 The 2010 National Association of Broadcasters convention had the Post Production world buzzing about the Three A’s of the industry. Apple, Adobe and Avid. Well, really more Adobe and Avid since they were actually at the show and had something to demonstrate.
Adobe brought their CS5 creative suite to the show with some incredible announcements. Not the least of which to me is the ease of integration with other NLEs like Final Cut Pro and Avid. Adobe has decided to “play nice” with with t
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 I have been an Avid editor for at least 10 years now, but I always thought that they were catering to their higher-end users and news stations – not people like me. I couldn’t have been more wrong. It appears that Avid is listening to their user base, and it definitely shows in Media Composer version 5. First the big news – Avid now supports third-party hardware! I couldn’t believe it! Don’t get me wrong, I love working on an Adrenaline just like the next guy, but I definitely couldn’t affo
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 Buy Media Composer 4 today, get free upgrade to MC5 when it ships in June!
Avid tapeless workflows with MC5 are a game changer. This is amazing. Just left the reseller meeting at NAB! GREAT JOB AVID!
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 We've been busy publishing and updating the Guides on our website!
Videoguys' Guide to DSLR Workflows
Videoguys Guide to Migrating From Avid Liquid to Avid Media Composer
Videoguys Guide to Understanding HD Formats
Videoguys' FAQ: Matrox MXO2 Family of Products
Wedding & Event Videography Guide from the Videoguys
Videoguys' Professional Video Editing and Production Guide
NAB 2010 IS COMING!!Keep up with the latest news and information by following the Videoguys
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 I’ve covered Matrox for a number of years. With the development of the MXO and MXO2 units, Matrox has put together one of the strongest families of I/O products that are available for the Apple Final Cut Pro editing customer. The original MXO was designed to use the video signal from one of the internal graphics card’s DVI ports and turn that into a broadcast quality signal for output and monitoring. The MXO2 was built as a more traditional ingest and output system. Instead of DVI, the MXO2 conn
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 The Matrox MXO2 Mini is definitely a solid piece of hardware that will not disappoint. At just $450 for the Matrox MXO2 Mini without the MAX hardware you have a solid I/O device that can capture just about any source a client will throw at you. Also, Matrox’s calibration software will allow you to monitor your video properly to any HDMI monitor. The choice of codec and bitrate will fit any project that you might face and the HDMI in and out is a dream if you’re neurotic about your cabling – e
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 At Videoguys.com, we understand that professional video editors have different needs than the average consumer. Not only do you need the best tools available in the industry, you also need the fastest and most reliable solutions available because down-time may not only prevent you from making money, it may actually cost you money.
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 If you're a post-production professional editing with Apple Final Cut Studio, Avid Media Composer or Adobe CS4 Production Premium, Videoguys.com is your source for the professional tools you need to make the most of your production environment. At Videoguys.com, we understand that professional video editors have different needs than the average consumer. Not only do you need the best tools available in the industry, you also need the fastest and most reliable solutions because down-time may not
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 It's snowing again. Most of the schools on Long Island are closed, but we're open with a skeleton crew. We'll be here until 3PM on Friday, then we'll close early for the weekend.
If you're snowed in like us, or you just have some extra time this weekend, why not check out some of the valuable articles posted to our blog.
We've added a really cool feature to the blog, our HOT TAGS cloud. By using our HOT TAGS you can zero right in on the stuff you are interested in. Our HOT TAGS will
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 "The Matrox MAX technology has revolutionized our workflow. Our camera crews typically would record to tape or FireStore drives using our Canon HV20/HV40, Sony PMW-EX1, and Panasonic HPX500 camcorders. They would then ship the tapes or drives back to our facility where staff would transfer the footage to Final Cut Server. It would take us a day just to see it, then another three or four hours to add all the metadata so the editors could get to work. Once the editing was done we would output from
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 Matrox® Video Products Group today announced Matrox Vetura Playback, a new application on the Mac for convenient playback of H.264 and .mov files using any of the Matrox MXO2 I/O devices.
Field journalists equipped with a Matrox MXO2 device that includes the Matrox MAX H.264 encoding accelerator can shoot and edit their stories, then quickly encode to a very high quality H.264 file faster then realtime.
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 lets get on to the Matrox MXO2 and, more importantly, the newest and imminent driver release that’s coming our way. Unlucky for some perhaps, but hopefully not for Matrox or their users, version 1.9 will be the 13th driver release for the MXO2 in just 18 months... and its a doozy.
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 It's hard to believe another year has gone by. I think 2009 was one of the most challenging years for our industry. The troubled US economy created budget problems for videographers, video editors and producers on every level. In today's economy every Penney counts and before we invest in new technology, we have to be sure of the benefits.
In 2009 Tapeless camcorders started dominating the landscape, at every level of video production, each with their own unique wrinkles and complexity. Th
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 It's hard to believe another year has gone by. I think 2009 was one of the most challenging years for our industry. The troubled US economy created budget problems for videographers, video editors and producers on every level. In today's economy every Penney counts and before we invest in new technology, we have to be sure of the benefits.
In 2009 Tapeless camcorders started dominating the landscape, at every level of video production, each with their own unique wrinkles and complexity. The
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 KDVR in Denver, Colorado is "Where News Never Stops". Twenty photo-journalists are on-call 24/7, ready to cover breaking stories from a satellite truck, seven micro-wave trucks, and a storm tracker vehicle all equipped with Sony EX3 cameras, MacBook Pros with Final Cut Pro and Matrox MXO2 I/O devices. It’s a very-efficient, all-digital HD production workflow.
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