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Mar
19
by: 
3/19/2010 5:44 PM
If you are a long time Liquid user, you need to know that after several years of speculation and frustration, Avid has finally come out with the official news: Liquid is dead. There will be no new updates or versions, nor will their be a next generation product that will give the Liquid user base a natural migration path. While Pinnacle Studio will continue to grow and get better, it will not become the mythical Liquid on steroids many were led to believe. The simple reality is that the produ Read More
Mar
18
by: 
3/18/2010 3:09 PM
We just found this gem on the Avid user forums!

I've created a three-part tutorial on Blu-ray burning with Avid Media Composer, Sorenson Squeeze, and Avid DVD by Sonic. It covers the following parts:

  • How to export from an Avid HD project (in Avid Media Composer)
  • How to use Sorenson Squeeze for creating Blu-ray files
  • How to burn to Blu-ray using Avid DVD Read More
    CATEGORIES: 

  • Mar
    18
    by: 
    3/18/2010 10:22 AM
    In Final Cut Pro there are keyboard shortcuts you can use for adding your favorite transitions to any edit point. Not aware of these? Then stand by Laddie, you're in for a treat. Let's start with basics first. Read More
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    Mar
    17
    by: 
    3/17/2010 11:08 AM
    Technology is converging - consumer digital cameras now shoot HD video and video camcorders shoot multi-megapixel photos. And the trend has continued into professional digital SLR cameras, which have evolved to add the ability to shoot HD video. Read More
    Mar
    16
    by: 
    3/16/2010 2:14 PM
    Firmware Version 2.0.3 incorporates five enhancements to the movie function and a fix to the manual sensor cleaning function of the EOS 5D Mark II camera. 1. Adds or changes the following movie frame rates. NTSC:
  • 1920×1080 : 30 fps (changed - actual 29.97 fps)
  • 1920×1080 : 24 fps (added - actual 23.976 fps)
  • 640×480 : 30 fps (changed - actual 29.97 fps) Read More
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  • Mar
    16
    by: 
    3/16/2010 12:17 PM
    AJA Video Systems, a leading manufacturer of professional video interface and conversion solutions, announced today that it is now offering its KONA line of capture cards with software for both Mac and Windows-based systems. The company is folding its XENA line of capture cards, designed for the Windows platform, into the KONA product line, giving customers twice the software and flexibility to use KONA cards on all platforms, at no additional cost. Read More
    Mar
    16
    by: 
    3/16/2010 12:08 PM
    Continuing to extend the reach of its EDIUS PC-based nonlinear editing (NLE) software, at NAB 2010 Grass Valley will unveil the latest updated version, which now includes real time, full resolution AVCHD editing already released for the EDIUS Neo 2 Booster package. This new feature is ideally suited to the professional and prosumer videographer who shoots and/or edits AVCHD video and desires native real-time performance when editing material compressed with the AVCHD format. In addition, EDIUS Read More
    Mar
    15
    by: 
    3/15/2010 12:09 PM
    Videoguys' March Mania! Take 5% OFF Every Order Now Through 3/22 with Coupon FINAL5

    Videoguys.com is your source for all of the video editing software and hardware you need!

    Whethere you're editing your video with Adobe CS4 Production Premium, Apple Final Cut Studio 3, or Sony Vegas Pro 9 we have the bundles and add-ons you need to make the most of your system. For the past few weeks we have been sending you our special solutions-based e-mails featuring each of these application and Read More

    CATEGORIES: 

    Mar
    15
    by: 
    3/15/2010 9:51 AM
    It took a lot of commenting and complaining from the many folks who bought a Canon 5D Mark II but unless you live under a rock (or just don’t really care) then you’ve heard that Canon is releasing an updated firmware for the 5D Mark II that will allow for 24p recording Read More
    KEYWORDS: 
    Mar
    12
    by: 
    3/12/2010 4:27 PM
    For editors, there’s good news and bad news concerning camera manufacturers. The good news is that a stream of innovative, impressive and technologically amazing new cameras are being rolled out that shoot fantastic new formats for independent filmmakers, DPs and directors of all kinds. The bad news is that we have to edit the footage.

    I was just becoming awesome at transcoding when Avid released its “mix-and-match” feature for Media Composer 4.0. With mix-and-match, any kind of footage c Read More

    Mar
    9
    by: 
    3/09/2010 2:49 PM
    Audio editing powerhouse - from raw audio to editing to mastering, including sound design, audio restoration, processing and effects, and even Red Book CD creation.

    What family of video editing tools are you most comfortable with? There's Avid, with its extensive legacy in broadcast and film. Or Adobe, with its ever-more-tightly integrated Creative Suite, from imaging to video to the web. And Apple, with its Final Cut Studio expanding from professional editing to digital cinema. Read More

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    Mar
    8
    by: 
    3/08/2010 3:00 PM
    The NEXTO DI NVS 2500 is a stand alone backup / archiving system for digital media cards. At it’s heart lies a 500GB 2.5 inch drive which has been wrapped in card readers, a rechargeable battery, a colour display and a whole host of communication ports. It’s all packaged up in a compact rugged case that’s built to withstand the day – day rigours of a video professional. Read More
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    Mar
    8
    by: 
    3/08/2010 2:49 PM
    If Gebbs Wedding Films' Michael Gebben didn't have a strict personal policy against selling clients on technology, you can bet he'd be bragging about the two most significant additions to his arsenal he's made recently: Canon's 5D Mark II and EOS 7D DSLRs. For Gebben, a rising industry star whose demo was recently selected for use in the nationally syndicated TV show Wedlock or Deadlock, these so-called fusion cameras have made his already great-looking same day edits (SDEs)-his studio's special Read More
    Mar
    8
    by: 
    3/08/2010 2:41 PM
    The workflow of today centers on tapeless acquisition. Yet we must remember that it was Focus Enhancements—through its FireStore Direct To Edit products—that led the way to tapeless acquisition even when everyone was exclusively shooting tape.

    In short, the FSH units are wonderful devices for a format that is being superseded. The FS-H200 and FS-H200 Pro should be part of any HDV shooter's toolkit. For the $300 difference, the Pro adds some nice features, but even the $895 original unit pro Read More

    Mar
    5
    by: 
    3/05/2010 11:43 AM
    Knowing both systems is VERY important in today’s post production market. Don’t be labelled as an “FCP Editor” or “Avid Editor.” Just be known as simply, an editor. You need to be known as someone who can use either tool, because that will make you far more marketable. Read More
    CATEGORIES: 

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