 WOW! It's hard to believe that May is here and that the NAB show was a full month ago! If you haven't read it yet, you definitely want to go over and check out our NAB 2012 Reflections Article. The industry is changing, and we go over some of the biggest shifts that have occurred and are ongoing.
Adobe CS6 is here!
Avid Symphony 6 for only $995!!
New Low Prices on G-Tech G-RAIDs!
NVIDIA Quadro 4000 by PNY Mail-in Rebates!
NewBlue Titler Pro for Avid, Adobe, Edius,
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 If you've been a fan or customer of Videoguys over the years, then you know that our go to recommendation for external video storage are the G-Tech G-RAIDs. G-RAIDs are stylish, external RAID devices that have unsurpassed reliability and performance. They attach to your Laptop or Workstation via eSata, USB2 or Firewire 800/400. G-RAIDs have been our top recommendation since they were first introduced and we awarded it Top New Product in 2004.
The G-Tech GRAID 4th Generation keeps up their
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 On May 7th Adobe released Creative Suite 6, and it’s pretty clear that their eyes are keenly focused on video production. While we’re still in the process of writing our review of the software suite, here are a few of the features we’re think video producers everywhere will be excited about.
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 NVIDIA Quadro 4000 by PNY Mail-in Rebates!
PNY has just launched a mail-in rebate program for the NVIDIA Quadro 4000 by PNY graphic boards. You can save an additional $60 on the Quadro 4000 for Mac by PNY ($799 - 60 = $739 after rebate) or $50 on the Quadro 4000 for PC by PNY ($799 - 50 = $749 after rebate). Videoguys recommends the NVIDIA Quadro 4000 by PNY for your NLE workstation running Avid (Media Composer or Symphony), Adobe (CS5, CS5.5. or CS6) or for power users who need the highest
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 Since its beginnings in 2002, Red Giant has become an increasingly important maker of visual effects software. The Beaverton, Oregon-based company publishes a range of different apps for filmmakers, broadcasters and other moving media creatives.
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 Dennis Kutchera went to Vegas with a goal - to be tantalized by the new colour-grading options - in essence, to cheat on his beloved Avid. What happens in Vegas, this time, comes back with some great stories.
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 We've been very active over the past few months in LinkedIn group discussions. There are several really great groups with very knowledgable professionals participating. Some of the groups you can find us in include Video Editors, Digital Video Editing, Adobe Premiere, Creative COW, Avid, EDIUS professional users, Film TV Professionals, Post Production Professionals, FCPUG Netwrok Community and Final Cut Pro Video Editing. What I like so much about Linked In groups is that they tend to be filled
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 Highlights of Grass Valley's forthcoming 6.5 upgrade to the EDIUS NLE (coming in June) for pro event and corporate video producers include improved a native stabilization utility, Alpha channel support, 10-bit effects and filters, and several enhancements to the Layouter including a drop shadow function and new options for selecting a scaler.
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 Being a Final Cut Pro 7 editor converting to Premiere Pro I had a laundry list of things that I was hoping would be added to CS6, several of which I figured were no brainers in order to to fix up an editing program which was most of the way there but still had a ton of really odd and un-user friendly design choices. So of my list what has been fixed and what has not?
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 Attention Avid Editors: Your Existing Hardware & Software are Your Key to Savings on the Latest Avid Hardware & Software... including Symphony 6
Upgrade Your Mojo SDI, Mojo or Adrenaline to the New Avid Mojo/Nitris DX Hardware & Get a FREE Upgrade to Avid Media Composer 6!
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 If you purchase Creative Suite 5.5 or a Creative Suite 5.5 component between the following dates, you qualify to receive a complimentary upgrade to the equivalent Creative Suite 6 product at no additional cost when it becomes available.
March 26, 2012 and May 6, 2012 (North America, Europe, Middle East, Africa, Australia, New Zealand)
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 Adobe launches CS6 Production Premium with a revamped UI, a faster and more efficient After Effects, and SpeedGrade – a professional color grading application
It goes without saying that the production industry has seen some significant changes in the past couple of years. Disruptive camera technology (RED ONE, Canon 5D Mark II, etc.) has created a new industry in which low-budget filmmakers can now compete with studios in delivering a professional looking film.
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 Scott was fortunate to get his hands on an early release of Adobe Premiere Pro CS6 and an edit that came up last week seemed like the perfect place to test it out. It wasn’t an overly complex edit, a 3 minute piece shot on RED with interviews and b-roll. He cut the offline and it will then go to an After Effects artist for some fancy graphics and Baselight for color grading. As he was taking notes on the new version of Premiere Pro for an upcoming review he thought it might be interesting to jus
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 In this video, you will learn about the global performance cache and persistent disk cache, and see how these features make rendering and re-rendering layers much quicker and easier in After Effects CS6.
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 Joe Marine of nofilmschool gives us a recap of day 2 at NAB2012
No video updates at the moment, as my entire night was spent at the Eleventh Annual Las Vegas Supermeet, a meeting of the Creative Pro User Group Network, which is a gathering of editors and like-minded post people. Unfortunately the event was plagued by projection and sound problems (the in-house staff are the only people who can touch that stuff). It’s ironic that this happened to a room full of nerds who understand the issues
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