 ATTENTION Apple Final Cut Editors:
This Is Your Last Chance to "Crossgrade" to Avid Media Composer 5.5 for only $995 Expires 9/30/11
Not getting what you need to succeed? Are you a former Avid user who switched? We want to help. If you've got Final Cut Pro, you've only got 10 days left to get Media Composer for just $995, which includes free online training, before the crossgrade price goes up to $1,495 on October 1st.
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 Due to the tremendous response from the professional editing community for its current Final Cut Pro Crossgrade promotion, Avid® today announced that beginning October 1, 2011, it will offer a Final Cut Pro crossgrade price for qualified customers on an ongoing basis. The new crossgrade will allow Final Cut Pro users to purchase the industry’s leading professional editing solution, Media Composer®, for $1499 USD—making the benefits of fast, open, collaborative workflows more accessible than eve
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 It's always interesting to get hands-on time with unreleased hardware. We were recently able to benchmark Intel's upcoming Core i7-3960X CPU, comparing it to Core i7-990X, Core i7-2600K, and AMD's Phenom II X6. Will you be in line for Sandy Bridge-E?
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 The Vegas Pro 11 collection combines the power of Vegas Pro with the elegance of DVD Architect to provide a dynamic and efficient environment for video and broadcast professionals. With extensive format support, unmatched effects processing, superior audio support, and a complete array of editing tools, Vegas Pro 11 gives you the creative freedom you need to produce projects with outstanding results.
Order Vegas Pro 10 now and get a FREE Upgrade to Vegas Pro 11 direct from SONY. In order t
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 f you’re an editor working with Apple’s Final Cut Pro, you’re probably well aware of the controversy and debate surrounding its latest release, which the company has dubbed Final Cut Pro X. If you haven’t heard about all the drama, pull up a chair and, in this temporary departure from the normal Tech Tips format, I’ll fill you in on how Apple CEO Steve Jobs and his minions in Cupertino seemingly tried to pull a fast one on an entire industry in an effort to make the craft of editing easier and
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 A fast and flexible RAID drive that will keep data safe within its solid and sleek design.
Here's a fact that everyone can agree on: losing data stinks. Without a good storage solution, however, video editors constantly find themselves playing a digital version of Jenga - one wrong click and all of a project's data comes falling down.
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 Breaking news from the show floor this morning at IBC 2011: Due to the tremendous response for our current Final Cut Pro Crossgrade promotion, today we’re pleased to introduce that beginning October 1, 2011, we’ll be offering a Final Cut Pro crossgrade price for qualified customers on an ongoing basis. The new crossgrade will allow Final Cut Pro users to purchase Media Composer, for $1499 USD—making the benefits of fast, open, collaborative workflows more accessible than ever before to Mac OS na
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 AJA Video Systems is announcing the release of AJA Control Room, a unified cross-platform application for controlling selected AJA KONA and Io products to enable capture, conversion, playback, VTR control and output. In addition, a separate new AJA Control Panel can be launched independently or from AJA Control Room, providing powerful configuration and at-a-glance viewing of settings. Available for Mac OS X and Windows as no-cost, downloadable applications, AJA Control Room and AJA Control Pane
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 NVIDIA introduced today NVIDIA® GPUDirect™ for Video, a technology that enables application developers to deliver higher quality, more realistic on-air graphics -- or take faster advantage of the parallel processing power of the GPU for image processing -- by permitting industry-standard video I/O devices to communicate directly with NVIDIA professional Quadro® and Tesla™ graphics processing units (GPUs) at ultra-low latency.
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 "When talking about FCPX, the greater topics of philosophy, ethics, religion, personal well-being, the time space continuum, the consequence of true and real change, the past, the present, the future and, of course, our collective video careers, are often touched upon." Jeremy Garchow invites you to read the FCPX forums here at the COW to gain a greater sense of how people might feel about it if you have not frequented them lately. Yes, there is a lot of work to be done, and there are many holes
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 G-Technology™ Demos a Two-Drive 8TB G-RAID™ Thunderbolt® External Storage Solution With Blazing
Throughput for Post Production; New 4TB Hitachi GST Hard Drives are First to Ship in G-Technology’s
G-RAID and G-DRIVE™ solutions
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 As you may already have seen in the official press release, Adobe has just acquired technology from IRIDAS, the makers of the SpeedGrade line of color applications, as well as several other tools for the professional film and video market.
We’re excited.
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 Videoguys.com is family owned and operated and has proudly served videographers, producers and instructors like you for more than 25 years. For three generations, they have been shooting footage of their growing families and have spent countless hours editing. They actually install and use the equipment they sell and love to share their experience and expertise with you.
Videoguys can help you get the BEST video editing solution for YOUR needs... at special academic discounted prices that
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 Glyph Production Technologies, a highly respected, professional data storage provider, announced today that Matrox has finished testing the GT 062E and has qualified it to support the performance necessary for uncompressed 10-bit editing.
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 ATTO Technology, Inc. today announced its ExpressSAS 6Gb/s SAS/SATA RAID Adapters have been selected by G-Technology by Hitachi, a leading manufacturer of external disk storage solutions designed for professional content creation applications, to provide high-performance connectivity for their G-SPEED™ eS Pro desktop drives. Using ATTO’s ExpressSAS 6Gb/s R680 RAID Adapter, G-Technology provides a solution that supports real-time HD and film production, including dual-stream uncompressed 10-bit 1
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