 Part 1 of a live seminar recorded at BVE London, February 16, 2010. Topics covered: the ability to adapt and meet changing requirements; making the right investments; the importance of efficient workflows. Featuring Matt Davis, Producer and Director, MDMA; Christina Fox, Camera Operator, Trainer/Consultant, Urban Fox; David Fox, Journalist/Technology Writer; Larry Jordan - Producer, Director, Trainer. The panel is chaired by Rick Young of MacVideo.tv
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 This year’s “State of the Edit” report harvested some timely perspectives on our chosen craft from top industry insiders.
“We’re seeing a growing interest in what we call ‘editing for engaging experiences’ in Internet distribution, letting Internet viewers appreciate the additional benefits of Web-based delivery,” said Simon Hayhurst, senior director, product management, dynamic media at Adobe Systems Inc. “That means including all the metadata information available to the online viewer. Our
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 Join StudioDaily on Thursday, February 25 at 1:00pm ET, as they answer your questions during the StudioDaily Webinar HSDLR Filmmaking: Techniques and Workarounds from Early Adopters. It'll take just 90 minutes to listen and learn as experts explain the technology and business models that will prevail in the future. This is your chance to get your head around this emerging format early—before your competitors can figure it out.
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 Adobe® Photoshop®, the software product that redefined creativity in the digital age, turns 20 on Feb. 19, 2010. Around the world, Photoshop fans are celebrating the impact their favorite software has had across photography, art, design, publishing and commerce
In the United States, the National Association of Photoshop Professionals (NAPP) will be hosting a special Photoshop 20th Anniversary celebration for over a thousand attendees in San Francisco at the Palace of the Fine Arts Theater tod
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 This is the dawning of the age of compression. Consider this: you produce an HD news story in 1080i; then you need to deliver an uncompressed version for broadcast, a compressed version for the station's Web site and a highly compressed version for iPhones and other handheld devices.
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 No, this isn’t the 5D workflow article that you’ve been waiting for. That’s still coming in another couple of weeks. In the meantime, I’ve started on another Canon 5D commercial. This time I’m cutting the project in Avid Media Composer instead of Final Cut Pro. There are a number of reasons, including some recent stability issues I’ve had with FCP. In addition, the creative treatment calls for some nice speed ramp effects. Avid’s FluidMotion is simply a much better slomo technology than anything
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 The delivery guy walked in the door just over a week ago with a box containing a sparking, new, fresh off the assembly line MC Color control surface from Euphonix. For those who aren’t familiar with this unit, it’s a brand new entry into the affordable (relatively speaking at $1,499) trackball based hardware support for Apple Color. The Euphonix unit has the Tangent Wave square in its sights with a similar price point and similar functionality. In fact it’s hard to talk about one without compari
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 The Vegas Pro Webinar, 10 Vegas Pro Techniques for Power Editing, now up and available for on-demand replay. This is a fantastic resourse for Vegas pro users of every level.
Sony has posted some fantastic Vegas Pro tips and tricks on their website. Here they are some for you to enjoy:
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 People have been talking about the amazing video footage coming from new DSLR cameras, at resolutions that can easily exceed 4K digital cinema files, for a couple of years now, in all kinds of forums, including Cinematography, After Effects, and many NLE forums. In the past year, that traffic has continued to accelerate, and so we invite you to join us in a newly-created forum to concentrate all of that energy in one place: Creative Cow's new "DSLR Video" forum.
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 "The Matrox MAX technology has revolutionized our workflow. Our camera crews typically would record to tape or FireStore drives using our Canon HV20/HV40, Sony PMW-EX1, and Panasonic HPX500 camcorders. They would then ship the tapes or drives back to our facility where staff would transfer the footage to Final Cut Server. It would take us a day just to see it, then another three or four hours to add all the metadata so the editors could get to work. Once the editing was done we would output from
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 Euphonix, a world leader in large-format digital audio consoles, media controllers, and peripherals for over twenty years, has started shipping MC Color, a color grading surface that offers unmatched control and integration with Apple’s Color 1.5.
The slim-line MC Color attaches to the Mac via Ethernet, and features high-resolution optical trackballs, trackwheels, displays, encoders and a host of programmable keys to speed up and enhance the Apple Color workflow.
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 Buying a Canon 7D is a smart move well done, don't second guess yourself with, should I have got the new 550/T2i for half the price? The Canon 7D can do so much more on the photo side and it is tried and tested on the video side, there has to be some downside to a new camera for half the price.
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 Matrox® Video Products Group today announced Matrox Vetura Playback, a new application on the Mac for convenient playback of H.264 and .mov files using any of the Matrox MXO2 I/O devices.
Field journalists equipped with a Matrox MXO2 device that includes the Matrox MAX H.264 encoding accelerator can shoot and edit their stories, then quickly encode to a very high quality H.264 file faster then realtime.
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 The new effects in version 6 include a broad set of text and image-styling filters, including Extruded Text, Type-On Text, Extruded Spline, Layer Deformer, Extruded EPS, DV Fixer, Smooth Tone, Cartoon Look, Charcoal Sketch, Pencil Sketch, Water Color, Pixel Fixer, Lightning, Tile Mosaic, and Swish Pan.
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 Stand-alone compression tool to automate your work and package projects with advanced options - now with integrated delivery online, notifications, and review and approval process.
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