’t bother to put a list of new features on its website. We half expected Vegas Pro 11 to be a damp squib, but the truth is quite the opposite.
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 We would like to thank all of our customers and friends for your support and patronage throughout the years. We hope you had a great evening with your families yesterday and remembered to shoot lots of video. In case you missed it, here is a link to our latest version of Videoguys' Tips for Shooting Family/Home/Holiday Video
As you know, today is kicks off the holiday shopping season. Below are several Tweets and Facebook posts we’ve been making about some of the fantastic #Blackfriday de
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 One of the most persuasive product upgrades in Avid’s history happened today at noon ET, when a new family of Media Composer products was released. (That makes it a day behind schedule by our reckoning, but nobody’s perfect.) If you missed the news earlier this month, you can see our full coverage at the main StudioDaily site, or you can read on for a quick round-up of the most-anticipated features in the new software.
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 Avid Media Composer 6—as well as Symphony 6 and Newscutter 10—were officially released to the public today. This follows Avid’s announcement several weeks ago, detailing the software’s new features.
Over the past few months, I’ve had the opportunity to beta test Avid Media Composer 6. Now that the software has officially been released, I’m excited to begin sharing tutorials on the newest Media Composer 6 features with the PremiumBeat community.
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 San Francisco, Calif. November 16, 2011 — Grass Valley has unveiled a powerful 3D toolset for its EDIUS multiformat nonlinear editing software and has added 3D support for editing peripherals that provides users with a complete stereoscopic 3D post-production workflow. The STORM™ 3G and STORM 3G Elite editing platforms —are both supported via the EDIUS timeline with stereoscopic 3D I/O through a single 3G SDI source and/or dual 3G SDI signals.
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 OK, I’m not all about Avid now. I’m giving Adobe Premiere Pro some love too. With Apple no longer making a tool I can use, I’m exploring the other two main options for NLEs and seeing what they are capable of. Seeing how they might fit into my workflow needs. Now, while Avid does easily plug into my broadcast workflows, I do have other projects that would be cumbersome to work with in Avid Media Composer…even MC6. So those projects I used Premiere Pro to tackle.
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 Boris FX, the leading developer of integrated VFX and workflow technology for video and film, today announced that Boris Continuum Complete 8 AVX (BCC 8 AVX) is now available. BCC 8 AVX delivers 200+ comprehensive VFX and compositing filters to Avid Media Composer, NewsCutter, and Symphony. Flicker Remover and Videoscope tools, integrated Beat Reactor technology for audio-driven effect animation, a new Film Glow filter, and support for 64-bit operating systems headline the Version 8 release.
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 “Sorenson Squeeze 8 empowers Avid customers to edit, encode and publish high quality video content more efficiently and effectively across any platform or device. Avid’s expansion of our long-time partnership reinforces Sorenson Media’s brand as the most respected name in the video encoding and transcoding market.”
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 Have you upgraded to Sony Vegas Pro 11? Use these tips to get the most out of the new features.
1. To deliver a high-quality video file for posting on sites like YouTube, Vimeo, or your own website, render to the MainConcept AVC format and use the Internet HD 1080p template.
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 Recent innovation in cameras has changed the fundamental ways in which movies are being produced. Now it is possible to capture gorgeous, high-resolution digital cinema footage at a much lower price point than in the past. Recently, a couple of new and exciting digital cinema cameras were unveiled – Canon debuted their Cinema EOS C300, and RED Digital Camera Company introduced their 4K-capable Scarlet-X camera – both of which shoot to formats which are already natively supported in Adobe Premier
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 On April 12th, 2011, the editing community laid their eyes on Apple’s next-generation editing software labeled Final Cut Pro X. On June 21st, 2011, the world was able to get their hands on it. For only $299, anyone could download it onto their Mac from the App Store. However, from that moment on, our perception changed. We realized how radically different this new program was to legacy Final Cut. This caused many to demand refunds or turn to new non-linear editors. However, for those who decided
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 Thanks to Avid's new Open I/O SDK, the HDX-SDI and HD Express are compatible with — and fully certified for — Media Composer® 6, Symphony® 6, and NewsCutter® 10.
The HDX-SDI and HD Express deliver uncompressed, full-raster 1080/720 HD or SD video to and from the computer, allowing you to capture and play HD/SD material using any video format supported by Media Composer and Avid Media Access®, such as XDCAM, DNxHD, and ProRes.
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 Join Matrox technical experts on November 17 or 22 for a detailed discussion of Matrox support for Avid Media Composer 6, which has expanded to the entire range of Matrox MXO2 devices and the new Mojito MAX card.
Matrox MXO2 devices are still the only I/O solutions that connect anywhere, Mac and PC, via Thunderbolt, PCIe, or ExpressCard/34 – with the same versatile unit. Learn how you can benefit from the only I/O products on the market that that let you deliver H.264 files up to five times f
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 Videoguys now sell Bluefish444 I/O cards for Avid and Adobe!!
Bluefish444 has worked closely with Avid engineering and product management to tightly integrate Avid Media Composer 6 with the Create video cards. Full support for Avid's DNxHD codec combined with Bluefish444's bundled Symmetry capture, review, and playback software provides an end-to-end, extremely flexible post-production workflow solution with ultra high quality 12 bit processing.
Create|3D Ultra features 3G-SDI, 3D Stereos
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 Hell froze over with Avid’s launch of Symphony 6, Media Composer 6 and NewsCutter 10. Not only are these the long-awaited 64-bit versions, but one huge feature is Avid’s new open I/O architecture, which permits full implementation of third party hardware. Simultaneously support was announced by Matrox, MOTU, AJA, Blackmagic Design and Bluefish444 for their popular capture cards.
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