 FFV Now Offers Straight-to-Avid Editing Workflows for Avid® Users Through Support of Avid DNxHD® Codec
New sideKick HD™ and sideKick HD Studio™ Digital Video Recorders Enable Instant Import of Camera Footage Into Avid® Without Transcoding
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 Adobe have announced that the latest version of Photoshop, CS6 is now in beta and available for free download. Yes the interface has gone dark and yes it can edit video too.
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 Avid Nitris DX Hardware and Avid Symphony 6 Software
Now Available at Videoguys.com
Avid Nitris DX
High-performance, dual link, customizable HD I/O and monitoring solution
If you edit high-profile films, TV shows, or commercials for a living, you need a system that gives you the speed, flexibility, and confidence to take on anything. Customize and pair Nitris DX with Media Composer, Symphony, or NewsCutter, and you get the best I/O interface for working with HD, Panasonic AVC-Intra, RGB
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 It's hard to believe that the winter is almost over and spring is around the corner! Over the past few weeks we've sent out a couple of Spotlight emails. Our 5% off coupon SOFT5 is active through 3/19/12 and you can use it for any purchase!
Check out the latest news, articles and guides on Videoguys.com!!
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 Video is, at heart, a highly artificial art form. Sure, a finished video looks natural, perhaps flowing so smoothly that even an experienced video creator finds him or herself starting to believe that the events on screen must have happened exactly as presented. But we all know that's not the case. It takes a million cuts and edits, so small and so quick that a viewer barely even notices them, to turn raw footage into the slick product you show to an audience. These articles will help give you t
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 Now, Avid being Avid, the situation on Media Composer hasn’t been so easy. It was kind of driving me crazy as I spent much of the past year cutting on Avid again after a long time doing FCP job after FCP job. Every few weeks I’d troll the internet again looking for a way to do this; I’d re-read the Avid manuals and stare at all the menu options again and again to see what I’d missed. Media Composer 5.5 supports a few control surfaces – the Command | 8 , Euphonix Artist series, another Digidesign
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 “We are a band and enjoy playing, so I wouldn’t
want the technology to slow us down or get in
the way of our creativity. That’s what I love about
the EDIUS system. It’s easy to use and allows me
to work very fast. Then I can get back to playing
music.”
Davide Stefanini, Guitarist & Video Editor
Comfortably Numb
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 Let's face it; there's nothing very sexy about rendering your video and audio projects. Everyone hates the render step, but everyone also recognizes that they can't get far with delivering their project without out it. So, like it or not, there has to be a render step. That's the unfortunate news. The good news is that the new Render As dialog box in Vegas Pro 11 makes the process a bit more pleasant than it was in earlier versions of the application. The new dialog box offers several improvemen
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 Jeremiah is not much of a still photographer; his passion is in motion pictures, not stills. So a couple of years ago he saw Vincent Laforet's "Reverie" he knew that he would have to learn to shoot with a DSLR. He has found the process to be both fun and frustrating, expensive in some areas (priced a matte box lately?) and ridiculously cheap in others (reusable SDHC versus a case of tape).
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 New Multi-Format, Camera-Mountable DVR Delivers Pristine Video Quality and Streamlines Production Workflows by Eliminating Time-Consuming Transcoding
Fast Forward Video (FFV) will unveil the sideKick HD, a multi-format, straight-to-edit, camera-mountable digital video recorder (DVR) that raises the bar for image quality when paired with today's state-of-the-art camcorders
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 Intel is working to boost data transfer speeds with a faster pipe on Thunderbolt, a high-speed connector technology that link computers with peripherals, the company said on Thursday.
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 Creative COW Forum Thread started by Ron Lindebloom
I had to smile reading the people on the original thread below speculating about the possibility of officially licensed Mac OS on an HP Workstation.
For years, Tim Wilson and I have talked about the idea of HP providing workstations that run the Mac OS. (Not every PC manufacturer, just HP.)
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 Many experienced editors look at the interface design of Final Cut Pro X and seemingly freak out at the radical change in front of them. The truth is that if you dig a bit deeper, many of the underlying concepts aren’t that different from Media Composer, Premiere Pro or FCP “legacy” after all. Different nomenclature and a modified way of working, but still built upon familiar foundations – IF you look for them.
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 After many years of producing and engineering for various types of media projects, utilizing single drives for the various assets, then backing up to optical disks, I decided it was time to move into the world of Raid drive redundancy. I have, at various times, used Raid 0 setups, but that speed has a trade off…protection. After much research between various vendors, manufacturers, and creative pros alike, I decided I would enter the world of small drive arrays by purchasing a 4 disk 4 Terabyte
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 What a long, strange trip it’s been for Magic Bullet Denoiser. The quite amazing, though crash-prone, denoising tool from Red Giant Software was removed from Red Giant’s product lineup late last year when some third-party technology used in Denoiser 1 was purchased by Google. In Google’s quest to make crappy YouTube video look better, we lost one of the better denoise tools that I had ever used. Red Giant promised at the time, however, that its “team is hard at work developing a new version of D
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