 6 months later, and the "discussion" of FCPX has still not quieted down. A recent ep of "That Post Show", as well as a post by Philip Hodgetts, has thrown some fuel into the fire. I was going to post on Philips post, but that has already turned into a god awful mess.
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 That Post Show is a roundtable discussion with industry experts about the art and science of video, film and post production.
On this Episode of That Post Show, we are proud to have Scott Simmons, Paul del Vecchio and Steve Cohen join us for a discussion about Final Cut Pro X and Avid Media Composer 6.
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 2011 has been quite a year for Videoguys and our industry. Things changed dramatically back in April when Apple gave a first look of their new FCPX editing software during the NAB show in Vegas. I was at the event, and the room was filled with excitement, energy and anticipation. That is until after the Apple presentation. For the professional editors and broadcasters in the room, it left them feeling nervous and uneasy about Apple's commitment to them, their workflows and professional editin
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 Flooding in Thailand Creates Hard Drive Shortages - Videoguys has stock!
Flooding in Thailand created massive disruptions in hard drive production. As soon as we heard the news we put in a very large order with G-Tech for GRAID4- 4TBs. The G-Tech G-RAIDs have been our go to external drive solution for years. With the move to 64-bit computing, everyone you can now take full advantage of the 4TB model.
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 Let’s start this review off by dispelling a long-held rumor. I’m a PC guy, just always have been, and after reviewing just about every PC NLE at least once, I have settled on Adobe Premiere Pro (and the CS 5.5 suite) as my editor of choice. Not too long ago, I had a freelance client that absolutely insisted on Apple ProRes files for the output of a project. Unfortunately, Apple does not allow PCs to write ProRes files, and at the time PC’s couldn’t read them either.
Fast-forward a few mon
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 This past summer Adobe was running a Promotion to get both Mac and PC users to Make the Switch from Apple Final Cut Pro or Avid Media Composer to Adobe CS5.5 Production Premium. The promotion was a tremendous success and it was our most successful Adobe sale in years. However, like all good things, the Switcher promotion came to an end in October.
While doing our year-end inventory in the warehouse we discovered that we had some of the promotional inventory left over. We cost-averaged it wit
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 I was watching the highly recommended Editor’s Lounge series of videos from the Why we make the Edit night and naturally the discussion turned to the increasing pressure to get work done faster. Derek McCants noted that where once he would have three weeks to cut an allocated segment, the expectation was it would now be done in one week.
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 With the advent of version 5.52 of Premiere Pro, Adobe offered support for what NVIDIA calls Maximus on the PC platform. Maximus in essence is a Quadro card combined with a Tesla card. Okay, what’s a Tesla card? Basically, it’s a Quadro card without the display outputs – essentially, a headless GPU processing powerhouse.
I wanted to take what I had done with the NVIDIA Quadro card comparison and apply the same tests to the Maximus card set I have. Read on, to learn the results.
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 Special Holiday Bundles Including Editing Software
& Your Choice of Storage at Our Lowest Prices Ever!
Choose your NLE: Avid Media Composer 6, Adobe Production Premium CS5.5, Sony Vegas Pro 11 or Grass Valley Edius 6.
Then Choose your Storage: G-Tech G-RAID 4-TB, Stardom SOHORAID SR4, Pioneer BDR-206 Mega External Kit
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 Need a notebook for video or streaming production? Check out the HP EliteBook 8760w. This is one portable that can stand up to most single-CPU desktops on the market.
If you’re considering a notebook for video or streaming production, check out the HP EliteBook 8760w. In terms of capacity, graphics performance, screen readability, and overall throughput, it can dance with most single-CPU desktops on the market.
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 It’s taken me a while to finish this review as I’ve been pretty busy. While preparing it I posted various frame grabs that I pulled from the Samurai and the Gemini on a couple of blogs and forums and these have created a bit of a stir that was never intended.
Anyway, what about the Samurai? Well to be honest I was impressed before I had even turned it on. When you buy a Samurai, not only do you get a neat little video recorder, but you also get a flight case full of everything you need to use
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 2011 was a great year for video products. The increasing convergence of traditional camcorders with DSLRs, the emergence of consumer 3D, the widening availability of cameras with interchangeable lenses and other innovations have made this an exciting time to be passionate about video. After duking it out once again, defending our favorites, we're ready to reveal our picks for the best of the best from 2011. And the winners are...
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 I needed to buy more storage for my editing system – as if needing more storage for video editing is a surprise or something…
Anyway, I decided that since one of my editing systems supports Thunderbolt, I would buy a Thunderbolt RAID. Except the only ones on the market seemed to be from Promise Technology.
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 The launch of Apple Final Cut Pro X stood the editing industry on its collective ear. It also sparked some very interesting – and occasionally heated – discussions about what the design of a modern, nonlinear editing application really should be. NLEs that we all use today are a collection of terminology, tools, designs and workflows borrowed from different technologies.
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 Scott has always been amazed at just how fast the hands of time move when we are sitting at our edit suites. It seems like yesterday that Apple stock was $17 and Michael Dell was speculating on what he would do if he were in charge of Apple: “I’d shut it down and give the money back to the shareholders.” It was Oct. 6, 1997, and Apple had recently purchased a pro video editing software package called KeyGrip from Macromedia. In 1998, Apple changed that name to Final Cut Pro and a revolution bega
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