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Mar
18
by: 
3/18/2010 10:22 AM
In Final Cut Pro there are keyboard shortcuts you can use for adding your favorite transitions to any edit point. Not aware of these? Then stand by Laddie, you're in for a treat. Let's start with basics first. Read More
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Mar
16
by: 
3/16/2010 12:20 PM
Recently fellow editor Shane Ross and I were discussing the relative merits of grading in Avid Media Composer versus Apple’s FCP or Color, as well as using the Colorista plug-in. Our conversation got down to how each treated the image when you used the color wheels. After I did a quick test, it was obvious that FCP and Avid don’t process the image in quite the same way, even when you push what appears to be the equivalent control in the same direction. So I decided to dig a bit deeper. Read More
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Mar
5
by: 
3/05/2010 11:43 AM
Knowing both systems is VERY important in today’s post production market. Don’t be labelled as an “FCP Editor” or “Avid Editor.” Just be known as simply, an editor. You need to be known as someone who can use either tool, because that will make you far more marketable. Read More
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Mar
1
by: 
3/01/2010 9:59 AM
RED’s Scarlet appears to be just around the corner and both Sony and Panasonic seem to be responding to the challenge of the upstart photo manufacturers. No matter what acronym you use – DSMC, HD-DSLR, HDSLR – these hybrid HD video / still photo cameras have grabbed everyone’s attention. 2010 may indeed be the year that hybrid digital SLR cameras hit their stride. Read More
Feb
22
by: 
2/22/2010 10:25 AM
No, this isn’t the 5D workflow article that you’ve been waiting for. That’s still coming in another couple of weeks. In the meantime, I’ve started on another Canon 5D commercial. This time I’m cutting the project in Avid Media Composer instead of Final Cut Pro. There are a number of reasons, including some recent stability issues I’ve had with FCP. In addition, the creative treatment calls for some nice speed ramp effects. Avid’s FluidMotion is simply a much better slomo technology than anything Read More
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Feb
8
by: 
2/08/2010 11:06 AM
With Apple’s announcement of the iPad there’s been tons of articles, tweets and blog posts about this upcoming piece of hardware. There’s also been tons of ink spilled about just how this little device could be useful in the filmmaking process as well, some right here on this site. I had decided not to write anything at all about the iPad since pretty much everything had already been said. But I got to thinking how this device might integrate more with the post-production side of the filmmaking Read More
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Feb
1
by: 
2/01/2010 11:03 AM
This month I’ll describe the round-trip procedures for moving active project files among the various apps in Final Cut Studio 2009. I’ll start in Final Cut Pro 7 and use the “Send To” command to go out to Soundtrack Pro 3 (STP), Motion 4, and Color 1.5. Then, I’ll explain the return trip to Final Cut Pro (FCP). Read More
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Jan
28
by: 
1/28/2010 3:44 PM
This guest post was contributed by Ryan Bilsborrow-Koo; he is the winner of the 2008 Webby Award for Best Drama Series and one of Filmmaker Magazine’s 25 New Faces of Film. He is currently working on a number of transmedia projects that he hopes will make it out of development hell, and he blogs to maintain his sanity at nofilmschool.com, where he recently authored The DSLR Cinematography Guide. Read More
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Jan
28
by: 
1/28/2010 11:14 AM
As I followed Apples presentation on my favorite tech blogs, while watching folks reactions on Twitter (follow us) and Facebook (become a fan), I started thinking about how the iPad could impact content creation. Sure it’s a great delivery vehicle for video and multimedia, but could it be used to help us make content of the future? I’m 100% certain it could, but it may take a few generations of iPads to get there. So in an attempt to speed up the process, I’m putting out this wish list of applic Read More
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Jan
26
by: 
1/26/2010 8:27 AM
Peter Wiggins posted a Top Ten Wish List for FCP in 2010 over on his blog recently. Then in a tweet he asked: What is yours? Years ago I posted what could have been called my FCP wish list in two Editblog posts: Bottom 10 Final Cut Pro ...tips? and Bottom 10 FCP Tips ... revisited. They read just like a Final Cut Pro wishlist. So with those in mind here’s my Wish List for Final Cut Pro in 2010. Some are revisited right from the Botton 10 FCP Tips, some echo Peter’s. Everyone who has used FCP for Read More
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Jan
12
by: 
1/12/2010 11:12 AM
One of the biggest benefits of the Final Cut Studio bundle of applications, is that it truly replicates all the parts of most facility service offerings: edit (Final Cut Pro), audio editing/mixing (Soundtrack Pro), color grading (Color), motion graphics (Motion) and compression/web/authoring (Compressor, DVD Studio Pro). Apple has done this better than its competitors, making it easy to stay within the Apple/Final Cut ecosystem. Read More
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Jan
6
by: 
1/06/2010 4:59 PM
I made this post on one of the many listservs I participate in. I thought it would be good to share on our blog as well.

One of the things I found so amazing about Avatar was the facial imagery of the cat people and the live actors. With 3D it was like you were right next to them. Sure the action scenes were intense, but it was the immersive effect of the lush planet and the creatures that made it such a powerful experience. Read More

Dec
31
by: 
12/31/2009 10:35 AM
As 2009 winds down and we try to come up with new and clever ways of referring to the early years of this century, there's really only one thing left to do: declare our ten favorite gadgets of the aughts and show them off in chronological order. It's arguable that if this wasn't the decade of gadgets, it was certainly a decade shaped by gadgets -- one which saw the birth of a new kind of connectedness. Read More
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Dec
1
by: 
12/01/2009 1:13 PM
During the years with Final Cut, I’ve accumulated a number of workflow steps to eliminate some of the “gotchas” and bottlenecks. I’ll share a few in this post and hope you find them to be helpful. Read More
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Nov
23
by: 
11/23/2009 3:19 PM
We use Compressor for two different tasks; to encode files to make them smaller and change their codec to a delivery format for distribution, and to transcode source video to different codecs to improve or facilitate workflow.

In FCP we can work with a number of different video formats, including a large number of new HD formats. As the frame size and quality of our video goes up, so does the size of the video files. Faster Macs and falling prices for hard drive storage and ram means that we Read More

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