 There has been an amazing amount of chatter around the HD video capabilities of recent still cameras - if they can still be called that! Rather than play into the hupe of what MIGHT be possible with these cameras, Creative Cow Magazine Contributing Editor Marco Solorio takes you inside the real world of production with paying clients using these cameras, including workarounds for their current limitations, and some of the things that video shooters will need to know as they get started using the
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 Recently fellow editor Shane Ross and I were discussing the relative merits of grading in Avid Media Composer versus Apple’s FCP or Color, as well as using the Colorista plug-in. Our conversation got down to how each treated the image when you used the color wheels. After I did a quick test, it was obvious that FCP and Avid don’t process the image in quite the same way, even when you push what appears to be the equivalent control in the same direction. So I decided to dig a bit deeper.
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 Videoguys' March Mania! Take 5% OFF Every Order Now Through 3/22 with Coupon FINAL5
Videoguys.com is your source for all of the video editing
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Whethere you're editing your video with Adobe CS4 Production Premium, Apple Final Cut Studio 3, or Sony Vegas Pro 9 we have the bundles and add-ons you need to make the most of your system. For the past few weeks we have been sending you our special solutions-based e-mails featuring each of these application and
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 Audio editing powerhouse - from raw audio to editing to mastering, including sound design, audio restoration, processing and effects, and even Red Book CD creation.
What family of video editing tools are you most comfortable with? There's Avid, with its extensive legacy in broadcast and film. Or Adobe, with its ever-more-tightly integrated Creative Suite, from imaging to video to the web. And Apple, with its Final Cut Studio expanding from professional editing to digital cinema.
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 If you're a post-production professional editing with Apple Final Cut Studio, Avid Media Composer or Adobe CS4 Production Premium, Videoguys.com is your source for the professional tools you need to make the most of your production environment. At Videoguys.com, we understand that professional video editors have different needs than the average consumer. Not only do you need the best tools available in the industry, you also need the fastest and most reliable solutions because down-time may not
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 Videoguys.com is your source for the best training products you need to make the most of your video editing and production software! You can sort through the training products in our library by going to the BY CATEGORY > Training section from the top of any page and further sort those results for Adobe, Apple, Avid and more! Here are some great deals to help get you started.
Videoguys.com is your source for the best software to get the most from your video editing system. We now have a com
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 RED’s Scarlet appears to be just around the corner and both Sony and Panasonic seem to be responding to the challenge of the upstart photo manufacturers. No matter what acronym you use – DSMC, HD-DSLR, HDSLR – these hybrid HD video / still photo cameras have grabbed everyone’s attention. 2010 may indeed be the year that hybrid digital SLR cameras hit their stride.
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 Stu Maschwitzis a highly regarded director, writer and visual effects artist based in San Francisco. He has worked as a senior visual effects supervisor on many films. He previously worked at Industrial Light and Magic and also co-founded a company known as The Orphanage. In 2007 he authored the book The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap. In 2008 he became software director of Red Giant software
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 Besides all the advantages and possibilities shooting with a HDSLR offers, there are some major drawbacks. For me the biggest problems are: rolling shutter (but even the red has it), no audio control and the too contrasty, over-compressed, 4:2:0 h264 output. You can create or download a “flat-look” profile for your camera, which basically eliminates contrast by lifting blacks and crushing highlights when the camera sensor processes the image before compressing it. After playing around and testin
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 The BD Powerstation is the fastest path from production
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Videoguys.com is proud to present this overview of professional Blu-ray Disc creation using the Sonic BD PowerStation. Learn how to Encode, Create, and Deliver professional Blu-ray titles.
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 As I followed Apples presentation on my favorite tech blogs, while watching folks reactions on Twitter (follow us) and Facebook (become a fan), I started thinking about how the iPad could impact content creation. Sure it’s a great delivery vehicle for video and multimedia, but could it be used to help us make content of the future? I’m 100% certain it could, but it may take a few generations of iPads to get there. So in an attempt to speed up the process, I’m putting out this wish list of applic
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 RED’s Scarlet appears to be just around the corner and both Sony and Panasonic seem to be responding to the challenge of the upstart photo manufacturers. No matter what acronym you use – DSMC, HD-DSLR, HDSLR – these hybrid HD video / still photo cameras have grabbed everyone’s attention. 2010 may indeed be the year that hybrid digital SLR cameras hit their stride.
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 Over the past year Pioneer Blu-ray burners and our Blu-ray burner bundles have become one of the biggest sellers on our website. Avid, Adobe, Sony, Grass Valley and now even Apple support Blu-ray exporting and authoring. No matter what format of HD footage you shoot, and regardless of the platform or NLE you edit on, there is simply no excuse not to be delivering HD productions to your customers on Blu-ray Disc.
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 Matrox Video Products Group today announced support for the Matrox CompressHD H.264 encoding accelerator card in conjunction with the Matrox Axio LE and RT.X2 realtime editing platforms.
Award-winning Matrox CompressHD card featuring Matrox MAX technology speeds up HD H.264 file creation for Blu-ray, Flash, YouTube, and other web formats
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