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Review: HP Z1 All-in-One Workstation
by: 
 5/23/2012 4:33 PM
There are three constants in life—death, taxes, and oversized workstations. Why are workstations so large? They need breathing space for their powerful components, which could overheat if they aren’t cooled properly. As a result, no one had successfully designed an all-in-one workstation. Apart from squeezing everything into what is essentially the back of a monitor, there’s this vexing problem of how to disperse the heat. If the components are just inches from your face, you would have to liste Read More
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Matrox MXO 2 Mini MAX on sale $599!!
by: 
 5/23/2012 1:05 PM
Affordable HDMI/analog video and audio I/O with Matrox MAX for Lightning fast H.264 encoding! Not only does Matrox MXO2 Mini MAX give you affordable HDMI and analog video and audio input and output for your favorite editing app, it also turbocharges your H.264 encoding for deliveries to the web, mobile devices, and Blu-ray – all in a convenient, portable breakout box. Read More
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First Look: Adobe Prelude CS6
by: 
 5/22/2012 9:34 AM
Adobe Prelude CS6 is a brand-new application for Windows and Mac that shipped last week with the rest of the Adobe CS6 update. According to Adobe’s website: “Adobe® Prelude™ CS6 software streamlines your production tasks. Ingest nearly any file-based format and begin logging immediately, creating searchable markers and other temporal metadata that flow through post-production, so you can work faster and stay organized.” Read More
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Which NLE for You and Me? Well, that depends
by: 
 5/22/2012 9:32 AM
Doug has been following the ‘NLE Wars’ with quite a bit of interest for some time now. Like many, folks who have been using FCP for years, including all of his own current work work, as well as a number of feature films in the past, He is very concerned about the end-of-life for FCP/FC Studio in the wake of the release of FCP X, and he's really, really, not motivated to switch to another platform. Switching costs time, switching costs money. Switching means that a video that could take a half a Read More
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10 Things I wish I knew the first time I launched Premiere Pro CS6-Part 1
by: 
 5/22/2012 9:26 AM
Clay wrote this originally for lafcpug in 2010.

Here is the updated version for Premiere Pro CS6.

1. Change your Scratch Disk.

By default, Scratch Disks follow the Project. (Users/Documents/Adobe/PremierePro) Read More

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Videoguys Guide
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Videoguys' Reflections on the NAB Show 2012
Posted by: gary April 25, 2012 12:16 PM
Over the next week or two I'll be posting our NAB roundup article(s) going into more depth on each of our vendors NAB announcements and new product introductions. Today's article is more my impressions and reflections on the overall tone of the show and where the industry is heading. NAB is a professional show - again. Over the past few years the NAB show started to feel more and more like CES. We were starting to become dominated by the Apple distortion field and the thousands of FCP fans (Read More)
Videoguys Guide to Adobe CS6 Production Premium
Posted by: jim April 16, 2012 3:16 PM
Adobe® Creative Suite® 6 Production Premium software offers a sleek, fresh editing environment in Adobe Premiere® Pro; 3D tracking and extruded text and shapes in Adobe After Effects®; new Content-Aware tools in Adobe Photoshop® Extended; and faster editing in Adobe Audition®. New additions are Adobe Prelude™ for logging and ingest and Adobe SpeedGrade™ for color grading and finishing. This Videoguys' Guide has all of the new features of the Adobe CS6 Production Premium plus the Top 10 Reasons t (Read More)
Videoguys Top 10 Products of 2011
Posted by: gary January 10, 2012 3:53 PM
2011: The Year of the X
That's "X" as in FCPX and XGrades (crossgrades)

2011 has been quite a year for Videoguys, and our industry. In April, at the FCPUG SuperMeet during the NAB show in Vegas, things changed dramatically when Apple gave a first look of their new FCPX editing software. I was at the event, and the room was filled with excitement, energy and anticipation - that is until after the Apple presentation. The professional editors and broadcasters in the room left f (Read More)
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