 Doug has been following the ‘NLE Wars’ with quite a bit of interest for some time now. Like many, folks who have been using FCP for years, including all of his own current work work, as well as a number of feature films in the past, He is very concerned about the end-of-life for FCP/FC Studio in the wake of the release of FCP X, and he's really, really, not motivated to switch to another platform. Switching costs time, switching costs money. Switching means that a video that could take a half a
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 Clay wrote this originally for lafcpug in 2010.
Here is the updated version for Premiere Pro CS6.
1. Change your Scratch Disk.
By default, Scratch Disks follow the Project. (Users/Documents/Adobe/PremierePro)
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 WOW! It's hard to believe that May is here and that the NAB show was a full month ago! If you haven't read it yet, you definitely want to go over and check out our NAB 2012 Reflections Article. The industry is changing, and we go over some of the biggest shifts that have occurred and are ongoing.
Adobe CS6 is here!
Avid Symphony 6 for only $995!!
New Low Prices on G-Tech G-RAIDs!
NVIDIA Quadro 4000 by PNY Mail-in Rebates!
NewBlue Titler Pro for Avid, Adobe, Edius,
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 On May 7th Adobe released Creative Suite 6, and it’s pretty clear that their eyes are keenly focused on video production. While we’re still in the process of writing our review of the software suite, here are a few of the features we’re think video producers everywhere will be excited about.
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 Since its beginnings in 2002, Red Giant has become an increasingly important maker of visual effects software. The Beaverton, Oregon-based company publishes a range of different apps for filmmakers, broadcasters and other moving media creatives.
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 Dennis Kutchera went to Vegas with a goal - to be tantalized by the new colour-grading options - in essence, to cheat on his beloved Avid. What happens in Vegas, this time, comes back with some great stories.
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 One of the top requests we've heard over the past few years from our customers is for an easy to use, powerful 3D titling program that delivers high resolution titles. We've found what you are looking for!
At NAB NewBlue announced GPU-Accelerated Plugins & Titler Pro Compatibility with the Upcoming Release of Adobe Creative Suite 6 Software & Mac Operating Systems.
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 We've been very active over the past few months in LinkedIn group discussions. There are several really great groups with very knowledgable professionals participating. Some of the groups you can find us in include Video Editors, Digital Video Editing, Adobe Premiere, Creative COW, Avid, EDIUS professional users, Film TV Professionals, Post Production Professionals, FCPUG Netwrok Community and Final Cut Pro Video Editing. What I like so much about Linked In groups is that they tend to be filled
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 Overall, with the release of CS6, Adobe have delivered us an awesomely powerful set of tools, with many useful, time-saving and creative features that far surpass what many other 'software suites' offer. The wheel has not been re-invented here, but the tyre's been upgraded, the rim strengthened and the alloy very much pimped! (Ed: please...no more metaphors!) Here at Fraktiv - and through our new venture at geebeebee media - we're already putting CS6 through its paces on several more edits
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 For the past number of years I have been working on a Mac Pro, with two 23" Apple Cinema Displays, running Legacy versions of FCP. I had added a Matrox MXO box, which went between my monitor card and my second ACD to provide Broadcast Monitoring so that I could view my video output. Hitting the Command F-12 keys would toggle the second monitor between a standard Mac Desktop and a Broadcast Monitor. This was extremely helpful in viewing and judging video output, as the Canvas window does not prov
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 Highlights of Grass Valley's forthcoming 6.5 upgrade to the EDIUS NLE (coming in June) for pro event and corporate video producers include improved a native stabilization utility, Alpha channel support, 10-bit effects and filters, and several enhancements to the Layouter including a drop shadow function and new options for selecting a scaler.
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 I upgraded to Adobe Master Collection CS6 yesterday and thought I’d share a few thoughts and tips I’ve gathered so far. And I’m aware of how cheesy this post’s title is, it’s ok. Eventually the Queen references will die, no thanks to me. I’m sorry.
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 All CS6 Upgrades are now available as downloadable licenses only and may be requested right here at Videoguys.com. There are several advantages to Adobe Licenses including the ability to download your software for either PC or Mac and have it pre-registered with Adobe.
Call us at 800-323-2325 to place your order or use the REQUEST ESD buttons online to build your order and submit it to Videoguys.com to be reviewed by our sales speciailists. Once your order has been accepted your serial num
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 Philip learnt to edit tape to tape about 16 years ago at Sky News whist working as a News Cameraman. It made his camerawork SO much better. It was a great way to learn to edit. No “Apple Z”, you had to make hard decisions and stick with them. You also had to be FAST.
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 As a long-time Final Cut Pro user, David Lawrence has been looking for a new NLE, since FCPX isn't an option for his editing style and needs. When word leaked out of a CS6 trial release, David took Premiere Pro 6 for a spin. And WOW! is what his impressions were. Read on for more details.
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