 In legacy versions of Final Cut Pro we learned to organize our footage via the use of labeled bins that we could refer to in order to locate specific clips. For example, bins could be labeled, interior, exterior, music, narration, foley and so on. In my case, bins were separated by species of animals and marine life. Having separately labeled bins made for a quicker and more efficient workflow. In legacy versions of FCP, I always named my clips and then imported. While time consuming, it had a p
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 Regular readers will know that, while there are certain applications that I like a lot, I generally prefer a conceptual approach to teaching technology skills. I’d rather see a class on written communication or desktop publishing than a class on Microsoft Word, for example. A class on web design is, I think, more useful than one on Dreamweaver, even if Dreamweaver is the tool of choice for the class. And, whenever possible, schools can save money by teaching principles and concepts using open so
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 When you look at Adobe CS Production Premium’s video production tools - Premiere Pro, After Effects, Encore, Audition, and Photoshop - many if not all could be considered industry leaders in their own right. But it’s how they share assets that makes the suite such a powerful performer.
Applications in Adobe CS Production Premium share assets in several ways. The goal? To save you time, reduce your work load, and ensure your assets retain their original quality throughout the video production
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 Hurry! Time is running out and so are supplies.
Crossgrade from your exisiting NLE software at these discounted prices now thru 10/31!
Fantastic deals when you crossgrade to Adobe Production Premium & Premiere Pro, Avid Media Composer, Sony Vegas Pro and Grass Valley Edius!! Save even more when you bundle you crossgrade with I/O hardware, storage, Blu-ray and more!!
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 Media Composer is Avid’s Non-Linear Editing (NLE) suite for video and film post-production. It’s one of the four heavy weights next to Final Cut Pro, Lightworks, and to a lesser degree Adobe Premiere. Media Composer is a total solution for editors: it has powerful video editing capabilities, but also powerful integrated audio tools, and even special effect capabilities.
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 Mac + Thunderbolt + MXO2 + Adobe, Avid or Apple = AWESOME!! The latest iMac, Mac Mini and Macbook Pro are now very powerful NLE platforms – for every level of video editing - even for professional post. With the addition of the new Thunderbolt hi-speed connectivity port, these machines will give you the ability to add the Matrox MXO2 family of I/O devices for professional workflows!
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 Crossgrade price will increase to $1,495 as soon as we sell-out! $995 Only While Supplies Last!!
Avid Media Composer 5.5 "Crossgrade" Bundles
for Apple Final Cut Editors are Still Available at Videoguys.com
Your choice Avid Media Composer 5.5 Crossgrade with either Matrox MXO2 Mini or Glyph GTO62E 4TB for just $1,495!!
Are you ready to upgrade your Mac? If you're a Final Cut Pro editor in need of a new editing program. or a former Avid editor who made the switch to Final Cut and w
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 On 9/20/11 Apple released their first update to FCPX 10.0.1. While it shows some progress, it doesn't address the main issues and reasons so many Pros have left Apple for Adobe and/or Avid. Below is the original blog post, with new FCPX information added to reflect the latest information.
We first published our Options for Final Cut Pro owners back on June 6th. Two weeks before FCPX was released. We had high hopes for FCPX, based on the Sneak Peak at NAB, but as time wore on, and we heard
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 Special EDIUS 6 Crossgrade Promotion - $399.95!
Thanks to this new promotion, which is only available through the end of this year, you can upgrade and enjoy all of the real-time signal processing and multi-format support (on the same timeline) of the EDIUS system’s suite of professional tools.
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 Apply the power of Adobe creative tools to projects from other NLEs
Bring the creative benefits of Adobe tools to your entire production project, exploring new possibilities with Adobe® After Effects® and other Adobe software. As you work in Adobe Premiere® Pro, you can collaborate more efficiently with colleagues by importing and exporting Final Cut Pro and Avid projects.
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 Premiere Pro in Adobe CS 5 was a watershed release. The program was written from the ground up in 64-bit environment that is fully exploited on the Mac OS X and the very stable Windows 7 system. The kind of hiccups running Premiere in a 32-bit funky Windows XP operating system are mostly banished. Refinements to this aspect of the engine in CS5.5 is that the 64-bit addressing of using the CPU cores has been further optimized improving overall stability when editing projects with large files, i.e
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 A few months on from the release of Final Cut Pro X, we thought we would take a look at what you can do or need once you've bought FCPX. Content, tutorials, books and videos all await.
Looks like there was a similar minded person in Cupertino on Sunday when we drafted this post as Apple published a Knowledge Base article of FCPX resources. We are very pleased to be listed in the blog section by Apple as "Comprehensive resource for Final Cut Pro news, reviews, and training."
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 At its MAX 2011 technology conference, Adobe Systems Incorporated (Nasdaq:ADBE) today announced Adobe® Creative Cloud, a major new initiative from the company that radically redefines the content creation process. Adobe Creative Cloud will become the focal point for creativity, where millions can access desktop and tablet applications, essential creative services, and share their best work. Adobe Creative Cloud is being announced in parallel with a new set of Adobe Touch Apps for content creatio
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 Step up to the toolset the pros use, Adobe® Premiere® Pro, part of Adobe Creative Suite® 5.5 Production Premium software. Get seamless integration with Adobe Photoshop® and After Effects®, and edit almost anything thanks to broad native tapeless and DSLR camera support.
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