 “We are a band and enjoy playing, so I wouldn’t
want the technology to slow us down or get in
the way of our creativity. That’s what I love about
the EDIUS system. It’s easy to use and allows me
to work very fast. Then I can get back to playing
music.”
Davide Stefanini, Guitarist & Video Editor
Comfortably Numb
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 Why should YOU upgrade your video editing system
and what is the best upgrade for you?
There are several reasons to upgrade your video editing system. Like most technological advances, the video editing systems available today are faster, more stable, easier to use, and capable of higher-quality then some of those made as recently as six-months ago!
Do you want to take advantage of the increased speed and productivity of today's 64-bit systems with more layers of video, realtime tra
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 Jeremiah is not much of a still photographer; his passion is in motion pictures, not stills. So a couple of years ago he saw Vincent Laforet's "Reverie" he knew that he would have to learn to shoot with a DSLR. He has found the process to be both fun and frustrating, expensive in some areas (priced a matte box lately?) and ridiculously cheap in others (reusable SDHC versus a case of tape).
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 For more than 50 years, The Second City has been delighting audiences with irreverent sketch comedy and improv performances. Today, the company is extending its off-the-cuff hilarity to new audiences through its corporate services arm, Second City Communications.
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 Vegas Pro 11 is a welcome upgrade to this classic professional editing tool.
Some software upgrades are about flashy new interfaces and sexy new features, and others have more to do with supercharging the engine under the hood in order to boost the overall performance. This past year, video editing tools have been working on the flashy side with support for working with 3D video, but the real focus has continued to be on the machinery - taking advantage of today's 64-bit architectures to work
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 Nope, that’s a long way from a Mac. That’s a brand new Dell Precision workstation featuring an nVidia Quadro card. Walter will post the full details on the workstation once he gets it out of the box and set up which will happen later this weekend.
If you’ve been following along in his blogs you know Biscardi Creative is transitioning over to an Adobe / Avid workflow from 11 years of running Final Cut Pro and cross platform compatibility is one of the reasons for the change.
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 Relativity Media and Bandito Brothers’ Navy SEAL action-thriller Act of Valor, starring active-duty Navy SEALs, took the No. 1 spot in America in its debut weekend. The film was independently produced by Bandito Brothers, an outfit known for their inventive filmmaking process, enabled by leveraging tools and technology by companies like AJA Video Systems.
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 Matrox Mojito MAX, Matrox MXO2 LE MAX, and Matrox MXO2 Rack MAX purchases qualify for significant savings until March 31, 2012.
Matrox MXO2 devices are still the only I/O solutions on the market that connect anywhere, Mac and PC, via PCIe, ExpressCard/34, or a Thunderbolt adapter — with the same versatile unit.
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 March 2012 update with 3 recommended builds! You can mix & match components between the two DIY9 P9X79 builds (Hot Rod vs Videoguys' Choice). For those on a tight budget our DIY8 Sandy Bridge system based on the P8Z68 and i7 2600K processor is a fine choice. For our Videoguys' Choice DIY9 system we tried to get as close to $2K as possible for our system, but we went over.
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 Over the past few weeks, I've been getting up to speed on using Telestream's Wirecast Pro for Mac to broadcast the weekly TUAW TV Live show. In this review, I'll describe some of the features of the latest version (4.1.3) of Wirecast Pro, and how it will be streamlining the production of the show.
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 “Adobe Premiere Pro is our Swiss Army knife. We can put virtually any file onto the timeline—or mix and match a variety. The Adobe Mercury Playback Engine decodes just about anything and plays it back so quickly that as soon as we think of an idea, we can all view it and start fine-tuning.”
Rob Legato
Visual effects supervisor, second-unit director, and second-unit director of photography,HUGO
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 For both commercial and editorial video, Telegraph Media Group shoots on location, on set, and in studio environments. The team uses Adobe Creative Suite 5.5 Production Premium— including Adobe Premiere Pro CS5.5—for video editing, Adobe Audition CS5.5 for audio
editing, and Adobe After Effects CS5.5 for visual effects.
Adobe Premiere Pro CS5.5 helps the Telegraph Media Group team mix footage from sources
as varied as high-end DSLR and ARRI ALEXA cameras, Sony XDCAM, .FLV files, and Flip V
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 Breaking with their corporate tradition of releasing a major Creative Suite update every two years, Adobe has released a mid-cycle product, Creative Suite 5.5. This contains significant new features and improvements that should be of vital interest to all media creators. In this review, we will look at the new features in Production Premium 5.5, a subset of the entire Creative Suite, which consists of Premiere Pro CS5.5, After Effects CS5.5, Audition CS5.5, Photoshop CS5 Extended, Flash Catalyst
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 In this industry, you have to earn your stripes. Avid had to displace flat bed film editors. Apple had to get movies under its belt. With Adobe, it's been a different trajectory. If you look at motion graphics or visual effects, everyone thinks of After Effects and Photoshop, but Adobe has a different brand presence with Premiere Pro. Back when we first introduced Premiere Pro, there were of course some aspects that made editors happy, but other things related to how it worked or performance tha
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 When Adobe Photoshop Senior Product Manager Bryan O'Neil Hughes showed me the new content-aware features of CS6, my mouth opened like an imbecile out of complete disbelief. You can basically move objects around your image freely and effortless. It's black magic!
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