 Videoguys Top 10 Products of 2011
- Avid Media Composer 5.5 & 6
- Adobe Creative Suite 5.5 Production Premium
- Matrox MXO2 Family with Thunderbolt Adapter
- Grass Valley ADVC-G Series
- SONY Vegas Pro 11
- Avid Studio
- Reds Giant Software Suites
- Boris Continuum Complete 8
- Roland VR-5 Mixer
- Class On Demand Online Training Catalog
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 Before you lose it on set or fix it in post, follow these simple guidelines to keep everything moving smoothly
It’s no surprise that rapid changes in technology and dramatic drops in budgets have forced many experienced producers out of their comfort zones and into uncharted waters. To make matter worse, networks and studios often still expect the impossible for a fraction of the budgets of years past.
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 2011 saw the introduction of the next great thing in high-speed-data port connections with Apple’s Thunderbolt. It really is a cool technology that could very well make the multi-cable peripheral-connection spaghetti-mess a thing of the past. The kind of speed that Thunderbolt is capable of delivering would be most at home on the digital professional’s desktop, so it’s video and photography folks who will most likely be adopting this technology first. Here we are at the beginning of 2012 with Th
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 Lowest Prices Ever! Featuring the New Pioneer BDR-206 Blu-ray burner!Blu-ray Disc Bundles Available Now at Videoguys.com
The external MEGA bundle ($149.95) is perfect for MAC & laptop users - and anyone who wants to author Blu-ray Discs without the hassle of installing an internal drive! The Videoguys complete MEGA bundle includes the Pioneer BDR-206BK 12x Blu-ray
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 Welcome to the latest edition of my monthly Final Cut Studio newsletter for December, 2011. (Don’t panic, the last issue I published was #79 in July…. I know, I’m so embarrassed.)
This newsletter provides tutorials, tips and other information essential to the interested user of Final Cut. I try to publish this every month, and past issues are available via subscription. All software references are to Final Cut Studio (3) or Final Cut Pro X unless otherwise noted.
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 Out with the old and in with the new! After a big year of new features and new hardware for Media Composer, Matt's in the Rough Cut studio visiting with the ghosts of NLE's past. Take a trip down memory lane and check out some things that you may have forgotten, and some that you have definitely never seen. Happy Holidays from Avid and The Rough Cut!
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 That Post Show is a roundtable discussion with industry experts about the art and science of video, film and post production.
On this Episode of That Post Show, we are proud to have Scott Simmons, Paul del Vecchio and Steve Cohen join us for a discussion about Final Cut Pro X and Avid Media Composer 6.
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 Let’s start this review off by dispelling a long-held rumor. I’m a PC guy, just always have been, and after reviewing just about every PC NLE at least once, I have settled on Adobe Premiere Pro (and the CS 5.5 suite) as my editor of choice. Not too long ago, I had a freelance client that absolutely insisted on Apple ProRes files for the output of a project. Unfortunately, Apple does not allow PCs to write ProRes files, and at the time PC’s couldn’t read them either.
Fast-forward a few mon
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 According to Videomaker, film and video editors of all types will be kicking off the New Year right with Avid. We’re pleased to share that the January 2012 issue features Avid Studio as one of the best home video products of 2011 and also includes an in-depth review of professional editing software, Avid Media Composer 5.5, calling it out as “a force to contend with in the editing world.” [Editor’s Note: Media Composer 6 now shipping]
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 There's Still Plenty of Time to Shop for the Holidays at Videoguys.com! Order online or call us at 800-323-2325
Free Super Saver Shipping on All Orders or Upgrade to Standard Shipping for just $12.95 for Christmas Delivery anywhere in the US for orders placed by 12/13
Upgrade to UPS 2-day Delivery for just $24.95 for orders placed by 12/20
Check out these new products from G-Tech, Avid, Matrox, Boris FX and more!
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 Recent innovation in cameras has changed the fundamental ways in which movies are being produced. Now it is possible to capture gorgeous, high-resolution digital cinema footage at a much lower price point than in the past. Recently, a couple of new and exciting digital cinema cameras were unveiled – Canon debuted their Cinema EOS C300, and RED Digital Camera Company introduced their 4K-capable Scarlet-X camera – both of which shoot to formats which are already natively supported in Adobe Premier
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 In part 1 of PsF’s missing workflow, we introduced the new terms benign PsF and malignant PsF (Progressive Segmented Frame), reviewed their vital importance and fragility in post-production, and clarified the PsF status of two Panasonic professional AVCHD/AVCCAM cameras. In part 2, we covered the PsF status of the Canon XA10 professional AVCHD camera. In part 3, we clarified the PsF status of Sony’s professional AVCHD/NXCAM cameras. Now, in part 4, we’ll cover some file-based recorders (from man
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 Got FCP? Got Kona or Decklink or MXO2?
Crodssgrade to Media Composer 5.5 for $995 (while supplies last) and register before Nov 15th to get a FREE upgrade to MC6!!
Videoguys.com took advantage of a special purchase opportunity that allows us to offer Apple Final Cut owners the "crossgrade" to Avid Media Composer 5.5 for just $995 while supplies last and a FREE upgrade to the new Avid Media Composer 6. Here's how you can take advantage of this last chance offer:
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 Dave Newman asked Shane Ramirez, our editing manager here at Media Design to relate his thoughts on the new Adobe Premiere Pro platform vs. our old version of Final Cut Pro (7). I asked him which platform he would be using for his latest project, since he was trained originally on Final Cut, and his answer was Premiere Pro CS 5.5, and with his comments, we can perhaps determine why.
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 The Javits Convention Center played host to CCW this year. Upon descending to the lower level you can see the distant booths and the feeling of where do I start sets in. I had made my list of things I wanted to see and planned to explore some of the unknown ones out there.
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