 Avid Nitris DX Hardware and Avid Symphony 6 Software
Now Available at Videoguys.com
Avid Nitris DX
High-performance, dual link, customizable HD I/O and monitoring solution
If you edit high-profile films, TV shows, or commercials for a living, you need a system that gives you the speed, flexibility, and confidence to take on anything. Customize and pair Nitris DX with Media Composer, Symphony, or NewsCutter, and you get the best I/O interface for working with HD, Panasonic AVC-Intra, RGB
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 It's hard to believe that the winter is almost over and spring is around the corner! Over the past few weeks we've sent out a couple of Spotlight emails. Our 5% off coupon SOFT5 is active through 3/19/12 and you can use it for any purchase!
Check out the latest news, articles and guides on Videoguys.com!!
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 Now, Avid being Avid, the situation on Media Composer hasn’t been so easy. It was kind of driving me crazy as I spent much of the past year cutting on Avid again after a long time doing FCP job after FCP job. Every few weeks I’d troll the internet again looking for a way to do this; I’d re-read the Avid manuals and stare at all the menu options again and again to see what I’d missed. Media Composer 5.5 supports a few control surfaces – the Command | 8 , Euphonix Artist series, another Digidesign
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 “We are a band and enjoy playing, so I wouldn’t
want the technology to slow us down or get in
the way of our creativity. That’s what I love about
the EDIUS system. It’s easy to use and allows me
to work very fast. Then I can get back to playing
music.”
Davide Stefanini, Guitarist & Video Editor
Comfortably Numb
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 Let's face it; there's nothing very sexy about rendering your video and audio projects. Everyone hates the render step, but everyone also recognizes that they can't get far with delivering their project without out it. So, like it or not, there has to be a render step. That's the unfortunate news. The good news is that the new Render As dialog box in Vegas Pro 11 makes the process a bit more pleasant than it was in earlier versions of the application. The new dialog box offers several improvemen
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 Why should YOU upgrade your video editing system
and what is the best upgrade for you?
There are several reasons to upgrade your video editing system. Like most technological advances, the video editing systems available today are faster, more stable, easier to use, and capable of higher-quality then some of those made as recently as six-months ago!
Do you want to take advantage of the increased speed and productivity of today's 64-bit systems with more layers of video, realtime tra
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 Jeremiah is not much of a still photographer; his passion is in motion pictures, not stills. So a couple of years ago he saw Vincent Laforet's "Reverie" he knew that he would have to learn to shoot with a DSLR. He has found the process to be both fun and frustrating, expensive in some areas (priced a matte box lately?) and ridiculously cheap in others (reusable SDHC versus a case of tape).
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 New Multi-Format, Camera-Mountable DVR Delivers Pristine Video Quality and Streamlines Production Workflows by Eliminating Time-Consuming Transcoding
Fast Forward Video (FFV) will unveil the sideKick HD, a multi-format, straight-to-edit, camera-mountable digital video recorder (DVR) that raises the bar for image quality when paired with today's state-of-the-art camcorders
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 Intel is working to boost data transfer speeds with a faster pipe on Thunderbolt, a high-speed connector technology that link computers with peripherals, the company said on Thursday.
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 It looks like 2012 will be the year that consumer electronics make the first serious jump beyond HD resolution. Consumers are about to get a higher-resolution screen than has yet been seen in technology for the home, and it's not going to be because manufacturers of PC displays or HDTVs pushed the bar upward. No, the new benchmark for screen resolution on a portable device has been set by the new Apple iPad. Due March 16, it delivers a full 2048x1536 pixels in about 10 inches of screen space — a
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 HP just unveiled the follow-up to its popular line of Z workstations: the Z820, Z620 and Z420, which come equipped with the eight-core Intel Xeon processor E5-2600 product family, offer up to 512 gigabytes of DDR3 memory and support multithreaded workstation applications.
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 In a review of FCP X’s multicam feature (new to 10.0.3) Scott Simmons claims:
It’s far and away the easiest and most powerful way to setup and manipulate all the angles when prepping for the edit.
Philip completely agree with Scott. Before the release of multicam in FCP X, Philip joked that Apple needed to make it “idiot proof”,
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 Many experienced editors look at the interface design of Final Cut Pro X and seemingly freak out at the radical change in front of them. The truth is that if you dig a bit deeper, many of the underlying concepts aren’t that different from Media Composer, Premiere Pro or FCP “legacy” after all. Different nomenclature and a modified way of working, but still built upon familiar foundations – IF you look for them.
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 After many years of producing and engineering for various types of media projects, utilizing single drives for the various assets, then backing up to optical disks, I decided it was time to move into the world of Raid drive redundancy. I have, at various times, used Raid 0 setups, but that speed has a trade off…protection. After much research between various vendors, manufacturers, and creative pros alike, I decided I would enter the world of small drive arrays by purchasing a 4 disk 4 Terabyte
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 March 2012 update with 3 recommended builds! You can mix & match components between the two DIY9 P9X79 builds (Hot Rod vs Videoguys' Choice). For those on a tight budget our DIY8 Sandy Bridge system based on the P8Z68 and i7 2600K processor is a fine choice. For our Videoguys' Choice DIY9 system we tried to get as close to $2K as possible for our system, but we went over.
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