 For both commercial and editorial video, Telegraph Media Group shoots on location, on set, and in studio environments. The team uses Adobe Creative Suite 5.5 Production Premium— including Adobe Premiere Pro CS5.5—for video editing, Adobe Audition CS5.5 for audio
editing, and Adobe After Effects CS5.5 for visual effects.
Adobe Premiere Pro CS5.5 helps the Telegraph Media Group team mix footage from sources
as varied as high-end DSLR and ARRI ALEXA cameras, Sony XDCAM, .FLV files, and Flip V
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 Breaking with their corporate tradition of releasing a major Creative Suite update every two years, Adobe has released a mid-cycle product, Creative Suite 5.5. This contains significant new features and improvements that should be of vital interest to all media creators. In this review, we will look at the new features in Production Premium 5.5, a subset of the entire Creative Suite, which consists of Premiere Pro CS5.5, After Effects CS5.5, Audition CS5.5, Photoshop CS5 Extended, Flash Catalyst
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 New features make Matrox Convert DVI Plus even simpler and more convenient to use. Automatic input detection is particularly important for A/V integrators who might regularly deal with a variety of input devices in the course of their work. Now any computer running at any resolution can be connected at the input, and Matrox Convert DVI will automatically output at the desired, preprogrammed resolution.
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 Working as a one-person team, a staff member from MSNBC.COM offices in NY or Washington, shoots, produces, and edits video in the field. Each producer is equipped with a Mac laptop loaded with Avid Media Composer 5.5 editing software, connected to a Matrox MXO2 Mini MAX I/O box with built-in Thunderbolt connectivity. This allows them to convert signals on the fly, as required.
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 Beta release 3.0.1 for Matrox MXO2 I/O devices and the new Matrox Mojito MAX card is now available on our user forum. This software update adds broadcast monitoring support with the recent Final Cut Pro X 10.0.3 update. Broadcast monitoring in Final Cut Pro X 10.0.3 allows video and audio output to a variety of external monitors and other equipment using the SDI, HDMI or analog video outputs from Matrox products
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 WOW! When I first got a look at the new HP Z1 I fell in love. Over the past year I've become a big fan of iMacs with Thunderbolt. The iMac is sweet, but for NLE we have a problem, it only comes with ATI graphics. For best results with Adobe and Avid, you must have an NVIDIA GPU with tons of CUDA cores. The new HP Z1 delivers on this and more. You get you choice of FOUR levels of Quadro cards that can be added, including our go to GPU for professional post, the Quadro4000!
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 AJA Video Systems delivered v3.0 firmware for its Ki Pro and Ki Pro Mini 10-bit 4:2:2 flash disk recorders today. Packed with features that give users greater flexibility and capability for filmmaking, broadcasting and everything in between, v3.0 firmware is available as a no-cost download for current Ki Pro and Ki Pro Mini customers.
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 HP unveils the HP Z1, an all-in-one workstation features include a 27-inch screen, a 30-bit panel with an over-1 billion color palette, a built-in HD video camera, SRS premium sound speakers, an array of microphones for stereo inputs and optional NVIDIA cards, for a combination of power and expandability never before seen in an all-in-one system: a true, professional-strength workstation.
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 Videoguys' Sweetheart Deals!
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 It's Easy to Love this Adobe Special & Save 50% OFF!
MAKE THE SWITCH! SWITCH FROM APPLE OR AVID TO ADOBE CREATIVE SUITE 5.5 PRODUCTION PREMIUM OR ADOBE PREMIERE PRO CS5.5!(expires 3/2/2012)
Step up to the toolset the pros use, Adobe® Premiere® Pro, part of Adobe Creative Suite® 5.5 Production Premium software. Get seamless integration with Adobe Photoshop® and After Effects®, and edit almost anything thanks to broad native tapeless and DSLR camera support.
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 It’s been almost 12 months since Thunderbolt made its debut on the 2011 MacBook Pro. In that time, just a few dozen Thunderbolt products have shipped, to the disappointment of users eager to take advantage of the fast connection.
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 We all know the important place that DSLRs now have in the world of video production. The versatility of these cameras, the ability to alternate between still photography and video at a shoot, the interchangeable lenses, large processors, and more, have all meant that DSLRs are an attractive option for shooting video.
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 Max Out Your Savings with these Special Instant Rebate Offers from Matrox!
Save $100 on the MXO2 LE Max or the Mojito MAX... or $400 on the MXO2 Rack MAX!
Matrox MXO2 devices are still the only I/O solutions on the market that connect anywhere, Mac and PC, via PCIe, ExpressCard/34, or a Thunderbolt adapter — with the same versatile unit.
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 For budget friendly, uber audio, check out the Zoom H2n Audio Recorder.
We're all familiar with the truism that poor video may be forgiven as long as the audio is great, while the best video will suffer if the audio is lousy. Whether short film or feature, Hollywood blockbuster or local independent, the quality of your audio will make or break your production faster than any other single component.
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 Many of you are probably laughing at this title, and to be honest I still don’t believe that I like editing with Final Cut Pro X. It looks like iMovie and the workflow is totally different. But I continued reading about it and watched some great tutorials from Chip Dizard over at Web Video Chefs (click here to see the webinar). It got me more curious and a few days later I am here.
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