 WOW! It's hard to believe that May is here and that the NAB show was a full month ago! If you haven't read it yet, you definitely want to go over and check out our NAB 2012 Reflections Article. The industry is changing, and we go over some of the biggest shifts that have occurred and are ongoing.
Adobe CS6 is here!
Avid Symphony 6 for only $995!!
New Low Prices on G-Tech G-RAIDs!
NVIDIA Quadro 4000 by PNY Mail-in Rebates!
NewBlue Titler Pro for Avid, Adobe, Edius,
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 For the past number of years I have been working on a Mac Pro, with two 23" Apple Cinema Displays, running Legacy versions of FCP. I had added a Matrox MXO box, which went between my monitor card and my second ACD to provide Broadcast Monitoring so that I could view my video output. Hitting the Command F-12 keys would toggle the second monitor between a standard Mac Desktop and a Broadcast Monitor. This was extremely helpful in viewing and judging video output, as the Canvas window does not prov
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 All CS6 Upgrades are now available as downloadable licenses only and may be requested right here at Videoguys.com. There are several advantages to Adobe Licenses including the ability to download your software for either PC or Mac and have it pre-registered with Adobe.
Call us at 800-323-2325 to place your order or use the REQUEST ESD buttons online to build your order and submit it to Videoguys.com to be reviewed by our sales speciailists. Once your order has been accepted your serial num
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 Adobe Systems Incorporated (Nasdaq:ADBE) today announced the immediate availability of Adobe® Creative Suite® 6 software. The CS6 product line includes powerful new releases of Photoshop®, InDesign®, lllustrator®, Dreamweaver®, Adobe Premiere® Pro, After Effects®, Flash® Professional and other products as well as four suite versions – Creative Suite 6 Design & Web Premium; Creative Suite 6 Design Standard; Creative Suite 6 Production Premium; and Creative Suite 6 Master Collection.
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 Noted cinematographer Matthew Cherry has selected FFV's new sideKick HD™ camera-mountable straight-to-edit digital video recorder (DVR) to work in tandem with his Sony CineAlta® PMW-F3 camcorder. When paired with the F3, the sideKick records the camera output at broadcast-quality data rates and streamlines the studio's editing workflows by capturing video directly into native NLE formats.
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 If you purchase Creative Suite 5.5 or a Creative Suite 5.5 component between the following dates, you qualify to receive a complimentary upgrade to the equivalent Creative Suite 6 product at no additional cost when it becomes available.
March 26, 2012 and May 6, 2012 (North America, Europe, Middle East, Africa, Australia, New Zealand)
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 The Post PC era
Tim Cook, the new head of Apple, now refers to the current technology trend as the “post PC era.” I happen to agree with him when he talks about the people who use technology to view, watch and participate in media. But, when it comes to actually creating, managing and working with media, we still need the strongest most powerful machines.
The Post Apple era in Post
Since Apple pulled the plug on FCP and decided to go after the masses with FCPX the video editing ind
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 Adobe launches CS6 Production Premium with a revamped UI, a faster and more efficient After Effects, and SpeedGrade – a professional color grading application
It goes without saying that the production industry has seen some significant changes in the past couple of years. Disruptive camera technology (RED ONE, Canon 5D Mark II, etc.) has created a new industry in which low-budget filmmakers can now compete with studios in delivering a professional looking film.
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 Avid is currently (until June 15, 2012) running a special upgrade/crossgrade promo on Avid Symphony. You can crossgrade your Final Cut Pro (V7 or before) or upgrade your old Avid (Xpress Pro, Xpress DV or Media Composer) license to a brand new Symphony v6.0 license for a meagre US$995. That is a $5,000 discount on the full price, and $2,500 discount on the Avid Media Composer crossgrade price.
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 One of the biggest announcements hailing from the 2012 National Association of Broadcasters expo last week was the first real look at Adobe CS6. Last year at NAB 2011, Creative COW members picked Adobe Premiere CS5.5 as the Best Video Editing System for 2011. User reaction to CS6 was even more positive than last year and Adobe looks to have its biggest, most innovative launch ever set for even greater success in 2012.
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 Richard Harrington has posted a series of interviews from the NAB2012 show floor he has done for ProVideoCoalition. These interviews are with the product managers behind some of the hottest new products shown at NAB.
In-Depth Interview about the New HP Z1 Workstation
Adobe Talks About What's New in Production Premium CS6
A Sneak Peek at Pluraleyes Version 3
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 In recent years, disruptive technology like the RED ONE, the Canon 5D Mark II, and all-in-one NLE suites have made it fairly easy to create a professional looking project. As a result, budgets have shrunk – especially in post – and editors have been asked to perform brand new tasks, including titling, color correction and sometimes even visual effects.
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 Save 40% Off the Red Giant Magic Bullet Suite, Keying Suite, Effects Suite, Trapcode Suite or Magic Bullet Looks 2 this week only!
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 Matrox® Video Products Group today announced support for the upcoming release of Adobe® Creative Suite® 6 Production Premium and Adobe Mercury Transmit with the Matrox MXO2 family of I/O devices and the Matrox Mojito MAX I/O card. The award-winning Matrox I/O products provide broadcast-quality video and audio input, output, and monitoring to enable traditional tape-based workflows including deck control for frame-accurate batch capture and print-to-tape. They are also the only I/O solutions on t
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 Whether in small agencies or the largest media conglomerates, creative pros want tools that let them bring their vision to life as fast as possible, without having to trade off quality for speed and interactivity. Now, with the landmark release of Adobe CS6 Production Premium with acceleration from NVIDIA® Quadro® and Tesla® professional GPUs, artists and editors have unprecedented power and interactivity at their disposal. Motion graphics that would take hours to create can now be done in minut
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