 We've been very active over the past few months in LinkedIn group discussions. There are several really great groups with very knowledgable professionals participating. Some of the groups you can find us in include Video Editors, Digital Video Editing, Adobe Premiere, Creative COW, Avid, EDIUS professional users, Film TV Professionals, Post Production Professionals, FCPUG Netwrok Community and Final Cut Pro Video Editing. What I like so much about Linked In groups is that they tend to be filled
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 Adobe is making a big play for Final Cut Pro users with their CS6 release of Premiere Pro. It’s vastly improved over the Premiere Pro of old and is a lot like Final Cut Pro. There’s even a keyboard shortcut layout for Final Cut Pro users. But it is a totally different application than our old Final Cut friend and some things you’re used to in Final Cut Pro either aren’t there or just work differently. Figure out the differences and work with the changes as Premiere Pro CS6 is a great application
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 I know what you all are asking yourselves: “What did Shane edit that NAB wrap-up video with?” Plenty of you asked on Twitter, and I know you WOULD have asked on my blog in the comments…but I offered up the information before you could. Because I knew you’d ask.
So yes, I used Adobe Premiere CS5.5 to start the edit…mainly the inputting and organization part…and pulling the selects I wanted to use.
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 Attention Avid Editors: Your Existing Hardware & Software are Your Key to Savings on the Latest Avid Hardware & Software... including Symphony 6
Upgrade Your Mojo SDI, Mojo or Adrenaline to the New Avid Mojo/Nitris DX Hardware & Get a FREE Upgrade to Avid Media Composer 6!
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 AJA Video Systems introduced three new products at this year's NAB conference, all of which were recognized with "Best of Show" awards from industry thought leaders. AJA's Ki Pro Quad 4K/2K digital recording device won the InBroadcast Magazine InGEAR Award, the DV Magazine Black Diamond Award and the TV Technology STAR Award, as well as an honorable mention by Post Magazine in its Post Pick Awards, which are voted on by a panel of industry professionals who make their living using the types of t
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 CS6 Production Premium is a milestone release, and we at Adobe think it will change the way editors work. Why? CS6 pairs a major overhaul of the editing experience in Adobe Premiere Pro with the biggest release of After Effects in more than a decade. We’ve added a raft of new features to Adobe Audition, so it’s easier than ever to make your productions sound as good as they look. Plus, we’re adding key new tools to your kit: Adobe Prelude, which is designed to simplify logging and ingest of file
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 Avid is currently (until June 15, 2012) running a special upgrade/crossgrade promo on Avid Symphony. You can crossgrade your Final Cut Pro (V7 or before) or upgrade your old Avid (Xpress Pro, Xpress DV or Media Composer) license to a brand new Symphony v6.0 license for a meagre US$995. That is a $5,000 discount on the full price, and $2,500 discount on the Avid Media Composer crossgrade price.
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 One of Scott's favorite products being shown at NAB 2012 is the upcoming PluralEyes 3.0 from Singular Software. Many of use have been using PluralEyes for a lot of years now in all of our NLEs but when PluralEyes 3.0 ships, probably this summer, you’ll see a totally different and cleverly redesigned application.
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 For a limited time only, Avid Media Composer & Apple Final Cut Pro Owners can step-up to Avid's professional editing & finishing software at the lowest price ever!
At last year's NAB show Avid launched a special Media Composer Crossgrade program for Final Cut Pro editors to come back to Avid for just $995. That program was a huge success! Now Avid is upping the ante and going all in by making the same offer to Avid Symphony 6! Yes, that's right, FCP editors may now crossgrade to Avid Symphony
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 April 2012 update - now with FOUR recommended builds! Thanks to the release of the Intel i7 3820 Quad Core processor, we now have a DIY9 budget build! You can mix & match components between the three DIY9 P9X79 builds (Hot Rod vs Videoguys' Choice vs Budget). For those on a tight budget our DIY8 Sandy Bridge system based on the P8Z68 and i7 2600K processor is still fine choice, but I recommend finding the extra bucks to build our DIY9 budget machine, which comes in at just over $1500! For our Vi
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 Like most Avid, editors I was waiting impatiently for the 6.0 release. Dreams of 64-bit architecture were spinning in my head: background rendering, super fast transcoding, more AMA features and a new title tool were my constant smile-inducing dreams. Then came the reality...which wasn’t bad either.
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 Knowing keyboard shortcuts allow you to work faster than clicking and dragging your mouse. However, it can be tricky trying to memorize all sorts of keyboard shortcuts for several different applications. Luckily, Contour Design has come to the rescue with their ShuttlePRO v2.
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 Short tutorial on Media Composer 6.0’s quick AMA ingest for these new camera systems
Here are two quick tutorials by editor Dylan Reeve that will show you the simplicity of importing Canon C300 and Canon 5D MKIII footage into Media Composer 6.0. Watch below.
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 Avid Nitris DX Hardware and Avid Symphony 6 Software
Now Available at Videoguys.com
Avid Nitris DX
High-performance, dual link, customizable HD I/O and monitoring solution
If you edit high-profile films, TV shows, or commercials for a living, you need a system that gives you the speed, flexibility, and confidence to take on anything. Customize and pair Nitris DX with Media Composer, Symphony, or NewsCutter, and you get the best I/O interface for working with HD, Panasonic AVC-Intra, RGB
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 It's hard to believe that the winter is almost over and spring is around the corner! Over the past few weeks we've sent out a couple of Spotlight emails. Our 5% off coupon SOFT5 is active through 3/19/12 and you can use it for any purchase!
Check out the latest news, articles and guides on Videoguys.com!!
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