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The following Blog articles have been tagged... [view all]

Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
by: 
 2/09/2012 1:26 PM
Back in January news broke that reality television producers Bunim/Murray were switching their post-production facilities from Final Cut Pro to Avid Media Composer. This probably didn’t come as a great shock to anyone who follows post-production as the release of Final Cut Pro X had left many people (especially those in the broadcast world) a bit stunned at its lack of broadcast features. There was a lot written about this subject but I had a few more questions so I spoke with Bunim/Murray’s sen Read More
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A look at AVID media composer 6
by: 
 2/09/2012 1:17 PM
Avid has a long history of being a professional editing tool. They have long been the industry standard, however that all changed when Apple released Final Cut Pro. Apple was able to take 50-60% of Avid’s market. Today’s Market players are still Apple, Adobe and Avid. Adobe has gobbled up much of App le’s market with their aggressive marketing, and Avid with their cross-grade promotion is cutting into Apple ‘s share of the post-production market, but does Avid have what it takes to make not only Read More
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Open-Door Policy: Avid's Media Composer 6 and Symphony 6 Offer Editors 64-Bit Code and Open IO
by: 
 1/30/2012 12:30 PM
Avid made the jump to 64-bit in November with its mainstream Media Composer 6, Symphony 6 and NewsCutter 10 software. This highly anticipated release includes 10 cornerstone features: 64-bit code, Open IO, ProRes integration (Mac only), Avid Marketplace, AMA support for AVCHD, a new DNxHD 444 codec, expanded stereo 3D tools, 5.1/7.1 surround mixing, Avid Artist Color control surface support and a modernized user interface. Avid has made significant architectural changes to the product without al Read More
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Studio Daily Review: Avid Media Composer 6
by: 
 1/23/2012 10:52 AM
Though This 64-bit Version Moves Faster and Looks Different, the Overall Workflow Remains, Comfortably, the Same The biggest news for editors when Avid began shipping Media Composer 6 last November was the NLE's transformation into a very modern, 64-bit application. Along with that came other great updates, including the support of third-party hardware options (several of which I tested with this review). Read More
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Read What the Media and Beta Testers Have to Say About Avid Media Composer 6
by: 
 12/09/2011 9:23 AM
Following last months's introduction of Media Composer 6, NewsCutter 10 and Symphony 6, journalists and beta users are buzzing about new features, including the new 64-bit architecture, UI, Avid Open I/O, Avid Marketplace, among others. Read more about this highly-anticipated, major software release as reported in Creative COW , POST Magazine, StudioDaily, The Hollywood Reporter, Art of the Guillotine , ProVideoCoalition and Digitalcontentproducer.com Read More
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Avid Media Composer 5.5 is Faster and More Open Than Ever!
Posted by: gary March 11, 2011 11:13 AM
Last week Avid announced that they would be releasing and shipping the newest version of Media Composer on March 8th - a full month before NAB! This is very exciting news and it created a flury of tweets, blog posts and discussions in user groups and forums. At last years NAB, Avid announced Media Composer 5, and it was he hit of the show. It won numerous honors throughout the industry at NAB and throughout the year and was even named the Videoguys Top Product of 2010. It looks like the new vers (Read More)
Videoguys NAB2010 Report Part 1
Posted by: gary May 4, 2010 9:47 AM
NAB2010 was very exciting for us and everyone I have spoken to who attended!

We have been waiting for action-packed show full of excitement for a couple of years and thanks to Adobe, Avid, Matrox and others we finally got one! The buzz on the NAB Show Floor was about a bunch of exciting new products, technology and more efficient workflows. Every videographer, producer and editor I spoke to had been waiting for new technology that would finally make their workflow better and I think they've (Read More)
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