 The combination of Matrox Multi-Ingest and Telestream Wirecast Pro for Mac lets you easily capture and produce multi-camera live events for the web. News, sports, concerts, educational seminars, religious services, and corporate meetings are just a few of the many types of live events where this solution will come in handy for creating your internet broadcasts. You can also stream material that was previously recorded.
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 A bit of surprising news came across the tubes just the other day about one of the workhorse tool companies of post-production. That news was that Automatic Duck, and its founder and face man Wes Plate, had been scooped up by Adobe. It was quite a surprise to me as I have always seen Automatic Duck as a platform independent company. While they specifically made plugs-ins for Adobe After Effects and Apple Final Cut Pro these tools made it possible to to move edits into other systems including Avi
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 Trying to quantify the GPU in a Premiere Pro…For the editing and pro community, it is a big deal. It is something that I’ve wanted to do for some time, but I had no idea how complicated and time consuming this would be!
I went into this endeavor thinking that I would clearly delineate between different Quadro level cards and along the way understand what each one offered in the way of performance. I was methodical in setting up my system and in trying to create real-world tests that would e
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 Premiere Pro in Adobe CS 5 was a watershed release. The program was written from the ground up in 64-bit environment that is fully exploited on the Mac OS X and the very stable Windows 7 system. The kind of hiccups running Premiere in a 32-bit funky Windows XP operating system are mostly banished. Refinements to this aspect of the engine in CS5.5 is that the 64-bit addressing of using the CPU cores has been further optimized improving overall stability when editing projects with large files, i.e
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 A few weeks ago, i bought the Sony FS100 and an Atomos Ninja Pro Res recorder. I decided on the Ninja after months of reading up, testing and research.
One of the first things i did was update the software to Version 2...this gives you full quality playback which is vital in the field.
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 At its MAX 2011 technology conference, Adobe Systems Incorporated (Nasdaq:ADBE) today announced Adobe® Creative Cloud, a major new initiative from the company that radically redefines the content creation process. Adobe Creative Cloud will become the focal point for creativity, where millions can access desktop and tablet applications, essential creative services, and share their best work. Adobe Creative Cloud is being announced in parallel with a new set of Adobe Touch Apps for content creatio
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 Step up to the toolset the pros use, Adobe® Premiere® Pro, part of Adobe Creative Suite® 5.5 Production Premium software. Get seamless integration with Adobe Photoshop® and After Effects®, and edit almost anything thanks to broad native tapeless and DSLR camera support.
Adobe SWITCHer Promotion Extended!
SAVE 50% OFF NOW THROUGH 10/31/11
MAKE THE SWITCH! SWITCH FROM APPLE OR AVID TO ADOBE® CREATIVE SUITE 5.5 PRODUCTION PREMIUM OR ADOBE PREMIERE PRO CS5.5
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 Matrox® Video Products Group today announced the immediate availability of Thunderbolt™-enabled Matrox MXO2™ I/O devices as well as Thunderbolt adapters for existing customers. Developed by Intel® with collaboration from Apple®, Thunderbolt is a high-speed I/O technology running at 10 gigabits per second that brings together high-speed data transfer and high-definition (HD) display on to a single cable. Thunderbolt is currently available on all new Macs.
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 Apple's release of FCPX has shaken the digital content creation industry, and raised a lot of speculation among editors about how much Apple understands or cares about professional users. Walter Soyka looks into the issues in this two part series.
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 Syfy, formerly known as the Sci-Fi Channel, is an American cable channel featuring science fiction, fantasy, horror, supernatural, paranormal, and reality programming. Syfy is part of NBCUniversal, a subsidiary of Comcast and General Electric.
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 By now you’ve heard that Wes Plate has joined the Adobe Product Marketing Team. For those who might not know exactly who this guy is, he’s been “the guy” in the industry for years who has made various production tools talk to each other. And not just a simple, “move parts of my projects into something else,” but help the apps talk to each other in a way that brought about very meaningful creative collaborations between artists no matter how what they used.
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 Earlier this month Adobe announced the purchase of “certain assets” from a German company called IRIDAS, including their SpeedGrade software color correction system.
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 Videoguys' Updated Articles, Guides & Fall Specials!!
Videoguys' Thoughts on FCP X 10.0.1 - Apple's First Update to FCPX
Updated Videoguys' System Recommendations
Add Class On Demand Training for Just $1.00
Everything You Need to Know About Getting Started in Video Editing
Azden Fall Rebate Program
Time is running out for Crossgrades
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 In this article, Walter Biscardi discusses the state of Post Production as he sees it in these months since the June release of FCPX, including comments on the latest 10.0.1 release.
It's been five months since the "big sneak peek," and three months since "everything changed in Post." I was asked recently, "So where do we stand now? What's everyone doing?" Well from where I'm sitting and the conversations I'm having with many Final Cut Pro folks in the industry, there are three camps forming
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 Boris FX, the leading developer of integrated VFX and workflow technology for video and film, today announced that Boris RED Version 5 is now available for Grass Valley EDIUS 6. Boris RED is a plug-in application for transitions, professional text, and advanced composites inside of EDIUS and other leading video editing software applications. An indispensable tool for post-production and broadcast professionals, RED offers a wide range of features right on the EDIUS timeline and adds a standalone
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