 WOW! It's hard to believe that May is here and that the NAB show was a full month ago! If you haven't read it yet, you definitely want to go over and check out our NAB 2012 Reflections Article. The industry is changing, and we go over some of the biggest shifts that have occurred and are ongoing.
Adobe CS6 is here!
Avid Symphony 6 for only $995!!
New Low Prices on G-Tech G-RAIDs!
NVIDIA Quadro 4000 by PNY Mail-in Rebates!
NewBlue Titler Pro for Avid, Adobe, Edius,
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 If you've been a fan or customer of Videoguys over the years, then you know that our go to recommendation for external video storage are the G-Tech G-RAIDs. G-RAIDs are stylish, external RAID devices that have unsurpassed reliability and performance. They attach to your Laptop or Workstation via eSata, USB2 or Firewire 800/400. G-RAIDs have been our top recommendation since they were first introduced and we awarded it Top New Product in 2004.
The G-Tech GRAID 4th Generation keeps up their
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 Since its beginnings in 2002, Red Giant has become an increasingly important maker of visual effects software. The Beaverton, Oregon-based company publishes a range of different apps for filmmakers, broadcasters and other moving media creatives.
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 Dennis Kutchera went to Vegas with a goal - to be tantalized by the new colour-grading options - in essence, to cheat on his beloved Avid. What happens in Vegas, this time, comes back with some great stories.
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 Highlights of Grass Valley's forthcoming 6.5 upgrade to the EDIUS NLE (coming in June) for pro event and corporate video producers include improved a native stabilization utility, Alpha channel support, 10-bit effects and filters, and several enhancements to the Layouter including a drop shadow function and new options for selecting a scaler.
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 As a long-time Final Cut Pro user, David Lawrence has been looking for a new NLE, since FCPX isn't an option for his editing style and needs. When word leaked out of a CS6 trial release, David took Premiere Pro 6 for a spin. And WOW! is what his impressions were. Read on for more details.
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 Attention Avid Editors: Your Existing Hardware & Software are Your Key to Savings on the Latest Avid Hardware & Software... including Symphony 6
Upgrade Your Mojo SDI, Mojo or Adrenaline to the New Avid Mojo/Nitris DX Hardware & Get a FREE Upgrade to Avid Media Composer 6!
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 Adobe launches CS6 Production Premium with a revamped UI, a faster and more efficient After Effects, and SpeedGrade – a professional color grading application
It goes without saying that the production industry has seen some significant changes in the past couple of years. Disruptive camera technology (RED ONE, Canon 5D Mark II, etc.) has created a new industry in which low-budget filmmakers can now compete with studios in delivering a professional looking film.
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 What editing package do you use? What should I buy? Do I have to be an Avid editor to work on films? Is Premiere replacing Final Cut? I hear good things about Vegas. Should I try it? We hear these questions over and over.
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 Scott was fortunate to get his hands on an early release of Adobe Premiere Pro CS6 and an edit that came up last week seemed like the perfect place to test it out. It wasn’t an overly complex edit, a 3 minute piece shot on RED with interviews and b-roll. He cut the offline and it will then go to an After Effects artist for some fancy graphics and Baselight for color grading. As he was taking notes on the new version of Premiere Pro for an upcoming review he thought it might be interesting to jus
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 Joe Marine of nofilmschool gives us a recap of day 2 at NAB2012
No video updates at the moment, as my entire night was spent at the Eleventh Annual Las Vegas Supermeet, a meeting of the Creative Pro User Group Network, which is a gathering of editors and like-minded post people. Unfortunately the event was plagued by projection and sound problems (the in-house staff are the only people who can touch that stuff). It’s ironic that this happened to a room full of nerds who understand the issues
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 In recent years, disruptive technology like the RED ONE, the Canon 5D Mark II, and all-in-one NLE suites have made it fairly easy to create a professional looking project. As a result, budgets have shrunk – especially in post – and editors have been asked to perform brand new tasks, including titling, color correction and sometimes even visual effects.
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 Bring your vision to life faster in Adobe® Creative Suite® 6 with the power of NVIDIA® Quadro® by PNY professional graphics solutions. Adobe-Certified NVIDIA Quadro by PNY graphics boards deliver the fastest, most fluid experience across the widest range of Adobe CS6 creative imaging and video production tools. Adobe leads the industry in leveraging these powerful GPUs to deliver a superior post-production environment for even the most sophisticated, high-resolution digital video workflows.
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 AJA Video Systems announced another new product in its Ki Pro family, Ki Pro Rack, enabling recording of high-quality, edit-ready files for the fastest path from camera to edit in a new 1RU rack mount form factor.
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 Save 40% Off the Red Giant Magic Bullet Suite, Keying Suite, Effects Suite, Trapcode Suite or Magic Bullet Looks 2 this week only!
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