 ATTENTION Apple Final Cut Editors:
This Is Your Last Chance to "Crossgrade" to Avid Media Composer 5.5 for only $995 Expires 9/30/11
Not getting what you need to succeed? Are you a former Avid user who switched? We want to help. If you've got Final Cut Pro, you've only got 10 days left to get Media Composer for just $995, which includes free online training, before the crossgrade price goes up to $1,495 on October 1st.
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 As the move by many towards use of the DSLR for video, practical monitoring of the imaging becomes necessary as reliance upon a DSLR's own LCD screen is not always workable.
With that in mind, Marshall Monitors has introduced their V-LCD50 HDMI 5" monitor for the DSLR user which features an 800 x 480 pixel display
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 If Workflow is the Answer, then it’s one hell of a Question…!
For a very long time post production workflow has been built upon consistencies - consistent delivery, consistent format, consistent platforms, consistent tools, consistent viewing environments. But then along came a veritable tsunami of digital detritus that washed ashore - in a very short span of time - a greater diversity of tools, formats, platforms and systems that all previous years put together.
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 Due to the tremendous response from the professional editing community for its current Final Cut Pro Crossgrade promotion, Avid® today announced that beginning October 1, 2011, it will offer a Final Cut Pro crossgrade price for qualified customers on an ongoing basis. The new crossgrade will allow Final Cut Pro users to purchase the industry’s leading professional editing solution, Media Composer®, for $1499 USD—making the benefits of fast, open, collaborative workflows more accessible than eve
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 It's always interesting to get hands-on time with unreleased hardware. We were recently able to benchmark Intel's upcoming Core i7-3960X CPU, comparing it to Core i7-990X, Core i7-2600K, and AMD's Phenom II X6. Will you be in line for Sandy Bridge-E?
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 The Vegas Pro 11 collection combines the power of Vegas Pro with the elegance of DVD Architect to provide a dynamic and efficient environment for video and broadcast professionals. With extensive format support, unmatched effects processing, superior audio support, and a complete array of editing tools, Vegas Pro 11 gives you the creative freedom you need to produce projects with outstanding results.
Order Vegas Pro 10 now and get a FREE Upgrade to Vegas Pro 11 direct from SONY. In order t
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 Breaking news from the show floor this morning at IBC 2011: Due to the tremendous response for our current Final Cut Pro Crossgrade promotion, today we’re pleased to introduce that beginning October 1, 2011, we’ll be offering a Final Cut Pro crossgrade price for qualified customers on an ongoing basis. The new crossgrade will allow Final Cut Pro users to purchase Media Composer, for $1499 USD—making the benefits of fast, open, collaborative workflows more accessible than ever before to Mac OS na
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 Brandon Ancil is a digital producer and editor for CNN.com. Like many CNN iReporters, he shoots, edits and produces all of his content himself. Below are some tips to editing a video piece from start to finish. Read up, then give Ancil's advice a try in this week's iReport Boot Camp challenge.
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 This week the Adobe video solutions team is over in Amsterdam at IBC, Europe’s largest show for broadcasters. We announced new video delivery solutions and we’re highlighting our recent momentum that enables media professionals to create, deliver, and monetize premium video more efficiently and across more platforms and devices. Adobe is committed to helping our customers and partners streamline their entire creation to delivery video workflows for any screen and ultimately – help them find new
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 As you may already have seen in the official press release, Adobe has just acquired technology from IRIDAS, the makers of the SpeedGrade line of color applications, as well as several other tools for the professional film and video market.
We’re excited.
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 Apple's recent obsolescence of Final Cut Studio has forced a lot of us to reexamine which editing platform we want to use for future work. Ironically, Adobe Premiere Pro is a much easier transition for FCP 7 users than Final Cut Pro X due to its similar interface, support for old FCP projects and ability to use FCP's keyboard shortcuts.
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 I can't remember the last time I turned on my Avid Media Composer (and I have two of them BTW). I really can't. What I do remember is exporting video to use with Adobe Production Premium CS5.5. I've even rebuilt projects (at no cost to my customers) just because I could now use them to greater efficiency within the CS5 Production Premium suite.
So I am interested to see how Avid can re-earn my business. A few weeks ago Avid unveiled their latest version: Media Composer 6. And it's purported
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 How To Make Your Video Look Old…But Not Tired
The Unsung Hero of Magic Bullet Suite 11
I say unsung, because there’s not any mention of it being part of the Magic Bullet Suite. Once I loaded the Suite and opened it up for the first time in Premiere Pro CS5.5 — there it was. I went back to the RedGiant website and searched and found just a small amount of information on their blog.
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 Sony Upgrade and Crossgrade from Most Editing Software for Under $300 plus... TWO Special Videoguys Bundles to choose from!
ATTENTION DSLR VIDEOGRAPHERS: Upgrade Your Audio
with Samson ZOOM Digital Recorders & Sync Seemlessly On Your Timeline with Singular Software
Professional Video Storage RAID Arrays from Glyph Production Technologies Are Recommended by Videoguys.com
Introducing the NEW Avid Studio Movie Production Software
VIDEOGUYS FEATURED PRODUCTS FOR TAPELESS AC
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 Squeeze 7 / Sorenson 360 is a true one-stop shop for multimedia producer-professionals, providing key encoding capability and support for nearly every distribution format known to man, including VC-1 to Silverlight on a Mac.
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