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The following Blog articles have been tagged... [view all]

by: 
7/19/2011 12:05 PM
Hi everyone, Here's a technique I use to work offline and then online with my Canon H.264 files with Avid Media Composer 5.5 Starting at DNXHD36 and upconverting the sequence only to DNXHD175. Why? Better Mac/PC performance Saves you space (space costs right?) Speeds you up in the edit Read More
by: 
7/14/2011 11:06 PM
Just before an Avid-hosted event last night on the Warner Bros. lot, editors who gathered there were discussing the shortfalls of FCP X as well as the direction of Adobe and Avid. The buzz was palpable. Inside the Steven J. Ross theater, Avid brought the troops together to emphasize its commitment to the professional market, hammering home that their focus is us: the editors. It was good to hear at a time when some industry people and businesses are feeling abandoned after the release of FCP Read More
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by: 
7/05/2011 11:59 PM
MORE THAN JUST INEXPENSIVE HD MONITORING FOR AVID MEDIA COMPOSER - LIGHTNING FAST H.264 ENCODING TOO!

Avid's support of Matrox MXO2 Mini was the talk of NAB and IBC 2010, giving Media Composer users a very inexpensive HD monitoring solution. But that's not the only benefit Matrox products offer Avid users. Matrox MXO2 Mini with the built-in MAX H.264 encoding accelerator option lets you deliver H.264 files for the web, mobile devices, and Blu-ray at speeds up to five times faster than softwa Read More

by: 
6/28/2011 11:23 AM
If Adobe Premiere, Avid Pinnacle Studio, MAGIX Movie Edit Pro, Sony Vegas and similar fare define the entry-level sector of the market, then the high end is probably dominated—with apologies to Apple's Final Cut Studio—by Avid Media Composer, which is the NLE of choice for a large number of film and video projects. And with the recent introduction of Media Composer 5.5, Avid has wrapped into the product a number of new features and functions of direct relevance to the HDVP community. Read More
by: 
5/12/2011 12:19 PM
I have been using PluralEyes for my Final Cut System ever since I purchased my Canon 7D last year. I have also had the pleasure of working with PluralEyes on my Media Composer System. In both cases, I really like the software. It helps me fix the one problem that I have with DSLR video – the need for second source audio. Read More
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The following Guide articles have been tagged... [view all]

Posted by: gary March 11, 2011 11:13 AM
Last week Avid announced that they would be releasing and shipping the newest version of Media Composer on March 8th - a full month before NAB! This is very exciting news and it created a flury of tweets, blog posts and discussions in user groups and forums. At last years NAB, Avid announced Media Composer 5, and it was he hit of the show. It won numerous honors throughout the industry at NAB and throughout the year and was even named the Videoguys Top Product of 2010. It looks like the new vers (Read More)
Posted by: gary January 10, 2011 4:02 PM
2010 was one of those years that I think we will look back at as a key turning point in our industry. While HD camcorders have been around for 5 years, it was in 2010 that we hit the tipping point that made HD editing a reality for everyone. Many professional videographers migrated to HD years ago with an HDV camcorder that delivered great looking footage. The resolution was there, but the camcorders lacked the optics and focal controls, and flexibility, to make your video look like something sh (Read More)
Posted by: gary December 2, 2010 9:48 AM
In these difficult economic times the one thing that is on everyone's mind is savings and value. We've kept that in mind with this year's Videoguys' Holiday Gift Guide. We've broken the guide into several categories that I think will help make your holiday shopping easier: Gizmos & Gadgets - Low-priced recommendations for everyone! Blu-ray Disc Authoring - Now is the time to start delivering Blu-ray Discs! Hardware - Do you need more video storage, Hardware I/O or a new graphics boa (Read More)

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