 At its MAX 2011 technology conference, Adobe Systems Incorporated (Nasdaq:ADBE) today announced Adobe® Creative Cloud, a major new initiative from the company that radically redefines the content creation process. Adobe Creative Cloud will become the focal point for creativity, where millions can access desktop and tablet applications, essential creative services, and share their best work. Adobe Creative Cloud is being announced in parallel with a new set of Adobe Touch Apps for content creatio
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 Step up to the toolset the pros use, Adobe® Premiere® Pro, part of Adobe Creative Suite® 5.5 Production Premium software. Get seamless integration with Adobe Photoshop® and After Effects®, and edit almost anything thanks to broad native tapeless and DSLR camera support.
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 Matrox® Video Products Group today announced the immediate availability of Thunderbolt™-enabled Matrox MXO2™ I/O devices as well as Thunderbolt adapters for existing customers. Developed by Intel® with collaboration from Apple®, Thunderbolt is a high-speed I/O technology running at 10 gigabits per second that brings together high-speed data transfer and high-definition (HD) display on to a single cable. Thunderbolt is currently available on all new Macs.
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 Apple's release of FCPX has shaken the digital content creation industry, and raised a lot of speculation among editors about how much Apple understands or cares about professional users. Walter Soyka looks into the issues in this two part series.
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 Syfy, formerly known as the Sci-Fi Channel, is an American cable channel featuring science fiction, fantasy, horror, supernatural, paranormal, and reality programming. Syfy is part of NBCUniversal, a subsidiary of Comcast and General Electric.
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 By now you’ve heard that Wes Plate has joined the Adobe Product Marketing Team. For those who might not know exactly who this guy is, he’s been “the guy” in the industry for years who has made various production tools talk to each other. And not just a simple, “move parts of my projects into something else,” but help the apps talk to each other in a way that brought about very meaningful creative collaborations between artists no matter how what they used.
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 Earlier this month Adobe announced the purchase of “certain assets” from a German company called IRIDAS, including their SpeedGrade software color correction system.
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 Videoguys' Updated Articles, Guides & Fall Specials!!
Videoguys' Thoughts on FCP X 10.0.1 - Apple's First Update to FCPX
Updated Videoguys' System Recommendations
Add Class On Demand Training for Just $1.00
Everything You Need to Know About Getting Started in Video Editing
Azden Fall Rebate Program
Time is running out for Crossgrades
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 In this article, Walter Biscardi discusses the state of Post Production as he sees it in these months since the June release of FCPX, including comments on the latest 10.0.1 release.
It's been five months since the "big sneak peek," and three months since "everything changed in Post." I was asked recently, "So where do we stand now? What's everyone doing?" Well from where I'm sitting and the conversations I'm having with many Final Cut Pro folks in the industry, there are three camps forming
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 Boris FX, the leading developer of integrated VFX and workflow technology for video and film, today announced that Boris RED Version 5 is now available for Grass Valley EDIUS 6. Boris RED is a plug-in application for transitions, professional text, and advanced composites inside of EDIUS and other leading video editing software applications. An indispensable tool for post-production and broadcast professionals, RED offers a wide range of features right on the EDIUS timeline and adds a standalone
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 The craft of video/film/whatever you want to call it is a skill. The operation of a non-linear editing system is one thing but what about the craft? How do you learn what makes a good edit and what doesn't? I don't know if I have the answers but I've cut many projects, with about 65-70% destined for broadcast.
To me the craft of editing is not only knowing which buttons and knobs to push, tweak, click (which is a part of it, for sure) it's also knowing how to make the images 'sing' (what t
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 I've been tracking the EDIUS nonlinear editing software ever since it was introduced by Canopus Corp. more than a decade ago, boasting some of the most advanced codecs then available. After being acquired by Grass Valley in 2005, the capabilities of EDIUS have increased exponentially. Today it seems ready to be considered a viable contender in the accelerating NLE competition for broadcast and high-end post.
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 ATTENTION Apple Final Cut Editors:
This Is Your Last Chance to "Crossgrade" to Avid Media Composer 5.5 for only $995 Expires 9/30/11
Not getting what you need to succeed? Are you a former Avid user who switched? We want to help. If you've got Final Cut Pro, you've only got 10 days left to get Media Composer for just $995, which includes free online training, before the crossgrade price goes up to $1,495 on October 1st.
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 These are heady days for high-end nonlinear editing system providers. But, we may have recently lost one of the biggest players in the game.
Despite the fact that Apple's Final Cut Pro 7 software is being used by 54.6 percent of the professional editing community, according to a report by market research firm SCRI International, in June Apple released a completely rewritten version called Final Cut Pro X. Much to the surprise of many, despite that this new incarnation is completely 64-bit, so
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 As the move by many towards use of the DSLR for video, practical monitoring of the imaging becomes necessary as reliance upon a DSLR's own LCD screen is not always workable.
With that in mind, Marshall Monitors has introduced their V-LCD50 HDMI 5" monitor for the DSLR user which features an 800 x 480 pixel display
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