 We all know the important place that DSLRs now have in the world of video production. The versatility of these cameras, the ability to alternate between still photography and video at a shoot, the interchangeable lenses, large processors, and more, have all meant that DSLRs are an attractive option for shooting video.
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 For budget friendly, uber audio, check out the Zoom H2n Audio Recorder.
We're all familiar with the truism that poor video may be forgiven as long as the audio is great, while the best video will suffer if the audio is lousy. Whether short film or feature, Hollywood blockbuster or local independent, the quality of your audio will make or break your production faster than any other single component.
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 The Roland VR-3 is a fully integrated audio mixer, video switcher for live production and web streaming. This unique product combines the power of Roland’s audio and video technology into one unit and expands the growing lineup of AV Mixers and streaming-ready solutions from Roland.
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 A few years ago, no digital SLR cameras shot video. Today, they nearly all do -- and full HD video, at that, as you'll see in our latest report on DSLR cameras. But don't sell your camcorder just yet. Yes, it's a tempting idea: After all, if you want the very best-quality still photos possible, experts say you've got to invest in a DSLR -- but a good one can cost $700 or more (much more). So why not make it do double-duty? Unfortunately, tests show that every DSLR suffers from at least one major
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 The VR-3’s innovative design incorporates a video switcher, audio mixer, preview monitors and streaming-ready USB output all in a single unit. As a USB Video/Audio class device, web streaming is effortless by simply connecting to a computer running a live streaming service such as USTREAM , Livestream, Stickam, Justin.tv, worshipstream.com, websharelive.com, etc. The reduction in hardware equipment, setup time and connection complexity ensures a worry-free, easy to use solution for any event.
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 Videoguys' Updated Articles, Guides & Fall Specials!!
Videoguys' Thoughts on FCP X 10.0.1 - Apple's First Update to FCPX
Updated Videoguys' System Recommendations
Add Class On Demand Training for Just $1.00
Everything You Need to Know About Getting Started in Video Editing
Azden Fall Rebate Program
Time is running out for Crossgrades
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 Being a Nikon shooter in a multimedia world has some disadvantages. In 2008, Nikon launched the D90, which was the first DSLR with the ability to shoot video as well as stills. The camera was rife with limitations. Without an audio mic jack, you could not use an external microphone to gather quality sound. The Motion JPEG codec the D90 recorded in was a nightmare for Final Cut Pro to deal with. My newspaper bought two of these cameras on release. I played around with one, shrugged my shoulders,
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 For 10 years strong, Commack, NY-based Pennylane Productions’ award-winning owner/director Adam Forgione has been producing wedding/event films/videos that solidify cherished moments and memories. For soundtracking a myriad of projects on location and in the studio, Forgione relies on the unsurpassed quality that Roland products deliver.
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 If you are a student or a teacher, you qualify for special educational versions of some of our most popular video editing titles! This includes: University and college students, Primary and secondary school students, as well as Teachers, faculty and staff. You will have to provide proof that you are eligible which means sending us a copy of your student or staff ID, report card/ class schedule,
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 Sony Upgrade and Crossgrade from Most Editing Software for Under $300 plus... TWO Special Videoguys Bundles to choose from!
ATTENTION DSLR VIDEOGRAPHERS: Upgrade Your Audio
with Samson ZOOM Digital Recorders & Sync Seemlessly On Your Timeline with Singular Software
Professional Video Storage RAID Arrays from Glyph Production Technologies Are Recommended by Videoguys.com
Introducing the NEW Avid Studio Movie Production Software
VIDEOGUYS FEATURED PRODUCTS FOR TAPELESS AC
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 It has been a very exciting summer, as the industry and editors react to the release of FCPX. You can keep up with all the latest news, reviews and posts from all over the internet on the Videoguys blog
We've also updated our "Videoguys' Options for Final Cut Editors" blog article to include the latest and greatest info from Apple, Avid & Adobe.
Matrox has jumped on the crossgrade wagon as well. Now you can save $175 or more when you purchase an MXO2 w/Max with either the Avid crossg
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 Roland, a company that I have a lot of experience with from my past, makes the R-44, a portable four-track digital audio recorder. I still own an antique Roland GR-300 guitar synthesizer that I bought back in the 1980s, and I used Roland keyboards and recording gear quite a bit back in the days when I dabbled in the recording studio. In my experience, Roland products always have been reliable and innovative, so I thought the R-44 would be worth checking out to see how it compares to the high-end
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 WOW! It's been a crazy summer so far and things are just starting to heat up! Apple, Adobe and Avid are creating so much excitement and news in the NLE world.
A couple of weeks later and FCPX continues to frustrate professional editors, while offering exciting new technology and performance to others. You can follow all of the FCPX articles, reviews and discussions from all over the internet on the Videoguys blog
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 It would be redundant of me to, once again, emphasize just how important the quality of the audio is both when planning preproduction, when shooting, and in post production.
For those many who have begun much of their filming using the DSLR's which, aside from being great for the photo enthusiast, can produce some beautiful video footage, but to the user's dismay, the audio quality for any of the DSLRs that I have heard is quite dreadful. Fortunately there is software that can, with little
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 Macintosh-based video editing tools are some of the best on the market, from Apple's Final Cut Pro to Adobe's Premiere Pro. Yet, for those whose event production workflows follow the digital cinema model of two-system productions, where the audio is captured separately from the video, there’s always been the problem of synchronization. And virtually all of us who shoot with DSLRs find ourselves in this boat.
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