 AJA Video Systems streamlined lens to post workflows with the introduction of its Ki Pro family of portable video recorders. The newest product in that family, Ki Pro Mini has been in high demand, facilitating direct camera-to-edit workflows that eliminate the time consuming video encode step. AJA is working jointly with Avid(R) to build support for the Avid DNxHD(R) video codec into Ki Pro Mini, enabling further production efficiencies to Avid Media Composer(R).
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 Boris Continuum Complete 8 AE delivers the most comprehensive VFX plug-in suite ever created for Macintosh and Windows versions of Adobe After Effects and Premiere Pro CS5.5, CS5, CS4, and CS3. A whopping 200+ filters include 3D Objects such as Extruded Text, 3D particle effects, image restoration tools, lens flares and lights, keys and mattes, 3 Way Color Grading and other color correction tools, time-based effects such as Optical Stabilizer, warp and perspective effects, and blurs, glows, and
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 Matrox is the first (and so far, the only) manufacturer of professional audio/video interfaces to offer the possibility of adding Thunderbolt connectivity to any of their existing products which are already in the field. Matrox now offers this capability for any of the MXO2 family of interfaces, which currently include the MXO2 Mini, MXO2 LE, MXO2 (original), and MXO2 Rack. Since almost the beginning of the MXO2 family, all of the interfaces have been available either with (or without) Matrox’s
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 We love it when we hear that Videoguys' customers have been able to make good use of the information we provide. Here is one such story from Craig Mashburn at the Southwest Church of Christ in Amarillo, Texas who is using our DIY8 project as his guideline for a new editing workstation. Cris is the person responsible for the church's technology, audio and video and I am looking forward to reading his upcoming posts on how his system upgrade is going.
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 A few weeks ago I wrote about the backlash against Apple's release of Final Cut Pro X, asking you for your thoughts about the new software and how you're making the decision to upgrade (or disregard).
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 Apple’s Final Cut X: Right Idea, Appalling Execution
August 30, 2011 by
Filed under: Videos Editing
As we have mentioned on many an occasion, we am an unremorseful Apple fanboi. we am moreover enterprisey in my leanings. On occasion, we like myself as the second forthcoming of Steven Spielberg even though in fact that would most appropriate be regarded as demented and sad thinking. So when Apple expelled Final Cut Pro X we was more than excited to see what could be completed to upgrade a g
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 here has been so much going on over at Videoguys this summer! We want to let you know that Hurricane Irene came through and while she brought down a bunch of tress, everyone at Videoguys is doing fine and we didn't have any damages to our main offices or warehouse. We are open for business as usual!
We're sad the summer is almost over, but we are so relieved that Irene is history, we are going to give you our Labor Day coupon offer today!
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 Now is the time to upgrade your NLE to the very latest version. Often times our customers do not realize that they may qualify for an even better deal. That is why we've put together this NLE upgrade Matrix, so that you can find the right upgrade for you based on the software you already own. because we run different promotions and upgrade prices can change, we have used the MRSP price for this chart. Click through the part number for our pricing and to order.
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 If you are a student or a teacher, you qualify for special educational versions of some of our most popular video editing titles! This includes: University and college students, Primary and secondary school students, as well as Teachers, faculty and staff. You will have to provide proof that you are eligible which means sending us a copy of your student or staff ID, report card/ class schedule,
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 Red Giant today announced the release of Trapcode Suite 11. Designed by Peder Norrby, Trapcode’s original creator, Trapcode Suite 11 is a major upgrade to the industry standard VFX tool set for high quality broadcast design and 3D motion graphics.
With this release, Trapcode Suite 11 includes a new release of Form 2, featuring full support for OBJ files, enabling artists to import OBJs directly into After Effects for significantly enhanced 3D modeling and design. Trapcode Suite 11 also in
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Avid listens to their customers.
A few years ago Avid did something unprecedented in our industry that many editors may have forgotten about. They took their show on the road. It wasn't actually a road show as much as it was a chance for their top management to visit with post-houses, professional editors, indie film makers and user groups. They asked what Avid needed to fix and when they asked for honest feedback, they sure got it! What did Avid do with this information? They used
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 When Adobe Premiere Pro CS 5 was launched more than two years ago, the message was clear that Adobe was taking Premiere Pro into the professional market segment. This is not your father's Adobe Premiere, it is a powerful NLE designed to handle the most challenging professional projects. They were the first NLE developer to commit to an all new 64-bit architecture and native HD format support. Adobe harnessed all of the power in your computer, multiple CPU cores, huge amounts of RAM and even you
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Sony Upgrade and Crossgrade from Most Editing Software for Under $300 plus... TWO Special Videoguys Bundles to choose from!
ATTENTION DSLR VIDEOGRAPHERS: Upgrade Your Audio
with Samson ZOOM Digital Recorders & Sync Seemlessly On Your Timeline with Singular Software
Professional Video Storage RAID Arrays from Glyph Production Technologies Are Recommended by Videoguys.com
Introducing the NEW Avid Studio Movie Production Software
VIDEOGUYS FEATURED PRODUCTS FOR TAPELESS AC
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 Got Final Cut? Get Media Composer for Just $995
If you’re not getting what you need to succeed—or you’re a former Avid user who switched (we’d love to have you back)—we want to help make your choice easier. That’s why we’re offering Final Cut Pro (excluding FCP X) users another opportunity to purchase Media Composer 5.5 (with the Production Suite) for just $995 USD—that’s over 60% off the regular price! What’s more, you’ll get free Avid Media Composer for Final Cut Pro Users online training
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 Alan asks: I’ve learned to use and love FCP7 and thinking of upgrading over to FCPX… or is it an upgrade? Does it have all of the same features? is it faster? effects are all there? I would like to see a side by side comparison. Thanks!
Answer: Two guys from Clearhead Media took the time to do a non-scientific comparison of the two and came up with some very interesting results:
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