If any single movie can be identified as the toast of Sundance 2012, it might be The Surrogate, which arrived with little fanfare to tell the bleak-sounding story of the late journalist and poet Mark O'Brien, a quadriplegic polio survivor spending much of his time in an iron lung. But O'Brien had, against the odds, a successful writing career that makes his story inspirational. One of the pieces he left behind dealt with his experience seeking a sexual surrogate. Writer-director Ben Lewin, hi
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 Avid made the jump to 64-bit in November with its mainstream Media Composer 6, Symphony 6 and NewsCutter 10 software. This highly anticipated release includes 10 cornerstone features: 64-bit code, Open IO, ProRes integration (Mac only), Avid Marketplace, AMA support for AVCHD, a new DNxHD 444 codec, expanded stereo 3D tools, 5.1/7.1 surround mixing, Avid Artist Color control surface support and a modernized user interface. Avid has made significant architectural changes to the product without al
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 It's the NLE Ninja here and I'm back to show you 8 tips that can help you work faster in Premiere Pro CS5.5. Also, at the end of this tutorial is a preview for Music Video Effects Volume 4 which will all be done in Premiere Pro. Watch, learn, subscribe, favorite and enjoy!
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 From the looks of Twitter last night there were a couple of surprises at the Friday evening’s San Francisco Supermeet. First bit of news I saw was that Final Cut Pro User Group (FCPUG) has decided to drop the Final Cut Pro designation from their name to become the Creative Pro User Group. Second was a sneak peek from Adobe about a new application called Prelude.
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 Two New Sony Blu-Ray Burner Bundles for Beginners & Professional Editors
Perfect for Beginners!
SONY Vegas Movie Studio HD Platinum Blu-Ray Disc Bundle $179
Everything a Professional Editor Needs!
SONY Vegas Pro 11 Blu-Ray Disc Bundle $599.95! Now inlcudes Over $125 worth of training!
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 Apple imploding. Adobe ascending. Avid opening up. Who could have seen it coming? Here's Walter's look at what happens when the blinders come off.
Walter Biscardi has been part of Creative COW since before there was a COW, in its prior incarnation. He holds the record for most posts at CreativeCOW.net, coming up on 24,000 of them. His article "FCPX: What Pros Find Missing in Final Cut Pro X" is one of the most popular in the past six months at the COW, with another co-written by Richard Harr
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 XML (eXtensible Markup Language) has become a common method of data interchange between postproduction applications. Standard XML variations are like Romance languages: one version is as different from another as German is from French; thus, translation software is required. Apple's Final Cut Pro X was updated to include XML interchange, but this new version of XML (labeled FCP XML) is completely different from the XML format used in FCP 7. Stretching the language analogy, FCP 7's XML is as diff
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 GRASS VALLEY EDIUS 6 CROSSGRADE/UPGRADE NOW AVAILABLE AT 50% OFF!!!
Plus great Hardware & Software EDIUS 6 including
STORM Mobile, STORM 3G & Plug-ins from Boris, Red Giant & more!
Thanks to this new promotion, which is only available for a limited time, you can upgrade and enjoy all of the real-time signal processing and multi-format support (on the same timeline) of the EDIUS system’s suite of professional tools.
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 GoPro today announced a new version of its CineForm Studio lineup that it hopes will help build a bridge between professionals of all stripes and the enthusiasts who embrace its rugged $300 HD cameras. With the latest revisions, the free version of CineForm Studio adds features like support for H.264 footage from non-GoPro cameras using an MOV or MP4 wrapper (this works in 2D only; 3D is only enabled for GoPro cameras in the free version) and automatic recognition of 3D formats for YouTube uploa
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 A slightly different MacBreak Studio Live this month. This time Steve Kantor joins the regulars where they take a look at Avid's Media Composer 6 and how it compares and differs from Final Cut Pro X. It's a good battle!
In the blue corner we have Steve Kantor who is demoing Avid, in the Red corner we have Steve Martin who puts up a good fight for FCPX. Mark Spencer acts as referee between the two.
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 Why is Thunderbolt’s crazy fast data transfer a bit slow to catch on?
No doubt by now you’ve heard a bit about the new Thunderbolt technology by, a collaboration effort between Apple and Intel in 2011 for Apple’s new line of MacBook Pro laptops (as well as MacBook Air, Mac mini and iMac)—and though the hype and performance boost have editors drooling, a year later, adoption could still be a ways off for many users.
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 I’ll admit it – I’m a Mac Guy. And for those that regularly read my blog posts, newsletter articles or have checked out some of my workflow hacks this is isn’t news.
Lately though, I’ve become a lot more open minded.
Like many of my peers, I’m still a little intimidated by FCP X. But I am still planing on becoming proficient with the app because of the novel ways it improved FCP 7. I also think FCP will eventually re-gain some of it’s mindshare so I want to be able to talk knowledgeably ab
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 “I know how to edit in Avid Media Composer, Apple Final Cut Pro,
and Adobe Premier, but the Grass Valley EDIUS software tops
these systems with features like real-time editing and the ability
to seamlessly interact with other professional industry-standard
applications, such as After Effects and Digidesign Pro Tools.”
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 Q: Can you tell us about AJA's technology that supports the new Avid products?
A: Avid's release of 6.0 software for Media Composer and Symphony as well as the 10.0 release of NewsCutter introduces a new SDK structure for third party hardware known as Open I/O. Through Open I/O, end users can utilize any of our current IO hardware including KONA 3G, KONA LHi, KONA LHe Plus, Io Express, Io XT and even the legacy KONA 3. This new freedom allows Avid users to move to the most powerful hardwar
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 If you are a media production professional, you’ll want to take a good look at the HP Z800 workstation. When paired with a NVIDIA Quadro GPU accelerated video card we’re talking about a system that achieves an outstanding level of performance. Whether you are an editor of motion pictures, a compositor, visual effects artist or create high-end 3D animation, the HP Z800 workstation has a design that’s ideal for the special needs of production and post-production professionals who are searching for
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