 Faster & Better Than Ever!
Professional editors and producers like you around the world have told us what you need to succeed. More efficient and easy-to-use video editing tools. An open platform that enables you to work with everything you want and integrate into any workflow. More power to eliminate bottlenecks, so you can work faster than ever. We listened. We took notes. We made it happen. Introducing Media Composer 6—the fastest, most versatile tool for professional video editing.
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 We would like to thank all of our customers and friends for your support and patronage throughout the years. We hope you had a great evening with your families yesterday and remembered to shoot lots of video. In case you missed it, here is a link to our latest version of Videoguys' Tips for Shooting Family/Home/Holiday Video
As you know, today is kicks off the holiday shopping season. Below are several Tweets and Facebook posts we’ve been making about some of the fantastic #Blackfriday de
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 November 3rd, 2011. It was the day camera enthusiasts the world over were waiting for. Video camera juggernaut Canon was set to release their new flagship camera; a piece set to compete with the best from Sony, Panasonic and even Red Digital Cinema. The rumors started to fly early; everyone had their wishlist: a 4K sensor, interchangeable EF and PL mounts, maybe even a RAW recording option. Canon was trying to compete with Red, weren’t they? Anyone who has ever used a Red One or Red Epic camera
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 Philip Bloom feels this is a really important blog post as he is reading in so many places some worryingly ill informed comments from people. It’s less worrying when it’s about a GH2 or T2i that cost less than $1k but when we are talking about AT LEAST 10 times that Philip thinks it’s important that he put down his thoughts about this exciting new camera that is perfect for some but not for all…The Scarlet is now out in the big wide world so it’s about time Philip wrote this!
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 The VR-3’s innovative design incorporates a video switcher, audio mixer, preview monitors and streaming-ready USB output all in a single unit. As a USB Video/Audio class device, web streaming is effortless by simply connecting to a computer running a live streaming service such as USTREAM , Livestream, Stickam, Justin.tv, worshipstream.com, websharelive.com, etc. The reduction in hardware equipment, setup time and connection complexity ensures a worry-free, easy to use solution for any event.
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 One of the most persuasive product upgrades in Avid’s history happened today at noon ET, when a new family of Media Composer products was released. (That makes it a day behind schedule by our reckoning, but nobody’s perfect.) If you missed the news earlier this month, you can see our full coverage at the main StudioDaily site, or you can read on for a quick round-up of the most-anticipated features in the new software.
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 Recent innovation in cameras has changed the fundamental ways in which movies are being produced. Now it is possible to capture gorgeous, high-resolution digital cinema footage at a much lower price point than in the past. Recently, a couple of new and exciting digital cinema cameras were unveiled – Canon debuted their Cinema EOS C300, and RED Digital Camera Company introduced their 4K-capable Scarlet-X camera – both of which shoot to formats which are already natively supported in Adobe Premier
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 Thanks to Avid's new Open I/O SDK, the HDX-SDI and HD Express are compatible with — and fully certified for — Media Composer® 6, Symphony® 6, and NewsCutter® 10.
The HDX-SDI and HD Express deliver uncompressed, full-raster 1080/720 HD or SD video to and from the computer, allowing you to capture and play HD/SD material using any video format supported by Media Composer and Avid Media Access®, such as XDCAM, DNxHD, and ProRes.
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 Join Matrox technical experts on November 17 or 22 for a detailed discussion of Matrox support for Avid Media Composer 6, which has expanded to the entire range of Matrox MXO2 devices and the new Mojito MAX card.
Matrox MXO2 devices are still the only I/O solutions that connect anywhere, Mac and PC, via Thunderbolt, PCIe, or ExpressCard/34 – with the same versatile unit. Learn how you can benefit from the only I/O products on the market that that let you deliver H.264 files up to five times f
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 Videoguys now sell Bluefish444 I/O cards for Avid and Adobe!!
Bluefish444 has worked closely with Avid engineering and product management to tightly integrate Avid Media Composer 6 with the Create video cards. Full support for Avid's DNxHD codec combined with Bluefish444's bundled Symmetry capture, review, and playback software provides an end-to-end, extremely flexible post-production workflow solution with ultra high quality 12 bit processing.
Create|3D Ultra features 3G-SDI, 3D Stereos
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 If there’s one thing I’ve learned in this industry over that past 20 years is that no matter how much I think I might know what new technology is coming around the corner, the fact is, there’s always a few surprises when new stuff actually is announced.
Last Thursday (November 3, 2011), there were three major announcements from industry players, in this order: Avid, Canon and RED. To my surprise, none of the announcements played out as I would have expected. This is neither good or bad, it ju
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 Got FCP? Got Kona or Decklink or MXO2?
Crodssgrade to Media Composer 5.5 for $995 (while supplies last) and register before Nov 15th to get a FREE upgrade to MC6!!
Videoguys.com took advantage of a special purchase opportunity that allows us to offer Apple Final Cut owners the "crossgrade" to Avid Media Composer 5.5 for just $995 while supplies last and a FREE upgrade to the new Avid Media Composer 6. Here's how you can take advantage of this last chance offer:
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 Today Avid Avid announced Media Composer version 6, Symphony version 6 and NewsCutter version 10 . Avid matins they acer deeply committed to professionals, and are pleased to announce that all of these new applications are 64 bit native.
Avid Media Composer 6.0 has been rebuilt from the core on an entirely new open, 64-bit architecture. Avid is also introducing a sleek, new User Interface that is designed to speed up workflows while preserving the same functionality. This means it will still
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 Key Features Include Native RED Epic and AVCHD Support, ProRes Encode/Decode, and 4:4:4 DNxHD
Avid announced a new "Media Composer family" today, with a fresh 64-bit code base underlying Media Composer 6, Symphony 6, and NewsCutter 10. Key features in this update include an expansion of Avid's AMA, which now supports native AVCHD, native RED Epic, ProRes encode and decode, and a new DNxHD 4:4:4 codec. Support for Avid's Artist Color hardware interface has been beefed up, and Pro Tools roundt
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 Matrox® Video Products Group today announced support for Avid® Media Composer® version 6 with the entire range of Matrox MXO2 I/O devices and the new Matrox Mojito™ MAX™ card. Not only do Matrox I/O products provide broadcast-quality input and output, they also lets users deliver H.264 files for the web, mobile devices, and Blu-ray up to five times faster than software alone, without sacrificing quality. Other important features include 10-bit hardware scaling, inexpensive HD monitoring with the
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