 Small Tree the video editing shared storage experts, will be showcasing its expanded GraniteSTOR Titanium line up at NAB 2012 (Booth SL7425). Titanium is a high performance, capacity dense, dedicated video editing shared storage appliance with advanced file sharing capabilities enabling simple, real-time collaboration.
An “all-in-one” system with a budget friendly special introductory entry price of $6,995 (valid until June 30, 2012), Titanium offers extreme flexibility, supporting a wide ran
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 Our first blogger/filmmaker is Robin Schmidt. He is a great filmmaker, writer, and musician. His current personal project is a YouTube series called “Stenderz“, a weekly parody music video recapping that weeks episode of EastEnders, a soap opera on BBC One. I still have no idea what Eastenders is but I LOVE Stenderz, and look forward to seeing the how they pull of great productions every single week. Episode 9, The Katy Perry One went online last week and is arguably better than the original mus
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 FFV Now Offers Straight-to-Avid Editing Workflows for Avid® Users Through Support of Avid DNxHD® Codec
New sideKick HD™ and sideKick HD Studio™ Digital Video Recorders Enable Instant Import of Camera Footage Into Avid® Without Transcoding
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 Vegas Pro 11 is a welcome upgrade to this classic professional editing tool.
Some software upgrades are about flashy new interfaces and sexy new features, and others have more to do with supercharging the engine under the hood in order to boost the overall performance. This past year, video editing tools have been working on the flashy side with support for working with 3D video, but the real focus has continued to be on the machinery - taking advantage of today's 64-bit architectures to work
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 Creative COW Forum Thread started by Ron Lindebloom
I had to smile reading the people on the original thread below speculating about the possibility of officially licensed Mac OS on an HP Workstation.
For years, Tim Wilson and I have talked about the idea of HP providing workstations that run the Mac OS. (Not every PC manufacturer, just HP.)
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 From the looks of Twitter last night there were a couple of surprises at the Friday evening’s San Francisco Supermeet. First bit of news I saw was that Final Cut Pro User Group (FCPUG) has decided to drop the Final Cut Pro designation from their name to become the Creative Pro User Group. Second was a sneak peek from Adobe about a new application called Prelude.
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 Apple imploding. Adobe ascending. Avid opening up. Who could have seen it coming? Here's Walter's look at what happens when the blinders come off.
Walter Biscardi has been part of Creative COW since before there was a COW, in its prior incarnation. He holds the record for most posts at CreativeCOW.net, coming up on 24,000 of them. His article "FCPX: What Pros Find Missing in Final Cut Pro X" is one of the most popular in the past six months at the COW, with another co-written by Richard Harr
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 I’ll admit it – I’m a Mac Guy. And for those that regularly read my blog posts, newsletter articles or have checked out some of my workflow hacks this is isn’t news.
Lately though, I’ve become a lot more open minded.
Like many of my peers, I’m still a little intimidated by FCP X. But I am still planing on becoming proficient with the app because of the novel ways it improved FCP 7. I also think FCP will eventually re-gain some of it’s mindshare so I want to be able to talk knowledgeably ab
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 HD Video Pro recently named Adobe Creative Suite 5.5 Production Premium as my top product of 2011. With the release of their Mercury Playback Engine, as well as Apple’s release of Final Cut Pro X, Adobe has slowly but surely taken back some of the NLE marketshare that Apple has dominated over the years. With the ability to throw almost any codec at Premiere Pro and edit natively, Adobe has recently partnered with Automatic Duck to help improve the workflow integration into the system.
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 Avid ® (NASDAQ: AVID) today announced that renowned television production company, Bunim/Murray Productions, has selected Avid Media Composer® 6 and Avid Symphony® 6 editing software for all of its programs beginning in early 2012. Bunim/Murray joins a growing number of professional users who have returned to using Avid solutions from Final Cut Pro to meet their production workflow requirements. Additionally, as part of this implementation, Bunim/Murray also plans to deploy an Avid ISIS® 5000 s
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 We caught up with Boris Yamnitsky, founder and CEO of Boris FX, to find out more about the latest version of the company's flagship plug-in suite, Boris Continuum Complete, its most comprehensive and popular collection to date.
Q: You've just released Boris Continuum Complete 8 for After Effects and Avid. What's unique about this particular version???
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 Let’s start this review off by dispelling a long-held rumor. I’m a PC guy, just always have been, and after reviewing just about every PC NLE at least once, I have settled on Adobe Premiere Pro (and the CS 5.5 suite) as my editor of choice. Not too long ago, I had a freelance client that absolutely insisted on Apple ProRes files for the output of a project. Unfortunately, Apple does not allow PCs to write ProRes files, and at the time PC’s couldn’t read them either.
Fast-forward a few mon
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 2011 was a great year for video products. The increasing convergence of traditional camcorders with DSLRs, the emergence of consumer 3D, the widening availability of cameras with interchangeable lenses and other innovations have made this an exciting time to be passionate about video. After duking it out once again, defending our favorites, we're ready to reveal our picks for the best of the best from 2011. And the winners are...
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 To bring Brian Selznick’s unique illustrated novel “The Invention of Hugo Cabret” to the screen, director Martin Scorsese teamed with top names in VFX to ensure that stereo 3D was used to maximum effect to create the world of Hugo, an orphan who lives behind the walls of a Paris train station in the 1930s.
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 Ah, Holiday memories.
Like the time you think your dad told a hilarious story– but you can’t hear him on the video. Or the time young Sarah– or was it Matthew?– kept talking about “Santa Paws”. Hard to tell which, because whoever’s face is too dark to see. And let’s not even talk about the video you shot of the lights and place settings and decorations and presents and…um…hardly any people at all.
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