 Roland has produced a series of training videos that are not only great for learning how to use the VR-5, they are a fantastic way to learn more about the product and how it can fit into your production needs.
The VR-5’s “all-in-one” solution greatly simplifies production, recording and streaming of any live event. The VR-5’s innovative design incorporates a video switcher, audio mixer, video playback, recorder, preview monitors and output for web streaming all in a single unit. As a USB V
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 Digital video solutions from AJA Video Systems are playing a key role in the capture, conversion, archiving and transmission of mission critical video from the Research Vessel Thomas G.Thompson, in support of the Visions’ 11 expedition currently underway 400km off the coast of Oregon.
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 For 10 years strong, Commack, NY-based Pennylane Productions’ award-winning owner/director Adam Forgione has been producing wedding/event films/videos that solidify cherished moments and memories. For soundtracking a myriad of projects on location and in the studio, Forgione relies on the unsurpassed quality that Roland products deliver.
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 If you are a student or a teacher, you qualify for special educational versions of some of our most popular video editing titles! This includes: University and college students, Primary and secondary school students, as well as Teachers, faculty and staff. You will have to provide proof that you are eligible which means sending us a copy of your student or staff ID, report card/ class schedule,
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 Sony Upgrade and Crossgrade from Most Editing Software for Under $300 plus... TWO Special Videoguys Bundles to choose from!
ATTENTION DSLR VIDEOGRAPHERS: Upgrade Your Audio
with Samson ZOOM Digital Recorders & Sync Seemlessly On Your Timeline with Singular Software
Professional Video Storage RAID Arrays from Glyph Production Technologies Are Recommended by Videoguys.com
Introducing the NEW Avid Studio Movie Production Software
VIDEOGUYS FEATURED PRODUCTS FOR TAPELESS AC
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 It’s been several weeks now since Apple released their new version of Final Cut for the masses. Having seen a demonstration of Premiere Pro CS5.5 in use at a recent video production conference, I was fairly impressed at what I saw. But as we know from even Apple’s NAB demo of Final Cut Pro X, demonstrations are not the real thing. However, seeing Apple’s demo of FCPX made me realize I didn’t want to go down the path of the iMovie-style interface, so even before Apple’s release of FCPX I was kee
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 Got Final Cut? Get Media Composer for Just $995
If you’re not getting what you need to succeed—or you’re a former Avid user who switched (we’d love to have you back)—we want to help make your choice easier. That’s why we’re offering Final Cut Pro (excluding FCP X) users another opportunity to purchase Media Composer 5.5 (with the Production Suite) for just $995 USD—that’s over 60% off the regular price! What’s more, you’ll get free Avid Media Composer for Final Cut Pro Users online training
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 Tony asks: With previous versions of Final Cut Pro there were tons of plugins and tools to enhance the software. Where did they all go? With Final Cut Pro X it seems like you just purchase and download with no plugin support. What gives? Any resources or a tool that can make the transition to what I payed thousands of dollars for?
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 Glyph RAIDs have been a favorite of professional audio producers and musicians for years and are built with the speed and reliability to handle video as well. In fact, we have been using Glyph RAIDs with Adobe CS5.5, Avid Media Composer 5.5, Avid ProTools, Sony Vegas Pro, Grass Valley EDIUS 6 and more!
Whether you're looking for an affordable and reliable RAID solution like the GT062E, a portable RAID for a laptop workstation like the PORTAGIG62, or a protected RAID with hot-swappable driv
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 Lacking some of the bells and whistles of its pricier competitors, but Datavideo's DN-60 compact flash card recorder gets the job done at a fraction of the cost.
If you've got an aging DV or HDV camcorder whose heads are beginning to fail, or perhaps you simply want to step into the digital age, but your older camera still delivers great footage, then strapping a direct-capture-device onto that prized piece of video history may be exactly what the geriatrician ordered.
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 CS5.5 expands options for independents, with fully-accelerated editing on laptops, native support for DSLR video cameras, and Audition now on the Mac with deep audio correction and enhancement tools.
Adobe released version 5 of its Creative Suite collection back in May 2010, built around fourteen core applications in design, Web, and production suites, spanning the creative workflow across print, web, video, interactive, and mobile. For video production work, CS5 emphasized performance to
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 Walter Biscardi put the inaugural meeting of the Atlanta Cutters together in three weeks from scratch. He lined up demos of the top NLE's and more for the packed house.
Walter is well known in the editing industry, you might have seen his many contributions on industry forums. He's also well connected and full credit to him for organising an event in such a short space of time, it was a full house too.
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 Choosing a Platform - Mac or PC: The first question a user is faced with is what platform to run Media Composer on. It is possible that your current computer system will meet the requirements for Media Composer but it is also possible upgrades or additional hardware may be required. Avid has tested and qualified specific system requirements on both Macintosh and PC platforms and recommends that you use configurations that meet these Avid-tested specifications for CPU, graphics cards, Firewire
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 Glyph Production Technologies’ PortaGig 62 is a portable RAID data storage system. This diminutive unit (123mm W X 92mm D X 43mm H) is the offspring of Glyph’s larger desktop RAID, the GT 062E. The unit’s all-metal case contains two 2.5-inch hard drives (made by either Seagate or Hitachi) and is available in a variety of speed/size configurations:
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 I’ve had a few people ask me about my thoughts on the new Final Cut Pro, so I though I’d have a crack at it to join in with all the others. My perspective might be a bit different: I don’t work in a post-house and my workflow isn’t really industry standard but is specifically tailored to what I do. Also, despite this site mainly focusing on color grading, I’ve been an editor much longer than a colorist. I’ve been editing for around 10 years now (admittedly not all of it at a “pro” level, but sti
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