 Matrox® Video Products Group today announced support for Avid® Media Composer® version 6 with the entire range of Matrox MXO2 I/O devices and the new Matrox Mojito™ MAX™ card. Not only do Matrox I/O products provide broadcast-quality input and output, they also lets users deliver H.264 files for the web, mobile devices, and Blu-ray up to five times faster than software alone, without sacrificing quality. Other important features include 10-bit hardware scaling, inexpensive HD monitoring with the
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 Last night the Boston Final Cut Pro User Group hosted the 2nd annual Boston SuperMeet at the Stuart Street Playhouse in downtown Boston. It was a dark and stormy night, with the threat of the first snow of the winter, so it was a great night to be indoors with a bunch of other video production nerds. My coworker, Kevin McGowan, and I arrived about an hour and a half before the show so we could walk around the exhibit floor and visit some of the vendor booths. I don't have any hard numbers, bu
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 Walter Murch, a long time Final Cut Pro user, and editor of Apocalypse Now, The Godfather Part III, The English Patient, Cold Mountain, Tetro, among many other films, headlined the Boston Supermeet on Thursday October 28, 2011. It marked his first public appearance since the launch of Final Cut Pro X.
A group of us met up to go and listen to Walter talk about the craft of editing and his thoughts on the transition from film to digital. There was such a huge turnout for the event, tickets to t
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 Discover what has professional editors talking and find out how to edit like you’ve never been able to before. Join Avid for an exclusive webcast —Thursday, November 3, 2011 at 1 pm ET (10 am PT).
Check out the IBC2011: Technology Preview Avid Media Composer 6 video below for some more cool info
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 The Javits Convention Center played host to CCW this year. Upon descending to the lower level you can see the distant booths and the feeling of where do I start sets in. I had made my list of things I wanted to see and planned to explore some of the unknown ones out there.
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 Hurry! Time is running out and so are supplies.
Crossgrade from your exisiting NLE software at these discounted prices now thru 10/31!
Fantastic deals when you crossgrade to Adobe Production Premium & Premiere Pro, Avid Media Composer, Sony Vegas Pro and Grass Valley Edius!! Save even more when you bundle you crossgrade with I/O hardware, storage, Blu-ray and more!!
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 Media Composer is Avid’s Non-Linear Editing (NLE) suite for video and film post-production. It’s one of the four heavy weights next to Final Cut Pro, Lightworks, and to a lesser degree Adobe Premiere. Media Composer is a total solution for editors: it has powerful video editing capabilities, but also powerful integrated audio tools, and even special effect capabilities.
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 Special program allows users of competitive applications to upgrade with little investment to the fastest, most format flexible HD editing platform in the industry
Grass Valley™ has announced that, as part of a special competitive upgrade promotion, users of Apple's Final Cut Pro, Adobe Premiere, and Avid's Media Composer can now upgrade to EDIUS® 6 nonlinear editing program for just $399. That's 50 percent off the regular price.
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 Crossgrade price will increase to $1,495 as soon as we sell-out! $995 Only While Supplies Last!!
Avid Media Composer 5.5 "Crossgrade" Bundles
for Apple Final Cut Editors are Still Available at Videoguys.com
Your choice Avid Media Composer 5.5 Crossgrade with either Matrox MXO2 Mini or Glyph GTO62E 4TB for just $1,495!!
Are you ready to upgrade your Mac? If you're a Final Cut Pro editor in need of a new editing program. or a former Avid editor who made the switch to Final Cut and w
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 On 9/20/11 Apple released their first update to FCPX 10.0.1. While it shows some progress, it doesn't address the main issues and reasons so many Pros have left Apple for Adobe and/or Avid. Below is the original blog post, with new FCPX information added to reflect the latest information.
We first published our Options for Final Cut Pro owners back on June 6th. Two weeks before FCPX was released. We had high hopes for FCPX, based on the Sneak Peak at NAB, but as time wore on, and we heard
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 Scott was just finishing up a three week edit using Avid Media Composer. He enjoys longer-form projects like this one as he always find himself learning something new about the non-linear editing tool that he's using for that extended period of time. While he's in and out of these editing tools nearly everyday (be it Avid, FCP or Premiere Pro) it’s a prolonged period in a single one of them that often revels something he never knew before. In this case it was some tips, tricks and tutorials abou
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 We begin the semester by cutting a complex dialog sequence, using ScriptSync to help assemble the 40+ camera angles that make up the scene. Because the students have so much to do technically in constructing the scene, they sometimes fail to see the forest for the trees on the first pass. That is, because they have so much material to sort through—and so many decisions to consider—they often tend to get caught up in building the scene, and forget to sit back and really watch.
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 Atomos, the Melbourne, Australia-based company that creates solutions in continuous power technology and affordable digital recording to HDDs or SSDs, continues to extend its workflow-related products to more media productions and projects.
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 Videoguys Columbus Day Deals and Flat Rate $14.92 Shipping
Save 20% on Adobe Upgrades
Save 50% when you switch to Adobe
Money saving bundles on Avid Media Composer 5.5 Upgrades adn Crossgrades
ADD A BUCK! On-Demand Training for just $1 with any purchase over $100
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 Apply the power of Adobe creative tools to projects from other NLEs
Bring the creative benefits of Adobe tools to your entire production project, exploring new possibilities with Adobe® After Effects® and other Adobe software. As you work in Adobe Premiere® Pro, you can collaborate more efficiently with colleagues by importing and exporting Final Cut Pro and Avid projects.
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